论音乐在健美操中的功效及其创编

在健美操教学训练和比赛中，音乐贯穿始终，音乐与健美操的有机联系，音乐与动作的和谐，音乐的风格与动作的风格一致性。以及创编音乐充分体现健美操健、力、美的特点，强调美与力的结合，音乐旋律的动听，力求新颖，富于变化，节奏鲜明、强劲、规整，速度适中，音乐衬托动作，动作表现音乐，使动作与音乐水乳交融．完美结合。     

从情感维度整合中学物理教学探讨

教育的根本价值在于促进学生素质的全面发展,然而,现实教育中所存在"重知轻情"的教学失衡状况令人堪忧.本文以情感教育思想的历史渊源和时代展望为起点,浅析我国中学物理情感教学的现状,以新一轮课程改革为契机,整合各种教学资源,提出以情感因素优化中学物理教学的几点建议.     

两汉音乐赋研究综述

汉赋为“一代之文学”,是汉代儒士文人承《诗经》、《楚辞》创作的一种文体。其中,音乐赋十四篇,留存音乐内容之赋三十篇。其内容承载着丰富的乐舞形象,阐释着汉代民族音乐文化的深厚内涵。汉音乐赋研究已涉及源流、题材、艺术手法、思想等范围,但缺少对具体的乐舞内容的系统论述。我们应利用汉代美术作品和出土文物交验互证,挖掘其丰厚内涵,以呈现汉代经典礼乐文化。     

探析音乐欣赏课教学的几种手段

音乐是一种能使人心旷神怡的艺术,能陶冶人的心灵,能使人的想象力像长了翅膀一样,飞向无限的思想空间,使人的思维充分得到延伸,也能使人的精神迸发出火花!历来音乐家都有着无比的想象力、创造力,能创造出丰富的人类精神文化。     

同是"摹写声音至文"--唐韩愈、白居易、李贺三首音乐诗解读

在众多的诗歌中，以音乐为题材的诗作并不少见，但象唐韩愈、白居易、李贺那样称得上“至文”，的恐怕为数不多。本文主要从音、形、感三个角度，比较分析这三位诗人的音乐诗在对音乐之声的传达与主观情感的抒发上的异同，使读者感受到作品的表现技艺之高超，体悟中国文化的奥妙。     

论音乐艺术审美反映特性的形成

音乐艺术的审美反映特性主要通过表情达意的间接性和超越性、情感的概括性和不确定性等方面体现出来,再加上音象的象征性和暗示性,形式的流动性与合乎美的规律性,它们有机地融合为一体,形成了独特的流动的美,体现了音乐情感艺术的本质。     

从毛泽东改诗中学修辞

改诗是诗人提高诗质的重要手段和途径.毛泽东的诗词同样经历了反复修改的过程.诗要用形象思维,改诗应重视加强字词的形象性,以形象的语词表达诗的意境,抒发作者的思想感情.诗是绘画性、抒情性和音乐性的综合体.诗的绘画性即诗的语言的形象性,诗的抒情性即诗的语言的感情色彩,诗的音乐性即诗的语言的抑扬顿挫.诗的音乐性主要表现在格律化上.毛泽东的改诗充分体现了诗歌写作的特点,说明诗歌修辞应重视语象的可视性、语意的抒情性和语音的音乐性.学习毛泽东的改诗,不仅可以提高诗的写作水平,而且可以提高运用语言的修辞水平.     

关于弘扬民族音乐文化的思考与设想

阐述了民族音乐文化的教育功能,从音乐理论、音乐教材、教育形态、教育法规、师资培养及教育环境六个方面,对民族音乐文化的弘扬进行了探讨.     

Curriculum stasis: the disconnect between music and technology in the Australian curriculum

Technology is a dominant mediating factor impacting on current human behaviour and social change, which both acts on and is acted upon by other phenomena. This changing social landscape, along with new expectations and requirements, drives our educational priorities and curriculum agenda. There is no denying the prevalence of technology found in the statements and guidelines of the national Australian Curriculum. Further, the National Review of School Music Education identified the importance of technology in school music education in 2005. The curriculum guidelines illustrate an understanding of technology in Music and the Arts that is both vague and limiting. In 2015 we are at a point of curriculum stasis, an equilibrium that highlights a disconnect between music, technology and Australian music education. This article investigates current secondary school Years 7–10 (ages 11–15 years) Music and Arts curriculum statements concerning the use of technology and compares this to the general capability information and computer technology (ICT) curricula. There is wide recognition that digital technology is essential in teaching and learning, but this is not reflected in contemporary Australian Arts and Music curricula.     

Role of recognition of prior learning for emerging economies: learning from a four sector pilot project in India

Recognition of prior learning (RPL) has increasingly been recognised as a useful way to certify experience and competencies gained in the workplace informally. Particularly pertinent is RPL in the context of international migration or in economies, where system reforms seek to overcome challenges related to access to formal training and qualifications. India has the goal to skill 300 million of its growing workforce and provide them access at various levels to certification and further learning opportunities. As a part of the overall system reforms, the Government of India, jointly with the ILO, pilot tested RPL in four sectors in collaboration with the industry and built the foundation for wider replication for another 26 growth sectors by undertaking a tracer study and evaluation. This paper can empirically establish that RPL has had a positive effect on income opportunities, occupational safety, social status and openness to further learning. The paper further discusses the challenges encountered during the implementation of the RPL projects before concluding with recommendations, highlighting the aspects required for quality RPL in an emerging economy. It closes by emphasising the importance of conducting tracer studies to determine impact and the need to provide complementary training during the RPL process.