《乐记》乐器词探析

《乐记》是中国历史上一部较为完整的音乐类书籍,书中记载了乐器词共19个,较为全面地反映了先秦时期的乐器及音乐状况。《乐记》中的乐器词,按制作材料划分,有金、石、丝、竹、匏、土、革、木八类。《乐记》中乐器词的相关记载,反映出先秦时期音乐在祭祀、舞蹈、宴客等场合的广泛应用,也反映出音乐的等级区分、音乐的德化功能以及儒家推崇古乐、和乐,反对新乐、侈乐的音乐观点。     

论苏轼休闲思想对陶渊明的超越

在宋代归隐文化休闲化的背景下,苏轼通过对陶渊明的个人化诠释,提出"休闲等一味"的观点,从而完成了对陶渊明休闲审美思想的超越,同时也标志着古代休闲审美文化高峰的到来。     

基于旋律的音乐检索研究——旋律特征的匹配检索

探讨了音乐旋律特征的匹配检索,通过将检索过程分解为三个步骤:字符串匹配检索、相似度计算和相关度计算来对旋律轮廓中的不同特征进行相应的计算处理,得到最终的检索结果并总结了音乐旋律特征的匹配检索模型。     

The musical field

This article examines musical taste, as revealed by the Cultural Capital and Social Exclusion survey. It shows that musical taste is highly divided and contentious, with large numbers of people intensely disliking certain genres of music. It shows the existence of two distinctive musical taste communities, one linking taste for rock, electronic, urban, world and heavy metal music, and the other linking classical music and jazz. Tastes for specific musical works do not easily map onto musical genres, and are less closely correlated with each other. Using logistic regression, it is shown that age and ethnicity in particular, and gender, educational qualifications and occupational class, strongly condition taste for both musical genres and works.     

中国艺术范畴融通论

研究中国文艺美学应注意诗乐书画各门艺术范畴的融合相通。从这些艺术范畴的产生来看,有着共同的根源;从其表现来看,有着相通相长的艺法;从其实质来看,都有“如其人”的品位;从其审美理想来看,都有“与天合”的倾向。因而书与画同,画与诗通,诗与乐合,同源分流,相得益彰。形成中国特有的一系列艺术范畴。     

Success in Failure: The National Centre for Popular Music

Abstract

The development and deployment of technologies for delivering broadband services to homes in Australia are investigated using the ‘social shaping of technology’ (SST) approach. The focus is on the period from 1993 to 1998 when there were five main technological options for delivering residential broadband services: ‘hybrid’ fibre coaxial (HFC) cable; direct broadcast satellite (DBS); multipoint microwave distribution systems (MDS); ‘Integrated Services Digital Network’ (ISDN); and ‘Asymmetric Digital Subscriber Line’ (ADSL). The main broadband services planned for delivery to homes over this period were pay television and fast Internet access. A sequence of snapshots of sociotechnical relationships at critical times during the study period, termed ‘sociotechnological configurations’, is used to track the evolutionary pathway of the broadband technologies. The mapping technique assists in identifying key features and explaining the driving factors of the pathway, including why HFC cable emerged as the predominant technology, and two competing HFC cable networks were rolled out in capital cities at an additional cost of over $2 billion when a single network would have had ample capacity.     

“文艺美学”课程进行启发式教学的方式浅探

文艺美学是汉语言文学专业很重要的一门专业课程,然而由于该课程所需专业基础知识较多,加之教材内容较为枯燥,目前绝大部分学生对这门课缺少热情。而审美能力却又是现代大学生极为重要的素养,为提高学生该方面的能力,教学改革势在必行。本文认为,进行启发式教学是核心,并从阅读、教学技巧和多媒体等现代技术的运用三个方面进行了探讨。     

对新整合的《中国音乐史与名作赏析》课课堂教学的几点思考

《中国音乐史与名作赏析》课是伴随着高校课程改革在《中国音乐史》与《音乐名著欣赏》等课程的基础上整合而成的一门新课程。由于该课程的课程结构发生了较大的变化,促使任课教师在课堂教学中要合理安排教学内容,及时改进教学手段、教学方法并灵活调整教学评价制度和考核方式等,以保证课堂教学工作的顺利进行。     

高校声乐教学存在的问题及对策分析

声乐教学是培养学生用歌声来表达思想感情的艺术活动,它是一门技能性学科。目前声乐教学在授课形式、学生素质等方面存在一定的问题。针对这些问题,应该在科学性与实践性相结合的原则下,在授课中以学生为主体,培养学生的自主与创新能力,提高学生的综合素质。     

音乐与文学的完美结合——罗伯特·舒曼标题音乐的文学思维分析

本文通过对标题音乐和文学的艺术关系的阐述,分析了19世纪欧洲浪漫主义作曲家罗伯特.舒曼的标题音乐的文学性思维特点,同时对同一时期的作曲家肖邦、舒曼、李斯特的标题音乐中文学性的区别进行了比较。