The Artist Initiative at San Francisco Museum of Modern Art

The Artist Initiative at the San Francisco Museum of Modern Art (SFMOMA) is piloting models for increased collaboration between conservators and curators through joint work with artists. We seek a more integrated, holistic approach to the care and research of our collection. The project, funded by the Andrew W. Mellon Foundation, comprises five robust research engagements that serve the curatorial collecting departments of the museum (Photography, Painting and Sculpture, Media Art, and Architecture and Design). Three of the projects are monographic studies, examining the work of Ellsworth Kelly, Vija Celmins, and Julia Scher in depth, while two more are thematic, exploring modes of displaying digitally-driven design objects, and developing strategies for addressing the problem of color shift common to photographic prints made with experimental materials during the 1970s and 1980s. The Artist Initiative is also charged with developing hybrid working spaces to advance collaborative approaches to collections research at the museum's new downtown campus and at SFMOMA's new Collections Center in South San Francisco. These spaces include the Collections Workroom, a 56?sq?m (600?sq?ft) space that functions as a studio for visiting artists, a conservation laboratory, an interview suite, and a classroom at SFMOMA's downtown campus. At the Collections Center, a 121?sq?m (1300?sq?ft) Mock-Up Gallery has been built as a working model of one of the museum's new galleries. A functional exhibition space, the Mock-Up Gallery is also a venue for interviewing artists, prototyping exhibition formats, and meeting with students, scholars, museum staff, and community members. With the goal of contributing to critical discourses in contemporary art history, art conservation, and public engagement, each of the Artist Initiative projects includes a colloquium that will bring experts from multiple fields together with the featured artists. Thereafter we aim to share our findings widely through public programs and a range of publications, both digitally and in print.     

What price evidence? The ethics of office and the ethics of social science in British cultural policy

This paper considers the use of evidence for government decision-making using ethnographically informed data from the lived experiences of those involved in British cultural policy. It does this in order to engage and extend work that has sought to defend bureaucratic forms of activity. The paper offers an empirical case study of how the civil servants’ ethic of office [DuGay, P. (2008) ‘Max weber and the moral economy of office’, Journal of Cultural Economy, vol. 1, no. 2, pp. 129–144] is reinforced by the identity of the social scientist. The use of social science in policy advice is a moment where the bureaucrats are able to distance themselves from political decision-making, thus reasserting an important aspect of civil service practice and identity. However, as the latter part of the article illustrates, the dynamics of cultural policy-making, in particular the use of economics, situate the role of social science as paradoxical. It is both supportive and corrosive of the bureaucratic ethic. This paradox is the basis for a critical perspective on the ethic of office as deployed in contemporary government.     

推动公共图书馆事业“中部崛起”

“十二五”以来,公共图书馆事业发展出现了“中部洼地”现象。主要表现是:资源占有与服务人口不相称;发展速度相对趋慢;均等化水平低;可比服务成本上升。实现公共图书馆事业发展“中部崛起”,主要应从以下几方面着力:国家宏观政策的调整;强化地方政府主体责任;加快县域公共图书馆总分馆体系建设;拓展和深化“图书馆+”与“互联网+”;完善评价标准的导向作用;抓住促进贫困地区公共文化服务体系建设的历史机遇。表5。参考文献4。     

Strategies for Expanding E-Journal Preservation

The responsibility for and the initiative to preserve electronic journal content is neither clear nor easy, and knowing the preservation status of an e-journal is not a basic step within the NASIG Core Competencies for Electronic Resources Librarians life cycle of electronic resources management. Columbia and Cornell University Libraries secured funding for a project to specifically evaluate strategies for expanding e-journal preservation. A wide range of e-journal categories are evaluated within the scope of the project, including: content direct from publishers, small and society publishers, Open Access e-journals, full-text content from third-party content providers, and university generated e-journals. Discussed are techniques for identifying at risk e-journals, integrating preservation into license negotiation with publishers, tracking the preservation status of e-journals, and developing relationships with existing preservation agencies. The quality of future of scholarship and teaching hinges on the preservation of the scholarly record.     

基于关联开放数据的数字文化资源语义融合方法研究——欧洲数字图书馆案例分析

[目的/意义] 通过对国内外数字文化资源语义融合相关研究成果的总结和Europeana案例分析,为国内数字文化资源整合的研究与实践提供参考和借鉴。[方法/过程] 选取目前发展较为成熟的数字文化资源整合项目Europeana作为案例,分别从资源内容描述规则、语义知识本体模型设计、元数据语义化操作和关联数据的发布与访问4个方面对其数字文化资源语义融合的实现方法进行分析。[结果/结论] 研究发现,构建聚合式元数据模型、建立细粒度语义概念模型、创建开放的语义关联数据网络、提供泛在化关联数据应用服务是实现数字文化资源语义融合的关键。     

走出“他者”化的误区——萨义德的东方学在全球化语境下的文化意义

萨义德的东方学研究带给了我们多方面的文化启示。他的理论洞见对当前有关全球化语境下东西方文化关系的讨论有着积极的指导意义。在文化全球化的发展过程中,东方文化应确立自己正确的文化身份,这样才能有效地参与到全球文化的共建中去。     

高职文化基础课教材体系的重构——以永州职业技术学院的调查为例

调查发现，高职生对高职公共文化基础课程的整体认知情况较好，学生偏重内在涵养和动手操作能力的提高，德才兼备已成为高职生的理性追求目标。同时也发现，公共文化基础课程设置及其教材体系存在诸多问题，因此必须重构高职公共文化基础课程，对相关课程进行有机整合，注重系列教材间的优化组合，体现整体性、科学性、校本性的、编写原则。     

中国传统服饰文化的旅游价值及其开发初探

本文首先分析了我国传统服饰文化资源的4个主要特点,然后从旅游开发的角度分析论述了我国古代传统服饰的旅游开发价值,最后从服饰旅游产品设计的角度对我国传统服饰文化旅游资源的产品设计提出了初步的建议。     

高职院校校企文化联营方法初探

高校校企文化联营是校企联营的进一步发展和完善，采用怎样的途径和方法充分发挥校企文化联营的作用，是影响校企文化联营实施效果的关键一环，也是高职院校开展校企文化联营研究和实践所要解决的重要问题之一。     

文化产业视野下吉林省冰雪旅游产业的创新发展

随着人们对生活质量的要求越来越高,冰雪旅游近年来得到了大力地追捧。吉林省凭借着得天独厚的资源优势,使得冰雪旅游产业迅速发展。从吉林省冰雪旅游产业发展现状入手,从优、劣势两方面进行分析,提出加强资源整合、构建完善的冰雪旅游产业链、加强冰雪旅游服务体系构建、注重旅游品牌建设、引进市场竞争机制、注重旅游项目开发等策略,为实现吉林省冰雪旅游产业创新发展提供理论支持。