再论形声字“声符”表意的复杂性

形声字的“声符”表意是形声字意义和“声符”意义互相制约、双向选择促成的。从词义的发展变化和字的孳乳衍生方面做动态考察，可以发现，由于字的移用、借用，往往造成形声字本义和“声符”本义的移位、错位，致使二联系的脱节。而词义引申、分化的多层面、多向度、多环节又决定了由此而衍生的形声字的“声符”表意的淡化、模糊，造成声符表意的日益复杂化。     

诗歌翻译中的审美符号转换

成功的诗歌翻译要求在目的语中重现原作特殊的形式及意蕴,译者不仅要传递原诗的信息内容,而且要达到审美效果的等值转换。审美符号能否有效转换是衡量译诗好坏的标准。本文以莫里斯的符号学理论为基础,探讨了在诗歌翻译中审美符号转换的前提及不同的转换方法可能带来的不同审美感受。     

从《阿拉比》看瘫痪的都柏林生活

詹姆斯·乔伊斯在《阿拉比》中向我们展示了都柏林瘫痪的状态。从背景、人物塑造和象征主义运用等方面来分析文本,有利于揭示作者所要表达的瘫痪主题。     

Characterizing Reading Comprehension of Mathematical Texts

This study compares reading comprehension of three different texts: two mathematical texts and one historical text. The two mathematical texts both present basic concepts of group theory, but one does it using mathematical symbols and the other only uses natural language. A total of 95 upper secondary and university students read one of the mathematical texts and the historical text. Before reading the texts, a test of prior knowledge for both mathematics and history was given and after reading each text, a test of reading comprehension was given. The results reveal a similarity in reading comprehension between the mathematical text without symbols and the historical text, and also a difference in reading comprehension between the two mathematical texts. This result suggests that mathematics in itself is not the most dominant aspect affecting the reading comprehension process, but the use of symbols in the text is a more relevant factor. Although the university students had studied more mathematics courses than the upper secondary students, there was only a small and insignificant difference between these groups regarding reading comprehension of the mathematical text with symbols. This finding suggests that there is a need for more explicit teaching of reading comprehension for texts including symbols.     

试论中西文化中颜色词语的象征意义

汉英语言中颜色有不同象征意义,我们不仅要注意观察它们本身的基本意义,更要留心它们含义深广的象征意义。这种不同文化之间颜色象征意义的差异是由于各自民族的文化历史背景、审美心理的不同而产生的,是在社会的发展、历史的沉淀中约定俗成的,是一种永久性的文化现象。本文试图从中西文化对比的角度,去分析、探究中西文化颜色的不同象征意义。     

浅析中小学教科书中非文字符号的认知特性

教科书是通过文字和非文字符号来呈现教学内容的,非文字符号具有直观形象、寓意丰富、整体传达、一目了然、审美感人、强化认知、记忆深刻、模塑心灵的传播优势。集合性结构符号是教科书中一种非常重要的非文字符号,它既是一种心理模塑结构,同时也是一种情境结构和视觉组织结构。在教科书中应该充分利用非文字符号营造良好的知识和文化信息交流界面,巧妙地呈现、传达内容,在提高认知效率和效果的同时,更好地陶铸、模塑学生的学科认知结构和文化心理结构。