从一幅太上老君像看陕南道教文化

我收藏了一幅太上老君画像（见图），设色纸本，纵127厘米，宽64厘米，很陈旧，已揭裱，无名款纪年，不能确切断代。根据纸张的陈旧程度和画风，或认为是宋元明时期宗教画。隋唐以降，宗教绘画向世俗化演变，笔调绵密；设色浓厚鲜明，沉着典雅。此画采用线描平涂填彩技法，具有很强的庙宇壁画风格。所用颜料以矿物颜料为主，兼用少量植物颜料，故经几百年而色泽犹妍。     

唐幼铎书法绘画作品选登

唐幼铎 笔名水井，号大仙岩人。1964年8月生于湖南东安。习书幼承家学，于鲁公书用功勤苦。后缘教书课徒，上自商周，下迄明清，于五类书体、诸多大家均有临习琢磨，尤对米颠、子贞情有独钟，痴迷执着。年稍长，沉浸古代书论，于魏晋、两宋书学心得非浅。专业之余，偶操绘事，涂鸦而已。于散文、禅学虽存偏爱，然少慧根，至今未得门径。     

Hardwood Painting Frames of Lingnan

Hanging painting frames originatedfrom the Renaissance Period in the West.Most of early painting frames were madeof wood and gilded with gold. Paintingframes embedded with glass appearedin the mid-18th century to protectpainting works from damage andpollution.Old painting frames in Lingnan weremostly made of hardwood. Guangdongis the earliest place in China in whichtrading with foreign countries wasallowed and western influence came. Bythe late Qing Dynasty, glass was appliedto home furnit…     

自然与艺术

无论是色彩还是形状，大自然都像键盘包含所有音乐的音符一样，蕴涵有所有绘画的成分。艺术家的天职就是从这些成分中精心选择，然后将它们巧妙地结合起来，构成一幅美丽的图画。这就如同音乐家用音符从无序的声音中创作出动听而和谐的乐曲一般。如果说画家可以依照大自然本来的样子去创作，那么演奏家也就可以坐在钢琴上了……     

白伯骅 细腻传神人物画

白伯骅：1944年生于北京的一个书香世家。现为中国美术家协会会员。1972年从师于著名人物大师蒋兆和先生，得大师真传、画作以形写神、精刻微。其笔下人物既融合写生技法，又融入中国传统水墨画的淡雅简约。特别是以笔墨展示东方古典审美情趣，极力刻画人物面部特别是眼睛的神韵和精妙，可谓“画龙点睛”。     

莎菲与现代中国风景

本文立足于现代中国复杂的社会景观,讨论《莎菲女士的日记》呈现出的现代意义。力图拓宽作品的研究视野,还原作品与历史的亲密关系,并从中解释作品的现代性和丁玲此时期的世界观与人生观。     

见迹明心

中国传统文化是讲人性的文化。 文亮是一个在传统文化中徜徉的人。他对人淳朴厚道，对艺术虔诚执著，还有他超然的情怀，正是传统文化中的优秀品格。     

提香绘画技法探析

提香作为威尼斯画派的代表画家，在他的一生中创作了大量的作品，其绘画技法从早期注重细节的刻画到晚期的奔放概括，在他的作品中得到了充分体现。     

Impressionist Painting in China： The Long Struggle for Acceptance

The exhibition “Impressionist Masterpieces from France‘s National Collections”, which marks the start of the Year of France in China, debuted in Beijing in October 2004 and moved on to Shanghai and Hong Kong after six weeks in the Chinese capital. The exhibits consist of 51 masterpieces by major French impressionists, such as Claude Monet‘s series of paintings “Waterlilies”, Edgar Degas‘ series “Ballet Dancers” and Pierre-August Renoir‘s series “Women, Children.” This was the first large-scale exhibition of impressionist paintings ever displayed in China.     

He Duoling： Spring Wind Comes Again

He established his status in the arena of contemporary Chinese oil art with his landmark works “Spring Wind Comes Again” in the late 1970s. His creation later encountered popular artistic trends in the 1980s such as “nostalgia style”, “scared art” and “neo-realism”. Many of his artworks, including “On the Harvested Land”, “We Sang This Song Before”, “The Land with Prickles” and “The Body Under the Sky”, explored common feelings and formatic elements of his contemporarie…