首页 | 本学科首页   官方微博 | 高级检索  
文章检索
  按 检索   检索词:      
出版年份:   被引次数:   他引次数: 提示:输入*表示无穷大
  收费全文   380篇
  免费   7篇
教育   308篇
科学研究   6篇
各国文化   5篇
体育   8篇
文化理论   1篇
信息传播   59篇
  2023年   3篇
  2022年   6篇
  2021年   7篇
  2020年   8篇
  2019年   10篇
  2018年   14篇
  2017年   17篇
  2016年   15篇
  2015年   9篇
  2014年   15篇
  2013年   79篇
  2012年   18篇
  2011年   15篇
  2010年   6篇
  2009年   13篇
  2008年   15篇
  2007年   6篇
  2006年   6篇
  2005年   12篇
  2004年   6篇
  2003年   3篇
  2002年   3篇
  2001年   5篇
  2000年   3篇
  1999年   6篇
  1998年   7篇
  1997年   2篇
  1996年   4篇
  1995年   4篇
  1994年   5篇
  1993年   3篇
  1992年   3篇
  1991年   2篇
  1990年   3篇
  1989年   2篇
  1988年   4篇
  1987年   5篇
  1986年   4篇
  1985年   3篇
  1984年   4篇
  1983年   4篇
  1982年   3篇
  1981年   2篇
  1978年   2篇
  1977年   2篇
  1974年   2篇
  1973年   2篇
  1972年   2篇
  1907年   2篇
  1903年   2篇
排序方式: 共有387条查询结果,搜索用时 0 毫秒
61.
62.
63.
Prior research reveals that differential grading patterns exist among the academic disciplines. One explanation may lie in discipline-related differences in teaching goals and beliefs about the meaning grades should convey. This study examined the effects of academic discipline and teaching goals on grading beliefs. A national sample (n = 442) of undergraduate teaching faculty provided responded to a survey measuring the importance of various teaching goals and orientations toward norm-referenced or criterion-referenced grading (Frame of Reference), and beliefs about using grades to sort and select students on the basis of achievement (Gatekeeping). Both teaching goals and academic discipline were significantly related to gatekeeping beliefs, but not to beliefs about frames of reference for grading. Higher gatekeeping scores were associated with faculty in the paradigmatic fields and those who emphasized analytic skills and time management. Lower gatekeeping scores were associated with the preparadigmatic disciplines and teaching goals of synthesis and integration and developing respect for others. Faculty who identified their primary teaching role as subject matter oriented were more gatekeeping than those who identified themselves primarily as being student/personal development oriented.  相似文献   
64.
An etiological study was designed to investigate the onset and development of drinking and driving among adolescents who recently received their driver’s license. A theoretical framework, derived from Problem Behavior Theory, was applied in order to identify environmental, personality and behavioral factors associated with drinking and driving. Among students who reported that they had driven a motor vehicle in the past three months (N=1416), 33 percent of the males and 22 percent of the females (who averaged 16.7 years) reported “drinking at least two drinks on a single occasion prior to driving” at least once in the previous three months. Personality factors (including perceived ability to drive after drinking, tolerance of drinking and driving, and lack of self-confidence in avoiding drinking and driving situations), perceived environmental factors (perceived car availability and friends modelling of drinking and driving) and behavioral factors (riding with a drinking driver and marijuana use) accounted for a large proportion (49%) of the variance in reported drinking and driving. It is recommended that school-based, peer-led educational programs be designed which target young adolescents prior to the age at which legal driver license is obtained. The programs should be broad-based and consider drinking and driving within the larger context of drinking and driving related behaviors and traffic safety in general.  相似文献   
65.
66.
67.
68.
69.
70.
ABSTRACT

Arts managers frequently use customer relationship management systems to identify early and late ticket bookers, but to date there has been no comparable investigation of spontaneity and planning through qualitative academic audience research. This paper combines two radically different datasets to draw new insights into booking patterns of audiences for contemporary arts events. Quantitative data from Audience Finder has been analysed to look for trends in early and late booking amongst audiences for contemporary art forms. Qualitative data has been drawn from the Understanding Audiences for the Contemporary Arts study, which used in-depth individual interviews to investigate the contemporary arts attendance of audience members in four UK cities. Interpretative Phenomenological Analysis was then used to draw out insights about where the purchasing point sits within the longer decision to attend. Following a review of marketing and audience research literature on the decision to attend, we present the findings from each of these analyses, looking at moments where they confirm, supplement, contradict, or say something completely outside the remit of the other dataset. We show how the timescale of the decision to attend is influenced by (1) art form conventions and price, (2) geographical region and availability of the arts, (3) attending arts events with companions, and (4) personal preference for planning or spontaneously choosing activities. We end by suggesting a new three-part model for understanding booking patterns, and considering how these insights might be acted upon by arts organisations.  相似文献   
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号