四库全书私人呈送本中的郑大节家藏本

此前通常认为,乾隆年间为修《四库全书》,浙江藏书家郑大节家进献图书82种,收入《四库全书总目》的有48(一说47)种。本文根据郑大节进献图书的三种书目《浙江省第五次郑大节呈送书目》、《二老阁进呈书》、《二老阁挑取备用进呈书》,结合《四库全书总目》,考定郑大节家进献图书121种,收入《四库全书总目》的是95种。     

谈图书馆古籍文献数字化

古籍文献是我国图书馆信息资源的重要组成部分。由于年代久远,磨损加剧,如何有效地保护好这些珍贵的古籍文献,成了图书馆所面临的迫切需要解决的问题。古籍文献数字化不但保护了古籍文献,而且方便了读者的阅读使用。大大提高了古籍文献的价值。     

清代书院研究的新视点——评《清代东南书院与学术及文学》

<清代东南书院与学术及文学>以江苏、安徽、浙江三省为研究区域,对东南重要书院予以全面的梳理与研究.课艺集的调查与研究是该书的贡献之一,为研究书院与科举关系、书院师生之间的关系提供了新的维度.书院是文士活动的重要空间,提供了雅集的场所.在对书院雅集交游的研究过程中,作者力图找到传统与现实的结合点.     

于无边处歌舞——谈网络文学的性伦理

本文针对以性爱为题材的网络文学,通过与传统性观念的比较,概括出其独特的性伦理观念,并指出其既是对传统的反叛,也是一种超越。     

《吃碗茶》写作风格初探

本文从文体学的角度,从主题、叙述方式和语言三方面对美国华裔文学小说《吃碗茶》的写作风格作一探讨,指出该小说是美国华裔文学作品风格从异国情调转向真实反映的代表作。     

Conserving contemporary artworks: perspectives of artists and curators at the National Art Gallery of Zimbabwe

In fine arts, contemporary artists seek to showcase their artistic skills and concepts. There is very little awareness by most artists on the quality of materials they use in art production and the conservation needs of contemporary artworks which pose conservation challenges as materials used and the physical quality of artworks produced are secondary to what the artists seek to express. Of prime interest to them is the expression of concepts through various genres of art creation. However, the quality of material used by most artists is largely affected by their financial situation and inadequate knowledge on the durability of such materials. Artworks created using recycled materials such as found objects and cheap materials like poor quality paint on paintings, low grade paper in artworks, or poor quality wood present conservation challenges to professionals in galleries. The end product are artworks made from composite materials, some stable and unstable. Thus professionals are faced with a dilemma to reconcile the conservation needs of these artworks and the artists’ expression of their concepts. Moreover, in the absence of remedial conservation measures, artworks are prone to deterioration. This is worsened by dwindling donor and government funding which negatively impacts on the gallery's capacity to conserve the art. Additionally, conceptual expression, artistic creativity, and commercialisation of the art are of priority over conservation. Therefore there is need to maintain a balance between the need to express concepts and commercialise the art on one hand and to conserve the contemporary artworks on the other hand.     

Conservation strategy for food-based perishable art: preservation versus reconstruction illustrated by Piece in Ghent by Jason Rhoades (1994)

The aim of this paper was to discuss the role of food preservation science and technology in the conservation of complex food-based installations. By introducing the principles of food science and food preservation into the decision-making process for the conservation of contemporary art, more insight on conservation and presentation possibilities was created. Considering the installation Piece in Ghent (P.I.G.) by Jason Rhoades, which contains French fries, the principles of food preservation science were evaluated. The preservation of the original foods was discussed against the potential of a reproduction of the foods. The context for conservation was determined by analysing the artist's intention, the production method of the artwork, and the degradation processes of the food materials. From the results obtained, guidelines to preserve the ‘original’ foods were proposed, as well as guidelines to reproduce foods that can last longer. The study demonstrated that food preservation science contributed to the development of effective strategies for the conservation of contemporary food-based art.     

潜藏于地表下的丰富与复杂--十七年小说简论

通过对十七年文学中的几类作品的症候式分析，说明十七年文学在强大的主流意识的包围之下，从表面看似乎仅仅是“时代的晴雨表”，然而在其现实主义创作方法的引导之下，其背后却潜藏着十分丰富的内涵。对此以一种“主流之外”的眼光，挖掘其文本的丰富性与复杂性，以说明十七年文学的独特性及其价值所在。     

中国现代文学的"现代性"思考

中国"现代文学"这一概念,是一个时间概念,更主要的是形态概念.是用具有现代特征的艺术形式、审美趣味、语言形式来表现开始进入现代社会的中国人的生活、思想、感情和心理的文学.在三十余年的曲折发展历程中,现代文学经历了从萌生、发展到成熟的过程.