试探武术的内在美

本文从审美角度分析武术自身所内含的美。空灵和充实相生变化的规律成就了武术的整体和谐。形式、节奏和气韵上的和谐深刻地体现了武术的内在美,即追求心灵的自由和人格的和谐。通过武术美的赏析进一步感受武术特有的内在美和对自然生命的感动。如何更好地弘扬武术文化,传播武术的内在美将是我们继续努力探讨的问题。     

生态美学视野中的建筑美学研究

作为当今世界前沿的美学理论,生态美学在哲学基础、思维方式、研究方法等方面有着巨大的理论优势。当代建筑美学可以吸收生态美学的理论优势,挖掘自身生态维度,不断拓宽、深化自己的研究,从而更好地理解、体验建筑美。这可以从三个方面进行有益的尝试,即从有机整体视野、文化生态与审美参与三个角度拓展建筑美学研究。     

The need for alternative paradigms in science and engineering education

There are two main claims in this article. First, that the classic pillars of engineering education, namely, traditional mathematics and differential equations, are merely a particular, if not old-fashioned, representation of a broader mathematical vision, which spans from Turing machine programming and symbolic productions sets to sub-symbolic orderings such as artificial neural nets. Second, that the paradigm of equivalence ought to be extended to those non-traditional engineering disciplines that require at least the same dedication, such as music and its science, musicology, because they broaden the search and identification of structures, one of the most important tasks of creative engineering. Furthermore, an example of contemporary advanced technology will be given that favours these very claims.     

后现代转向中的文化研究与实践美学

20世纪60年代之后，在新兴艺术形式和后现代理论的冲击下，美学开始了后现代转向，在诸多方面产生了决定性断裂。文化研究在后现代转向的语境中兴起，以反对艺术的自律为契机，因三代知识分子的努力而在现代与后现代之间的空位处迅速发展，但是它在逻辑起点、文化层面和审美追求三方面都表现出不足之处。马克思主义实践美学以自由的实践与创造和共产主义审美理想．弥补了其不足并表现出了巨大的优越性。     

网络课程中美的展现及价值实现

网络课程作为重要的网络教育资源被大量的运用于学习中。但是,技术造就的网络世界,忽视了人的情感和心性,过分强调物化的技术。因此,美学精神在网络课程中也就有存在的必要性。网络课程中的美具体表现在形式美和意韵美,美的最终价值就是要建构网络课程中人与技术融合的文化家园。     

《红楼梦》中有美学——《红楼美学》绪论

《红楼梦》精深博大,气象万千。它有吐珠纳玉、张扬活力的艺术空间;其禅一般的“红楼”意象、与鲁迅相通的悲剧意识、满含生命哲学的人物性格世界、尽揽个性心灵解放史的丰富意蕴,都使它由“具体之学”升华为“理想艺术”和“优秀艺术”的“哲学”。“红楼美学”是可以成立的。     

试论中国儒家美学与商业环境

儒家美学的“美在中和”和“里仁为美”对我国商业环境有着深远的影响,不仅渗透到企业的内部管理,还体现在企业对外商务活动上。     

生态美学对“复魅”的期待

全球性的生态危机带来生态美学的诞生,生态美学是研究人与自然和谐关系的美学原理和实践运用,并以主体间性美学为其哲学基础,在对人与自然关系定位探索中走过三个不同的阶段。     

荷加斯美学线条在服装造型结构设计中的运用分析

文章在实践的基础上进行理论研究,借鉴英国艺术史上最具理论和实践水平的艺术家威廉·荷加斯的美学线条概念,来分析服装结构设计中如何设计和运用美的线条,使服装款式设计艺术化、服装结构设计艺术化。     

Beauty and Character: Values Beyond Beauty in Architecture

Formalist conceptions of aesthetic goals began to give way from the 17^th century on to rationalist accounts of experience. Beauty as described as essential by Renaissance thinkers was reconceived as just one possibility, with the sublime in Burke's account as another. In the early 20^th century Clive Bell again asserted a formalist position with his argument for significant form. The weakness of the formality position, and the need for a richer, more contextual account of aesthetic goals and experience is argued with reference to the idea of thick and thin concepts as applied by Bernard Williams to ethics, Wittgenstein's attention to the way in which language is used in a specific context, and Scruton's emphasis on an informed conception of the object of aesthetic attention. Beauty, in Alberti's procedural account if not in his version of the Platonic ideal, can be seen to continue to have critical value. The idea of character, however, offers a broader range of possibilities for experience and of goals for design.