Journal author rights and self‐archiving: the case of Spanish journals

Open access (OA) literature is digital, online, free of charge, and free of most copyright and licensing restrictions. The lack of clarity of publisher permissions for archiving in OA repositories affects the adoption of the green OA route. This paper explores editorial policies and self‐archiving conditions in 1,615 Spanish scholarly journals. 48% are published by university and research institutions, 25% by associations/societies, and 17% by commercial publishers; social sciences and humanities (SSH) accounted for 67% of the journals (44.5% and 22.5%, respectively) followed by health sciences (20%); 71% offered gratis access immediately after publication, and 11% after an embargo; 31% provided some mention of author rights. Self‐archiving was specifically allowed by 65% of the journals; 52% were classified as ROMEO‐blue, 12% as green and 15% as white, and 21% could not be classified; 21%, mostly in SSH, used some type of Creative Commons license.     

The Smithsonian Folklife Festival and Cultural Heritage Policy in Colombia: A Case Study

As Colombia began to develop its Intangible Cultural Heritage (ICH) policy, it signed an agreement with the Smithsonian Center for Folklife and Cultural Heritage to collaborate on a Smithsonian Folklife Festival of Colombia's national living traditions, to be shown on the National Mall in 2011. This essay addresses the role of the Smithsonian Folklife Center in advocating for a cultural heritage policy grounded in cultural democracy and intercultural dialogue, as well as its collaboration with UNESCO in crafting the 2003 convention for the protection of intangible cultural heritage. We focus on the Center's signature collaborative program, the Smithsonian Folklife Festival, and on our experience with the 2011 Festival program, Colombia: The Nature of Culture. We examine the relationship between the Festival and Colombia's intangible cultural heritage communities, policies, and practices, through intercultural dialogues that contribute to shaping Intangible Cultural Heritage policy from the bottom up.     

TYPES OF ACADEMIC EXCHANGES AND TARGET GROUPS: BALANCES AND IMBALANCES

The article considers, on one hand, the need to increase East‐West and West‐East academic exchanges in Europe, and on the other, to reduce or to rationalize imbalances. The three major segments of university populations, students, faculty members, and administrators, are each examined with regard to participation in exchanges, and pertinent suggestions are made. The author particularly insists on the importance of involving university administrators in exchange programmes even to the extent of moving them physically to other universities for stays of varying length. In closing, he evokes the setting up of the European Association of International Exchange Administrators.     

Copyright’s fair use doctrine and digital data

The digitization of works renders them not only easy to copy and distribute. It makes them easy to transform from one medium to another. Many of the same fair use questions posed by the copying or use of computer programs recur when other kinds of digital data are copied or manipulated. There are some situations in which digital copying would almost certainly be permitted as fair use, and some in which fair use defenses would be futile. This article was adapted from a column that first appeared inACM Communications. Published by permission of the Association for Computing Machinery.