宋金元诗歌“列锦”结构模式及其审美追求

“列锦”作为一种修辞手法,并非是宋金元诗歌中才出现的,而是早在先秦时代的《诗经》中便已产生。在汉魏六朝诗歌中,“列锦”手法的运用更是广泛。唐诗中“列锦”文本不仅更为常见,而且结构模式上有很多创新。唐五代词受唐诗的影响,“列锦”在结构模式上又有所发展。宋金元诗歌受唐五代诗词的影响,“列锦”在结构模式上续有新的创造。与前代诗词一样,宋金元诗歌中的“列锦”修辞文本建构,都是“有所为而为”的,其建构都带有特定的审美追求。     

论古代诗学中的中国传统文化和谐意蕴

中国传统文化中"天人合一"的和谐精神作为根本性的哲学观念,渗透在文人的人生价值追求与诗歌创作中。天人和谐,人人和谐,身心和谐与心理和谐是诗人由外及内,由身到心的提升过程,表现为能超越任何一种生命存在的境遇作自己的主宰,从而修炼一个完善完美的心灵。在诗歌的创作中,则表现为由内及外,由心到身的外显过程。诗人在物我情意融通,寓意于物,以物比德的创作过程中与自然客体达成情意的圆融合一。     

从顺应理论视角分析小说《追风筝的人》中的对话

以耶夫?维索尔伦的语言顺应理论为依据,分别从心里世界、社交世界和物理世界来研究小说《追风筝的人》中对话者怎样顺应这三个世界,从而达到良好的交际目的。旨在证明顺应论对于分析小说对话具有强大的阐释力。     

《诗经》中动植物名称的隐喻英译研究

认知语境是人们根据头脑中已经存在的经验对外部世界里的事物进行认知后产生的结果。隐喻则是人们根据头脑中已有的某件事和经验来理解、判断和认知另一件事或经验的一种特殊的思维方式。因此,对隐喻的正确理解最重要的依据是基于认知语境基础上的。对隐喻的翻译则是一个更为复杂的结构,因此要正确地进行隐喻翻译,就要寻求双方共有的认知语境以便理解和掌握话语中的真实含义,以期得到最成功的翻译结果。《诗经》三百篇中描写了许多动植物形象,这些形象都是作者进行诗歌创作时运用隐喻思维的产物,对隐喻的理解不当,就会使译文产生偏差。目前,《诗经》已被翻译成多种语言,译者的认知语境情况对翻译活动以及翻译文本都存在着不容忽视的影响。因此,以认知语境为理论基础来分析《诗经》中的隐喻翻译情况就显得更有价值。     

李炳海《中国诗歌通史?先秦卷》的几个问题

李炳海《中国诗歌通史?先秦卷》存在一些问题,主要是所谓的《弹歌》是现今所能见到的最早的歌谣的问题,所谓的《国风》是歌词选集的问题,所谓的《诗经》为乐官采录编选的问题,关于骚的解释问题,关于《诗经》为歌诗的问题等。李炳海《中国诗歌通史?先秦卷》存在的这些问题实际上严重影响了李炳海《中国诗歌通史?先秦卷》的学术价值。     

Narrative research in climate change adaptation—Exploring a complementary paradigm for research and governance

Climate adaptation research increasingly focuses on the socio-cultural dimensions of change. In this context, narrative research is often seen as a qualitative social science method used to frame adaptation communication. However, this perspective neglects an important insight provided by narrative theory as applied in the cognitive sciences and other practical fields: human cognition is organized around specific narrative structures. In adaptation, this means that how we ‘story’ the environment determines how we understand and practice adaptation, how risks are defined, who is authorized as actors in the change debate, and the range of policy options considered. Furthermore, relating an experience through story-telling is already doing ‘knowledge work’, or learning. In taking narrative beyond its use as an extractive social research methodology, we argue that narrative research offers an innovative, holistic approach to a better understanding of socio-ecological systems and the improved, participatory design of local adaptation policies. Beyond producing data on local knowledge(s) and socio-cultural and affective-emotive factors influencing adaptive capacity, it can significantly inform public engagement, deliberation and learning strategies–features of systemic adaptive governance. We critically discuss narrative as both a self-reflective methodology and as a paradigmatic shift in future adaptation research and practice. We explore the narrative approach as a basis for participatory learning in the governance of socio-ecological systems. Finally, we assemble arguments for investing in alternative governance approaches consistent with a shift to a ‘narrative paradigm’.     

基于FCM-PFS与PSO-RF的隐性知识外显案例适配研究

对隐性知识外显案例实施有效适配,于知识应用乃至创新、实现乃至增值知识资源的价值,具有重要意义。本文深入研究了隐性知识外显案例适配机理。首先,采用毕达哥拉斯模糊集对知识属性值进行处理,建立知识表达系统;接着,运用K-Means算法对FCM聚类算法进行改进,压缩匹配空间、提升案例匹配效率;而后,基于PFS相关系数求解知识供需间的视图相似度,从而获得适配案例集。在此基础上,构建随机森林适配模型,并采用粒子群算法对其优化,以确保适配效果。与传统算法的对比实验验证了本文算法的比较优势。     

唐写本陶翰《古意》诗校考

敦煌残卷《唐写本唐人选唐诗》所收陶翰《古意》诗,作者又有王季友一说,经考证,应为陶翰诗。诗题又作《古塞下曲》、《塞下曲》、《古塞曲》,经考论,取《古塞下曲》为佳。诗句中有异文达14处之多,分别从文字发展、史地名物等角度予以考辨,并依“宜各从长”的要求给出己断。     

‘I guess it scares us’ – Teachers discuss the teaching of poetry in senior secondary English

This article reports on a participant‐centred research project with English teachers in a senior secondary college in Melbourne, Australia. It builds on previous research (Weaven and Clark 2009, 2011), which showed a low take‐up of the opportunities to teach poetry in Victoria's senior secondary English curriculum. This study explores the reasons why teachers of English are unwilling to use poetry texts in their senior classes. The teachers who participated in this study discussed and documented their attitudes towards the teaching of poetry and explored with each other the pedagogical challenges associated with teaching poetry. Their discussions – an analysis of which forms the empirical core of this article – reveal a range of explanations for teachers' reservations about offering poetry to their students. Importantly, these teachers were able to use professional discussion as a means to consider what changes in teaching practice could be successfully developed to facilitate more time spent on the teaching of poetry in senior secondary classes.