意象——诗歌表达的另一种语言

中国古典诗歌具有隐约幽微、意在言外的特点，是因为它运用词句营造出第二层次的符号系统．这一系统以意象为主。意象具有独立的表迭功能，但其所指更不确定，这就使诗歌更加隐晦。古典诗歌还借助文学传统和文化背景表情迭意，这更丰富了诗歌内涵，也使诗歌理解起来更为见仁见智。     

控制系统中相关性能指标之间关系分析

本文比较详尽地推导和分析了二阶控制系统频域指标谐振频率及频宽与时域指标之间的关系，即ωr与ξ的关系、ωr与Mr的关系、ωb与ξ的关系、ωb与Mr的关系，并编写了MATLAB程序，画出了关系曲线；从而对分析和设计控制系统带来了极大的方便。     

学院批评断想

学院批评主要指高校教师的文艺理论与批评著作,它是我国目前文艺理论与批评的重要组成部分。学院批评要获得进一步发展,需要努力贴近文艺工作现实,大力进行理论整合,切实建立起“为中国老百姓所喜闻乐见”的优良文风。     

课程观的嬗变与教研文化重建管窥

教研文化滞后的根源之一在于对课程本质的误读。当代对课程认识的不断深化,要求重新审视“适应型”教研,构建开放、创生的教研新文化。其基本策略是制度的开放性、管理的人本化、教研的校本型,以及和谐舆论支持氛围。     

论怀药文化的继承与发展

文章论述了怀药文化的渊源、内涵和组成部分,分析了当今怀药文化存在的问题,提出了发展怀药文化的道路是优选继承和合理创新。发扬怀药文化,要去掉神秘性,增加科学性;去掉盲目性,增加规范性;去掉定性的、文学性的描述,增加定量的科学的证据;去掉祈求风调雨顺,增加对内在规律、各制约因素间的联系和条件的把握。要解放思想、勇于创新,在大力发展怀药经济的同时,创造出新时代灿烂辉煌的怀药文化,在怀药文化发展的历史长河中留下我们这个时代的印迹。     

尘封的珍珠放出了异彩--评薛庚环的小说《周太祖郭威》

邢台曾经在五代时期出现过一位清政廉洁、节俭朴实、广施仁政的皇帝郭威。《周太祖郭威》这部长篇小说以此为题材 ,运用章回体的民族形式 ,塑造了郭威的鲜明形象 ,描写了他从一介布衣到登上王位的艰苦曲折的历程 ,为弘扬邢台民族文化作出了贡献。     

学报创办60期誌言

本文认真回顾思考创办院刊学报19年60期来的经验,总结在农村基层办教育学术期刊的特殊规律和做法,并分析此类杂志在新时期所面临的挑战及对策。     

加强中学生思想道德素质教育应注意的原则

思想政治课教学是提高学生思想道德素质的主要阵地。教学中要体现人文精神，把握好目标、主体、情理、创新、网络等原则。     

二溴羧基偶氮胂催化光度法测定水中痕量锰

研究了在NH_3．H_2O-NH_4Cl 介质中锰催化 H_2O_2氧化二溴羧基偶氮胂褪色的最佳条件。λ_(max)=565nm，表观摩尔吸光系数为2．6×10~4 L·moL~(-1)·cm~(-1)，线性范围为0～2．1 μg/25 mL。用于水样中痕量锰的测定，结果满意。     

New insights into brazilwood lake pigments manufacture through the use of historically accurate reconstructions

A multi-analytical approach for the study of brazilwood and its lake pigments was carried out based on historically accurate reconstructions. Recipes for brazilwood lakes from the fifteenth century technical text Livro de como se fazem as cores and the Winsor & Newton nineteenth century colourman's archive were reproduced and compared. Both primary sources allowed for the successful preparation of brazilwood lake pigments with colours that vary from light pink to dark red. The main steps and ingredients for the manufacture of these pigments were common in both sources, particularly the addition of Al³⁺ in the form of alum, and calcium carbonate (chalk). Reconstructions revealed that the latter acts as a pH buffer and filler, controlling the pH at which the lake pigment precipitates. The main difference between the two sources is that the nineteenth century recipes give the quantities for all ingredients, the precise temperatures and time, and achieved higher relative pigment yields (75% versus 45%). Full chemical characterisation of the reconstructions provided detailed information on the individual steps in the pigment manufacture and revealed that the presence of calcium sulphate dihydrate (gypsum) in the final pigment was a result of its formation in situ. Infrared, reflectance, and fluorescence spectroscopy proved to be essential and complementary techniques: while infrared was used to characterise additives and binders, reflectance and fluorescence data were fundamental for identifying the chromophore. The pigments and paints produced can now be used as standards for the identification and investigation of brazilwood lake pigments found in artworks.