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81.
The diurnal patterning of locomotion, stereotypy, grooming, eating, drinking, sleeping, postural readjustment, and inactivity was studied in 14 species of muroid rodents in the laboratory using a visual observation technique.Microtus canicaudus, M. montanus, M. ochrogaster, andM. pennsylvanicus exhibited acyclic activity patterns, whilePeromyscus eremicus,P. gossypinus, P. leucopus, P. maniculatus bairdi, P. polionotus, Calomys callosus, Mus musculus, andOnychomys leucogaster displayed nocturnality in their behavioral patterning.Rhabdomys pumilio exhibited crepuscular activities andNeofiber alleni displayed a complex pattern of nocturnality. Species differed in total amount of time spent per day for all activities but eating. The acyclicity ofMicrotus species appears to be related to high metabolic rates and a semifossorial life-style. 相似文献
82.
Joyce Goodman 《History of education》2018,47(3):415-431
This article explores the intersection of aspects of imperialism and internationalism in discussion of cinematography at the League of Nations, at the International Council of Women (ICW), and as they played out in the imperial, national and local flows around educational cinematography in the work of Suzanne Karpelès at the Institute of Buddhist Studies in Phnom Penh, Cambodia. It focuses on the 1931 ICW cinematograph conference organised by Laura Dreyfus-Barney at the League’s Rome International Institute for Educational Cinematography (IIEC) and on the IIEC’s 1934 cinematography congress, when Dreyfus-Barney fed Karpelès’ ideas about educational film into the congress. The article looks at the notion of rapprochement (of nations) within internationalism as this became articulated at both the League and the ICW with notions about mentalities within imperialism. It also traces the intersection of rapprochement and mentalities in Karpelès’ promotion of educational cinematography from her base in Phnom Penh. The article concludes that various elements around the cinematic at the League, the ICW and at Phnom Penh illustrate articulations of internationalism in the domains of nationalism and imperialism as well as articulations of the national and imperial in the domain of the international. 相似文献
83.
Reider David Knestis Kirk Malyn-Smith Joyce 《Journal of Science Education and Technology》2016,25(6):847-858
Journal of Science Education and Technology - This article proposes a STEM workforce education logic model, tailored to the particular context of the National Science Foundation’s Innovative... 相似文献
84.
Journal of Science Teacher Education - 相似文献
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87.
A significant component of design pedagogy is the need to foster critical design thinking and to support students in understanding links between educational exercises and their potential application in professional design practice. Problem solving is central to design so it is also essential that students understand that there can be multiple solutions to a design brief, and are supported in creative experimentation and in generating imaginative outcomes. This article examines some innovative approaches to addressing these pedagogical needs. It investigates the effectiveness of pedagogical design incorporating the Immerse Lab, a three‐wall projection room at an Australian university, as a learning context for design practice, for generating ideas and for supporting learning involving the comparative display of design outcomes. Anonymous student survey results revealed that the majority of students found learning in the Immerse Lab to be beneficial; comparative review more effective than in standard tutorial rooms; that the activity generated new ideas; it encouraged students to think differently about their designs; and it inspired students to develop their existing designs or create new ones. The project demonstrated that curricula involving immersive spaces can be effective in supporting engaging and relevant design pedagogy. 相似文献
88.
89.
Joyce S. Pickering 《Annals of dyslexia》1992,42(1):90-109
The critical elements in the Montessori philosophy are respect for the child, individualization of the program to that child,
and the fostering of independence. With her research background, Maria Montessori devised a multisensory developmental method
and designed materials which isolate each concept the teacher presents to the child.
In presenting these materials the teacher observes the concept and skill development level of the child, ascertaining areas
of strength and weakness and matching the next presentation to the child’s level of development. Using small sequential steps,
the teacher works to ameliorate weakness and guide the student to maximize his strengths. These presentations, usually initiated
by the child, enhance cognitive growth using a process which integrates his physical, social, and emotional development.
The curriculum contains four major content areas: Practical Life; Sensorial; Oral and Written Language; and Mathematics. Geography,
History, Science, Art, Music, Literature, and Motor Skills are also included. In all of these the Montessori presentations
build from the simple to the complex, from the concrete to the abstract, and from percept to concept. Vocabulary and language
usage are integral to each presentation.
The procedures introduced through these presentations are designed to enhance attention, increase self-discipline and self-direction,
and to promote order, organization, and the development of a work cycle. At-risk children benefit from the structure, the
procedures, and the curriculum. Applications of this method require more teacher selection of materials and direct teaching,
particularly of language and math symbols and their manipulations.
This early childhood intervention provides an individualized program which allows the at-risk child a successful experience
at the preschool level. The program includes a strong conceptual preparation for later academic learning and it promotes the
development of a healthy self-concept. 相似文献
90.
Joyce Millman 《Children‘s Literature in Education》2005,36(4):381-393
Faith Ringgold, best known for Tar Beach, her 1991 Caldecott award winning picturebook, has been addressing social issues
in her art since the early 1960s. The purchase of her Tar Beach story quilt by the Guggenheim Museum demonstrates the acceptance
of her fabric art by the fine arts community. An examination of the connections between Ringgold’s fabric art and picturebooks,
including connections between themes, characters, narrative style and her use of visual elements, points to the conclusion
that her quilts and picturebooks are related in their use of literary and fine art elements. Using Ringgold’s work as an example,
this article supports the view that picturebooks should be considered a fine art form.
Joyce Millman is an art teacher in the Philadelphia public schools and teaches in the Art Education Department at Moore College
of Art and Design. As a teacher and former Philadelphia Writing Project Scholar, she continues to explore art and literacy. 相似文献