传承·创新·超越——宗廷虎主编《20世纪中国修辞学》的突出特色

宗廷虎先生主编的《20世纪中国修辞学》(上下卷)具有强烈的方法论意识。和以往修辞学史论著相比,该书具有一定程度上的传承性,又有更多意义上的创新与突破。其突出特色主要表现为:纵横交错,点面观照;史论结合,一体互融;内外共治,寻根求源。正是在这种正确的方法论意识支配之下,才实事求是地梳理并论证了20世纪中国修辞学发展的基本轨迹,不仅仅为读者奉献了一本厚重的关于20世纪修辞学发展的学术专著,更为修辞学界建构了一个崭新的科学的20世纪中国修辞学史理论体系。     

Participatory Graffiti as Invitational Rhetoric: The Case of O Machismo

This article engages the Brazilian O Machismo graffiti project as an example of invitational visual rhetoric. Although most understandings of graffiti as communication consider it to be a persuasive artistic form, O Machismo invites viewers to respond to its invitation to help complete the art project and collectively share in co-creating its message. Through an examination of the responses to the invitation that emerge to resist machismo and promote non-patriarchal understandings, the article offers some ideas about how an invitational visual rhetoric expands our previous understandings of graffiti.     

修辞学视野下的词体艺术风格论——詹安泰《论修辞》及其词学史意义

詹安泰《论修辞》一文,引入现代修辞学研究方法,强调修辞目的和效果,一改词话玄妙莫测的叙述方式,创立"别是一家"的词体修辞论。以情感的传达和修饰作为修辞的根本,将语言学与文学研究相结合,试图化解技术词藻与词心词情之间的矛盾,呈现出以"学词"为基础的"大词学"观,由此发展的艺术风格论也成为当代词学研究的重要分支。     

逻辑哲学“有限形式”特征与当代修辞学方法论建构简

面对修辞学缺乏方法论建构的现状,需要对当代修辞学的研究范式做进一步的思考。借鉴逻辑哲学“有限形式”的研究方法,从哲学的角度关照修辞学,从“有限形式”的内涵,特征的界定,介入修辞学研究的实践可能性,以及对当代修辞学的积极意义等方面展开论证。将话语分析建立在形式和意义关系的充分发掘的基础上,以此进一步推动修辞学和语言学前沿研究的接轨,促进当代修辞研究方法的多样化。     

生态翻译学视角下的《黄帝内经》修辞格英译研究

试图运用生态翻译学的"三维"原则指导《黄帝内经》中修辞格的翻译,并以此解读李照国《黄帝内经》译本中修辞格的翻译。     

Leadership and peacemaking: Yitzhak Rabin and the Oslo Accords

Leaders guiding their groups through a peace process following a difficult conflict must address the unique challenges created by this process. This article describes the duality characterizing peace processes and offers an original conceptualization of the socio-psychological tasks leaders fulfill in this context, addressing security and control needs, changing collective beliefs and emotions, and mobilizing the group while simultaneously coping with social polarization. This paper reports on a case study of Israeli Prime Minister Yitzhak Rabin's leadership during the Oslo Accords through his public speeches designed to mobilize his group's support. A content analysis of speeches following different types of events (positive, negative or neutral) and targeting different audiences (Israeli and international) highlights three major themes emerging from his rhetoric, which correlate to his tasks as a leader in peacemaking. The findings describe how Rabin coped with the challenges that arose from the complex peace process, while fulfilling the first two of his tasks and mobilizing his group, but not dealing with the deep social polarization that existed within Israeli society at that time. The triangular interaction between leader, society and context are discussed with regard to their impact on peace processes. Conclusions are drawn about the opportunities and setbacks of the Oslo Accords, considering Rabin's contribution to peacemaking.     

动画变形“修辞”论

动画变形是动画艺术中常见的手段之一。动画变形的"修辞"和语言中的修辞格有相似之处,动画变形中的夸张、比拟、隐喻、易色、叠现、避复等都体现出动画语言的"修辞"特征。     

论修辞策略风格

修辞策略的风格是修辞学研究的一个新课题,对深化修辞策略研究、提升修辞策略艺术水准以及进行高品位鉴赏具有重要意义.文章着重探讨、论述修辞策略风格的概念、审美价值、分类主要标准和形成条件等四个主要问题.     

“修辞”门外乱弹琴

随着社会的发展,一些"潜性"词语的生成很可能一时无法穷尽;新的名物词的生成有时会成为词语"空符号"。修辞要求"立其诚",然社会生活中语言交流之场合、情境纷纭复杂,致修辞"立诚"甚为不易。语言创新难,故"句样"有着强大的艺术生命力。诗文作品的隐喻性往往会导致对作品的修辞性误读,误读也会带来审美愉悦。     

Muhammad Ali's Fighting Words: The Paradox of Violence in Nonviolent Rhetoric

While Muhammad Ali has been the subject of countless articles and books written by sports historians and journalists, rhetorical scholars have largely ignored him. This oversight is surprising given both the tradition of social movement scholarship within rhetorical studies and Ali's influential eloquence as a world renowned celebrity espousing nonviolence. Ali's rhetorical performances played a pivotal role in radicalizing the civil rights movement as it (d)evolved into twin forces: Black Power and anti-Vietnam war movements. Ali's rhetoric conjoins messages of Martin Luther King, Jr. and Malcolm X, enabling critics to re-envision civil rights texts. Ali's enduring rhetoric provides a model for analyzing texts and social movements invoking the paradox of the violence in nonviolent civil disobedience.