女作家书写"死亡"的文化审美演进

＂死亡＂作为文学的母题,因其临界终极而魅力永恒,无法诠释又被多次诠释.现代女作家对＂死亡＂的书写有性别的、断代的属我特征,对之梳理是必要而有价值的.通过探讨女作家对＂死亡＂所采取的观点、视角及功能取舍来窥测她们的生命观、价值观,则可获取学科研究的新启示.     

崔浩性格与崔浩之死

崔浩之死有着复杂的历史背景。然而除去客观因素,崔浩自身的主观因素也是被杀的原因之一。崔浩有良好的出身和文化背景,个人资质优越,政治和军事才能都非常突出,因此深得拓跋皇帝的宠爱,这也滋长了其飞扬跋扈的个性。不能容人者,必不能为人所容,他的性格也就决定了他的最终结果只能是被杀。     

从《推销员之死》看阿瑟·米勒对“美国梦”的阐释

作为一位伟大的美国现实主义剧作家,阿瑟.米勒一直关注戏剧的社会功能和道德的教谕作用。《推销员之死》是他最具代表性的作品,也是一部最具深远影响的\"战后美国最伟大的剧作\"。米勒通过创作《推销员之死》,表达了对\"美国梦\"的理解。时至今日,该剧所体现的美国社会最致命的矛盾依然存在。《推销员之死》当中关于美国梦的思考,关于人类永恒追求的东西——人性、道德、思想以及它赋予戏剧的责任感,仍然值得人们深思和反省。     

略论我国社区矫正法律制度及其完善

社区矫正制度是现代各国刑罚发展的新趋势,我国也正式将社区矫正写入刑法.文章首先阐述了社区矫正的含义及理论基础,然后对我国社区矫正在实践中存在的问题进行分析,通过对国外社区矫正法律实践的比较分析,最后就如何完善我国的社区矫正制度提出若干建议.     

传统家族文化的认同与复归——《生死疲劳》叙述者声音的价值指向

莫言的《生死疲劳》秉承其一贯的家族题材,以"高密东北乡"为背景,围绕地主西门闹和农民蓝脸一家,描绘了整整半个世纪的世事变幻。《生死疲劳》的叙述者声音中,有对家的逃离与复归,对土地的坚守与皈依,对阶级意识影响下的人性伦理的探讨,还有对隐藏于动物躯壳下的兽性和人伦的思考,隐喻着作者对传统家族文化的认同与复归。     

拜伦的生命意识解读

拜伦是一个有着强烈生命意识的作家,他以自身的生命历程和文学实践从不同角度和层面对死亡、生存、生命价值等个体生命的自主意识进行了阐释,以其独特的见解及其实践而形成了一个引人注目的、比较独特的文学现象。拜伦的生命意识是我们解读其作品的一扇窗口。     

“历史即复活”——试论米什莱的浪漫主义史学思想

朱理·米什莱是19世纪法国最杰出的浪漫主义史学家。"历史即复活"最集中地体现了他的浪漫主义史学思想。米什莱始终将个人生活与历史视为一体,他一生的主要经历与他独特的史观形成之间存在着紧密的内在联系,体现了浪漫主义史学强调主体性、富于同情心和想象力的主要特征。     

一种求解非线性约束优化的单变量边缘分布算法

借鉴罚函数法思想,将建立在Gauss网络的单变量边缘分布算法应用于非线性约束优化问题,提出的新算法突破了传统基于约束保持法或可行规则法的约束处理.且单变量边缘分布是基于搜索空间的宏观层面的进化方法,具备更强的全局搜索能力和更高的收敛率,从而为约束问题的求解提供了一种新的途径.     

Ultramarathon runners’ perception of place: a photo-based analysis

ABSTRACT

Sport events that depend upon natural landscapes tend to draw athletes from urban centres to peripheral areas. In doing so these events function as tourist attractions but little is known about the way participating athletes understand these places. This study explores the ways that one type of sport traveller (i.e. ultramarathon runners) understands the host destination (Grande Cache, Canada) as a place of training and competition. A volunteer employed photography data collection method was used along with an inductive thematic analysis. Four themes emerged including place as: (a) landscape, (b) sport competition, (c) community, and (d) an introspective self-portrait. First, under the landscape theme runners saw place as sublime nature during the training camp (TC) and a terrain to be conquered during the race. Second, the sport competition theme reflected place as the event with the competition being the filter through which all other aspects of the setting were understood. Third, the setting was characterized as a place of community that fostered social connection and celebration. Finally, the introspective self-portrait theme focused on the runners themselves as they centred their identity within the setting. While landscape was a dominant theme during the TC visit, the sport competition and community themes became more salient during the competition weekend. The introspective self-portrait theme was strong during both visits. Study findings suggest that runners were attached to the setting through ‘place identity’ in addition to their dependence on it to facilitate the ultramarathon event.