《乐记》乐器词探析

《乐记》是中国历史上一部较为完整的音乐类书籍,书中记载了乐器词共19个,较为全面地反映了先秦时期的乐器及音乐状况。《乐记》中的乐器词,按制作材料划分,有金、石、丝、竹、匏、土、革、木八类。《乐记》中乐器词的相关记载,反映出先秦时期音乐在祭祀、舞蹈、宴客等场合的广泛应用,也反映出音乐的等级区分、音乐的德化功能以及儒家推崇古乐、和乐,反对新乐、侈乐的音乐观点。     

论电视剧《苏东坡》的悲剧性质及其现实意义

历史正剧《苏东坡》首播以来得到观众与专家的高度评价,将之定性为"悲剧"或许更为恰当。该剧力矫当下影视"回避悲剧"的误区,再现了伟人苏轼最具文化深度的悲剧"宿命":"情本"理想永远领先于现实,却又受制于现实。他要寻找当时社会的具体出路以及人生的根本出路,也就承担了双重的悲哀。中国文化有着最彻底的悲剧意识,那就是"人活着"一切都要靠自己建构并不断被追询。悲剧使人震撼甚至恐惧,同时却激发了人之为人的尊严与力量,该剧正是再现了传统士人那种毅然崛立的悲剧精神,以此激励当代社会。某种意义上讲,它堪称当代影视的里程碑。     

试论杜丽娘性格中“情”与“理”的矛盾冲突及其文学意义

作为中国古典戏剧舞台上一枝独秀的美艳"牡丹",《牡丹亭》中的杜丽娘以鬼之"虚情"对己,以人之"实礼"待世,实现了其人生价值追求的最大化。同时,对人性中潜在的自然性与社会性淋漓尽致地演绎使其不仅在同类文学形象中独树一帜,也为我们提供了更多审视现实的空间和角度。     

基于旋律的音乐检索研究——旋律特征的匹配检索

探讨了音乐旋律特征的匹配检索,通过将检索过程分解为三个步骤:字符串匹配检索、相似度计算和相关度计算来对旋律轮廓中的不同特征进行相应的计算处理,得到最终的检索结果并总结了音乐旋律特征的匹配检索模型。     

The musical field

This article examines musical taste, as revealed by the Cultural Capital and Social Exclusion survey. It shows that musical taste is highly divided and contentious, with large numbers of people intensely disliking certain genres of music. It shows the existence of two distinctive musical taste communities, one linking taste for rock, electronic, urban, world and heavy metal music, and the other linking classical music and jazz. Tastes for specific musical works do not easily map onto musical genres, and are less closely correlated with each other. Using logistic regression, it is shown that age and ethnicity in particular, and gender, educational qualifications and occupational class, strongly condition taste for both musical genres and works.     

The Intercultural Adjustment Potential Scale (ICAPS) predicts adjustment above and beyond personality and general intelligence

Recent research has shown that the psychological skills assessed by the Intercultural Adjustment Potential Scale (ICAPS) can predict adjustment, above and beyond what is already accounted for by personality. The purpose of this study was to examine if the skills tapped by the ICAPS can predict adjustment above and beyond that accounted for by both personality and general intelligence, and whether intelligence can predict adjustment above and beyond skills and personality. International students completed a battery of instruments including the ICAPS, a personality measure, and several adjustment indices. In a separate session they also completed a measure of general intelligence. The results indicated that the ICAPS did predict adjustment independently of both personality and intelligence, but that intelligence did not.     

中国艺术范畴融通论

研究中国文艺美学应注意诗乐书画各门艺术范畴的融合相通。从这些艺术范畴的产生来看,有着共同的根源;从其表现来看,有着相通相长的艺法;从其实质来看,都有“如其人”的品位;从其审美理想来看,都有“与天合”的倾向。因而书与画同,画与诗通,诗与乐合,同源分流,相得益彰。形成中国特有的一系列艺术范畴。     

基于语音识别和GSM的门控系统设计

本设计采用语音识别和GSM远程报警技术使防盗系统智能化,安全性提高。该智能门控系统基于凌阳16位单片机SPCE061A为控制核心,将语音信号进行数字信号处理,利用特定人语音识别技术实现语音识别密码锁功能,并利用GSM模块实现无线远程短信和拨号报警功能。从硬件设计、软件优化等方面进行总体设计,并且通过结果测试和分析证明了设计的可行性。     

Success in Failure: The National Centre for Popular Music

Abstract

The development and deployment of technologies for delivering broadband services to homes in Australia are investigated using the ‘social shaping of technology’ (SST) approach. The focus is on the period from 1993 to 1998 when there were five main technological options for delivering residential broadband services: ‘hybrid’ fibre coaxial (HFC) cable; direct broadcast satellite (DBS); multipoint microwave distribution systems (MDS); ‘Integrated Services Digital Network’ (ISDN); and ‘Asymmetric Digital Subscriber Line’ (ADSL). The main broadband services planned for delivery to homes over this period were pay television and fast Internet access. A sequence of snapshots of sociotechnical relationships at critical times during the study period, termed ‘sociotechnological configurations’, is used to track the evolutionary pathway of the broadband technologies. The mapping technique assists in identifying key features and explaining the driving factors of the pathway, including why HFC cable emerged as the predominant technology, and two competing HFC cable networks were rolled out in capital cities at an additional cost of over $2 billion when a single network would have had ample capacity.     

对新整合的《中国音乐史与名作赏析》课课堂教学的几点思考

《中国音乐史与名作赏析》课是伴随着高校课程改革在《中国音乐史》与《音乐名著欣赏》等课程的基础上整合而成的一门新课程。由于该课程的课程结构发生了较大的变化,促使任课教师在课堂教学中要合理安排教学内容,及时改进教学手段、教学方法并灵活调整教学评价制度和考核方式等,以保证课堂教学工作的顺利进行。