稀见本清初诗歌总集《离珠集》及其文献价值

由于《离珠集》在清乾隆年间遭到禁毁,致使其现存刻本稀见。南京图书馆藏本《离珠集》,诗不分体,共收岳端、博尔都、索芬、朱襄、张潮、释元乘、释广莲诗210首。就诗学意义而言,辑评者王仲儒欲借此选矫正宗宋诗风之弊,恢复风雅传统。同时,从文献角度说,《离珠集》具有较高的辑佚、校勘和文学史料等价值。     

孔子思想的当代反思——原创儒学的四大维度

孔子是一个具有超越体验、终极关怀、宗教义趣、宇宙情怀的哲学家、思想家和教育家。孔子的原创儒学是涵个体维度、群体维度、社会维度、超越维度于一身的相当完备的思想学说。个体维度包含自主性、独立性、独特性、全面性等属性。群体维度可分为家庭、团体和人类等层次。社会维度具有重视道德、轻视法治等特征。超越维度包含着内在超越与外在超越两个向度,而非单一的内在超越向度,亦非单一的外在超越向度。孔子思想在当代需要现代化、人类化、全球化、个体化。     

Sport-for-development: A comprehensive analysis of theoretical and conceptual advancements

Over the past decade, the field of sport-for-development (SFD) has experienced significant growth and diversification across research and practice. In this review paper, the authors provide a comprehensive analysis and discussion of the theoretical and conceptual developments within SFD, addressing a gap in the literature. Following a sport-focused review of SFD literature, the authors first identify five theoretical and conceptual frameworks that have emerged from within the SFD space. As a second step, they analyze and discuss scholarly work that has utilized these theories and frameworks. Building on a comparison of key messages, themes, and concerns, the authors highlight that to date, limited SFD scholarship has truly applied, extended, or challenged existing frameworks and conceptualizations. Motivated by this review, they posit several conceptual advancements, and offer directions for future research and theoretical development.     

研究所文献资源保障体系建设——以新疆理化所为例

印本资源和电子资源共同构成研究所图书馆的信息资源体系,研究所图书馆在有限经费的情况下,要把握科研的需求、凝练采购目标、组织公开获取资源、共建共享机制下,充分利用第三方资源,构建文献资源保障体系。     

文学与文章--韩国高校写作教学一瞥

韩国高校的写作教学主要包括两大领域:以文学为对象的写作和以文章为对象的写作。前者所包括的诗文及小说创作的教学模式深受中国古代诗文及小说创作的影响;而后者的涵盖范围较广,包括各种实用性文章写作以及专业学术科研论文写作。     

论《中国新文学大系（1917—1927）》的出版与社会影响

《中国新文学大系（1917—1927）》是20世纪中国出版史上的经典丛书。在20世纪30年代文化界政治立场明显分裂的社会环境中,能够团结左、中、右三个不同阵营中的文学大师共同编辑出版这套丛书本身就是一个奇迹,主编赵家璧功不可没。《中国新文学大系（1917—1927）》的出版在文化界和文学界都产生了巨大的影响。     

当代大学生思想政治理论课逃课的原因分析及解决对策

通过设计问卷及访谈的方式了解当前大学生上思想政治理论课逃课的情况及原因分析,针对存在的问题提出相应的解决对策,以期待能对搞好当前高校思想政治理论课的教学提供有效帮助。     

Study of the stability of a series of synthetic colorants applied with styrene-acrylic copolymer, widely used in contemporary paintings, concerning the effects of accelerated ageing

This study examines the materials of a contemporary pictorial artwork, belonging to the Macedonian Museum of Contemporary Art in Thessaloniki (Greece), and needing conservation. The combined use of micro-FTIR and micro-Raman spectroscopy allowed the identification of almost all painting materials. Moreover, the stability of a series of synthetic pigments towards accelerated ageing is investigated in applications using the contemporary binding medium styrene-acrylic copolymer. The pigments in question are: Hansa yellow PY3 and PY74, quinacridone PV19 and PR122, naphthol AS PR112, phthalocyanine green PG7 and blue PB15, dioxazine PV37, van Dyck brown PBk11, ivory black PBk9, and titanium dioxide PW6. The organic pigments were applied alone or mixed with titanium dioxide, in rutile form or as a mixture of rutile/anatase. The experimental swatches were subjected to ageing tests, and subsequently studied as to colour changes by means of colorimetric measurements, and as to the molecular structure differentiations by infrared spectroscopy in reflectance mode. The ageing tests included exposure to high temperature and humidity (90 °C, 60% RH) and to ultraviolet radiation (350 nm, 30 °C and 50% RH, with a substantial temperature increase at 90 °C for 3 days). The greater colour difference is caused by high temperature and humidity, whereas paint layers containing TiO₂, and especially the mixture of the forms rutile/anatase, prove very susceptible to ultraviolet radiation, demonstrating a significant colour difference and extended molecular changes.     

论金初“南冠诗人”的忠义精神

金朝初年,被囚禁的滕茂实、朱弁、洪皓、司马朴等南冠诗人忠于宋朝,坚守节操。朱弁等使臣期盼宋室中兴,致力于两国和好,常以苏武自勉。司马朴等人客死他乡,朱弁、洪皓十余年后全节返宋,只求苟安的南宋朝廷对他们的表彰中隐含着排挤。这些宋臣未能被故国重用,相反,他们的忠义节操受到了金人的崇敬,成为南北文化融合后形成的中原文化的一部分。     

文化研究语境下的文艺学身份及其重建

文化研究语境下的文艺学身份重建,存在本质主义与反本质主义两种思维方式。本质主义坚持文艺学中的元理论、科学性、经典化;反本质主义重新定义文学性、文学自主性,并在日常生活审美化的语境下反思文艺学的学科性。在重建文艺学的思路上,一派主张在文艺学内部进行调整,拉近与现实的关系,一派主张从文艺学外部重建历史化、地方化的文艺学。