重构历史的方法——《我把十八年前的那场鹅毛大雪想出来了》的语言世界

吕新的中篇小说《我把十八年前的那场鹅毛大雪想出来了》以语言的方式重构“文革”历史。在那个时代,政治性词语虽然统治天下,但遭到了民间词语的纠缠;语言与权力勾结制造着荒唐;现实中痛苦的呻吟不时响起;时间感的缺失;作为民间语言的病态的流言到处传播。     

The social stratification of theatre,dance and cinema attendance

In current sociological literature the relationship between social inequality and patterns of cultural taste and consumption is the subject of a large and complex debate. In this paper the primary aim is to examine, in the light of empirical results from a research project in which the authors are presently engaged, three main, and rival, positions that have been taken up in this debate, here labelled as the ‘homology’, the ‘individualization’ and the ‘omnivore–univore’ arguments. Elsewhere, we have concentrated on musical consumption in England, and find evidence that is broadly supportive of the omnivore–univore argument. Here we ask whether such findings are confirmed in the case of theatre, dance and cinema attendance. A secondary aim of the paper is to bring to the attention of practitioners in the field of cultural policy and administration the need to address the issues that arise through the use of more powerful methods of data analysis than those often applied in the past. We explain how indicators of theatre, dance and cinema attendance derived from the Arts in England survey of 2001 can be subject to analysis so as to reveal two distinctive patterns of attendance and, in turn, two distinctive types of consumer—who can, it turns out, be regarded as omnivores and univores, even if with some qualification. The former have relatively high rates of attendance at all kinds of the events covered, including musicals and pantomimes as well as plays and ballet, while the latter tend to be cinema-goers only, that is, non-consumers of theatre and dance. A range of measures of social inequality are then introduced into the authors' analyses, including separate measures of social class and social status and also of educational level and income, and it is further shown that, again in conformity with the omnivore–univore argument, these two types of consumer are socially stratified. Omnivores are of generally higher social status than univores and also have usually higher levels of education and higher income than do univores (the latter finding marking the main difference with musical consumption, which was unaffected by income once other stratification variables were controlled). In sum, our results for theatre, dance and cinema attendance lend, overall, further support to the omnivore–univore argument as against its rivals, but also indicate that different aspects of social inequality impact on different forms of cultural consumption in varying degrees and probably through largely separate processes.     

关于《读书敏求记》的性质

历来研究者都把《读书敏求记》看成是一部典型的目录学著作给予高度评价。本文经过对该书流传过程、前人研究与评价的梳理后认为，《读书敏求记》并非是一部作者欲流传的正式的目录学著作，而是一部深刻体现作者求书经历、藏书感受以及人生情趣的藏书精品书目稿本。     

翠柳清溪黑瓦房——读龙潜《黑瓦房》感觉

分析《黑瓦房》艺术地反映的“文革”极左,少年们在逆境中美好的心灵,纯洁的友谊。     

“文革”时期的“极端词语”及其使用

"文革"时期,各类"极端词语"的使用几乎达到登峰造极的地步,尤其是"最"和"大"的使用.     

有意夸大的言语行为:夸张与吹牛的判别

夸张与吹牛都是故意言过其实,但有本质的不同。它们在言语表现、使用心态、目的及语言世界与物理、心理、文化世界真假关系上都有差异。人们对张大事实的言语现象的夸张与吹牛的评判,其标准包含两个方面:文化、心理度和领域、语体度。夸张与吹牛存在大量的"非此即彼"的典型成员,也存在"亦此亦彼"的中介现象。     

发展我国竞技体操产业的思考

阐述竞技体操产业化的必要性,分析当前制约我国竞技体操产业化的主要因素,如项目自身、规划导向、竞赛体制、管理体制、国内体育产业现状等;提出发展我国竞技体操产业的主要对策。     

从大型赛事中的人文关怀看人文奥运的实施

为实施北京人文奥运,应该注重对奥运会不同群体的人文关怀,阐述了人文关怀和人文奥运的内涵,指明在大型赛事中实施人文关怀的重要意义,并将奥运会不同群体划分为包含运动员、工作人员、媒体人员在内的直接参与者,包括北京市民、国内外游客、观众在内的间接参与者,以及包括残疾人、儿童老年人、不同宗教信仰者、不同语种人员在内的特殊群体三大部分,提出了针对不同群体开展人文关怀的有效措施.     

高新技术与我国的产业现代化发展

本文在分析了我国高新技术发展现状的基础上,根据我国高新技术及其产业化发展的特点,指出了发展高新技术对我国产业现代化的积极作用,进而对发展我国高新技术产业的对策进行了有益的探讨.     

工业互联网与能源互联网的对比研究与融合发展探析

首先，阐述了“工业互联网”和“能源互联网”的概念，简要说明了工业互联网和能源互联网的起源、内涵、关键技术等。然后，对工业互联网和能源互联网的研究现状和发展情况进行综述，对比分析了国内外工业互联网和能源互联网的发展水平。进一步，深刻总结工业互联网和能源互联网的体系框架，指出工业互联网和能源互联网的核心索引分别是工业大数据和能源大数据。基于此，对工业互联网和能源互联网的核心技术进行详细的对比分析，除了共同关注的通信、控制、数据分析等技术，工业互联网发展需要工业软件的支持，而能源互联网则需要攻克先进储能、智能输电等技术。最后，从工业互联网多层次、多元化发展，新技术驱动能源互联网高质量发展和工业互联网与能源互联网深度融合发展三方面讨论工业互联网和能源互联网的融合发展趋势。