从本质主义反本质主义看电影《色·戒》中女性主义

影片《色·戒》以抗日救国的宏大叙事开场,以时代洪流为背景和底色,以身体政治学为焦点,由性到情的生发,叙述了不可能环境中之可能的一场旷世奇恋。表现了复杂、模糊、幽深、微妙的人性人情。李安导演的这部电影不仅揭示了人性的复杂,也包含了浓厚的女性主义色彩。拟从分析王佳芝这个艺术形象入手来探讨革命中女性命运的另一面,并从本质主义和反本质主义的角度解读该电影中的女权主义色彩。     

试论女性主义与后殖民主义、生态批评的关系

女性主义、后殖民主义和生态批评都堪称当今学术界的热门话题,它们之间是相互联系的:一方面,它们都产生于解构主义的文化背景,并受此影响解构中心主义、呼吁文化变革;另一方面,它们之间还两两结合,产生了新的理论——生态女性主义和后殖民女性主义,而这些新理论又促进了女性主义的发展。     

女性主义视域中的张洁小说

从女性主义文学研究的视角，纵观张洁的小说中对女性的描写存在着一些局限：身体的缺席，理想／世俗女性形象的二元对立；对革命与政治等主流话语的牵强附和，这些集中表现出张洁女性主体意识的匮乏。二者存在的潜在原因，除了时代共名，革命对个人身体欲望的清教徒式的拒绝，传统文化中性意识的罪感之外，还有张洁基于个人经历的恋父情结。     

《白衣女人》中的几个女性形象

该文对小说《白衣女人》中女性形象的性格特征进行分析,揭示造成她们不同性格的真正原因:不管她们生活在怎样性质的社会———父权制、母系、父系等等,她们都处于从属的地位,只能做一个"无我"的人,这就是为什么身兼两种性格想保持人格独立的玛丽安选择终生不嫁,而软弱、病态的劳拉惨遭陷害的原因了。     

Empowering Students in a Feminist Social Work Practice Course

Abstract

Since 1993, a faculty collective has team-taught a feminist social work practice course. The course, designed to heighten student knowledge of feminist practice, was expected to empower students. An overview of the course is presented with an analysis of its impact on student perceptions of personal and professional power. Pre and post measures of empowerment were analyzed and used to derive outcome measures of change in student views of themselves as empowered persons and practitioners. Findings indicate that students had significantly higher perceptions of their personal and professional power upon completion of the feminist practice course than before. Implications for social work students and practitioners are discussed.     

Ethnography in charting paths toward personal and social liberation: using my Latina cultural intuition

Drawing on a Chicana feminist epistemology, the author, a Latina immigrant, presents how she used her cultural intuition to engage in a two-year ethnography with Latino immigrant families. She argues that for her engaging in ethnography with her “own community” is an endeavor that calls to the fore her homegrown epistemologies and her positioning as a Latina immigrant. The themes of doing ethnography en familia, using collective remembering and sense-making, and developing a libratory pedagogy point to an ethnography that strays from traditional, presumed “objective” data sources. Further, she argues that in these contexts of ethnography she was able to reclaim and integrate her various knowledges and identities toward a potential process of liberation.     

双性恋女作家凯瑟琳·曼斯菲尔德

凯瑟琳.曼斯菲尔德是一名双性恋作家,她勇敢地充当了开路先锋和破除禁忌者,以双性气质活跃于英国文坛。在个人双性恋体验的基础上,曼斯菲尔德在创作中真实而细腻地记录了女性间的爱恋关系以及父权制婚姻对女性造成的伤害,为女性主义文学开辟了新领域。     

流行音乐歌词中的性属解读

性属即社会性别,是借助生理性别差异而建立起来的一种社会权力关系。对流行音乐进行性属解读会发现：歌词在不同受众群不同背景下可以有不同的含义,带有某些社会权力发展变化的印记。     

浅析《简·爱》中女权主义思想的局限性

小说《简·爱》是19世纪反映女权主义思想的代表作品,书中通过对简·爱人生经历的呈现,宣扬了女性谋求自由、独立和平等进步思想。但因作者深受小资产阶级思想影响,以及时代局限性的束缚等,导致书中简·爱的人物形象男性化,男女平等被物化,女性的生存出路依旧没有着落。     

The Growth of Scarlett’s Consciousness of Feminism in Gone with the Wind

Most feminist analyses of Scarlett in Gone with the Wind are concerned with how feminism is reflected in Scarlett's personality,while this research pays attention to how her feminist consciousness grow through three stages.