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1.
Michael M. Ames Author Vitae 《Museum Management and Curatorship》2006,21(3):171-186
Museums are not usually seen to be agents of change. If they are to serve as important mechanisms for empowering local communities to define, recognize, and develop their own indigenous heritages, they should first consider a potential contradiction contained within this initiative: museums specialize in the representation of other peoples, while people have the sovereign right to represent themselves. Left unresolved, this contradiction could produce counterfeits of good intentions. The introduction of professionalized cultural management may mitigate the responsibilities of the citizenry to actively participate in the production and preservation of their own heritage. 相似文献
2.
Syed Jamil Ahmed 《Inter-Asia Cultural Studies》2013,14(3):431-455
Abstract This essay recognizes that representations of the ‘Muslim woman’ as the Othered ‘object’ of the ‘Western’ gaze and the domesticated ‘object’ which the Islamic apologists strive hard to defend, are both constructions and false antitheses of each other. It seeks not the ‘truth’ regarding the Muslim women in the world of social reality but to examine how various representations of the women are constructed and to what effects and consequences these representations are mobilized. The essay proceeds in three stages. The first stage shows how the patriarchy mobilizes the Qur’an and the Hadith in order to construct the woman as the negative, the inessential and the abnormal of the man so as to exert complete subordination over her. However, the very act of attempting to mute the woman in Islam is the most strident proof that she is engaged in resistance against patriarchal control and the degree of resistance must be judged by the degree of patriarchal control. The second stage demonstrates how patriarchy operates in colonial and neo‐imperial landscape: it legitimizes the appropriation of Muslim woman ‘possessed’ by the Other (as exemplified by the orientalist seduction fantasy in William Dalrymple’s The White Mughals), but, haunted by the fear of rape and anxieties regarding the sexuality of the White woman possessed by the Self, it attempts to maintain strict control over her (as in the cases of Miss Wheeler in the ‘Mutiny’ of 1857 and Private Jessica Lynch in the Iraq War). This struggle over the feminine body is perfectly in line with Islam’s hyper‐anxiousness to hide the female body and rigorously ensure monopolic possession over her. The third stage shows how Taslima Nasreen, a late‐20th century feminist from Bangladesh, speaks the unspoken and thereby attempts to subvert the normative representation of the muted women in her autobiographical novella, entitled āmār Meyebelā. In thus examining the representations of the Muslim women, this essay seeks an alternative ‘third space of enunciation’ and takes a distinct political stand located outside of the axis of the dichotomy of the ‘Western’ gaze and the construction of the Islamic theologians. 相似文献
3.
本文介绍了基于模型设计(MBD)的定义和模型表达技术,论述了产品制作过程不同阶段与管理系统的联系方式。通过搭建数据管理模型框架,将模型数据分解为一系列子数据,并验证了该方法的有效性。 相似文献
4.
杭琍 《淮南师范学院学报》2001,3(1):22-25
江泽民同志“三个代表”思想的提出,是在坚持“三个有利于”标准的基础上,为适应新的历史时期的党的工作而提出的新的目标要求,是对“三个有利于”标准的坚持和发展。 相似文献
5.
Many mathematicians and curriculum bodies have argued in favour of the theory of formal discipline: that studying advanced
mathematics develops one’s ability to reason logically. In this paper we explore this view by directly comparing the inferences
drawn from abstract conditional statements by advanced mathematics students and well-educated arts students. The mathematics
students in the study were found to endorse fewer invalid conditional inferences than the arts students, but they did not
endorse significantly more valid inferences. We establish that both groups tended to endorse more inferences which led to
negated conclusions than inferences which led to affirmative conclusions (a phenomenon known as the negative conclusion effect).
In contrast, however, we demonstrate that, unlike the arts students, the mathematics students did not exhibit the affirmative
premise effect: the tendency to endorse more inferences with affirmative premises than with negated premises. We speculate
that this latter result may be due to an increased ability for successful mathematics students to be able to ‘see through’
opaque representations. Overall, our data are consistent with a version of the formal discipline view. However, there are
important caveats; in particular, we demonstrate that there is no simplistic relationship between the study of advanced mathematics
and conditional inference behaviour.
相似文献
Matthew InglisEmail: |
6.
谢俊 《重庆职业技术学院学报》2004,13(3):48-49
"三个代表"重要思想是在马克思哲学的指导下产生的,它的提出是对马克思主义哲学的继承和发展,"三个代表"的具体内容及其精神实质,都集中体现了马克思主义哲学的科学理论."三个代表"准确地把握了当代中国社会的基本矛盾运动,升华和拓展了马克思主义的文化导向论,丰富和发展了马克思的群众理论."三个代表"重要思想已成为建设有中国特色社会主义的行动指南. 相似文献
7.
知识空间:知识组织的概念基础 总被引:11,自引:0,他引:11
文章从情报组织和知识组织的具体化出发 ,提出了“知识空间”这样一个知识组织的新的概念基础。探讨了可在多维空间中表示的知识领域的“概念向量”、基于对这些概念理解的个人“状态向量”、包括知识子空间的检索系统中可能存在情报项的“表示向量”、用户扩检或缩检子空间的“检索体积”,以及这一新概念意义。参考文献 1 1 相似文献
8.
本文采用话语分析与叙事分析的研究方法,通过台湾社会对《海角七号》意义的阐述与解读,借鉴现有历史研究的成果,对其叙事策略及各方围绕电影建构的意义体系进行了分析,力图将此过程中对历史叙事的阐释与解读问题化,借此揭示流行视觉文化在调用历史资源进行叙事或再现时存在的问题与面临的困境,进而促进对历史-媒介-文化三者互动关系的深入思考。 相似文献
9.
Amit Pinchevski 《Critical Studies in Media Communication》2013,30(5):387-407
The Stalags, an Israeli pulp fiction series whose advent coincided with the 1961 trial of Adolf Eichmann in Jerusalem, portrayed sadomasochistic scenarios between SS female guards and Allied soldiers in POW camps. Written in Hebrew by native Israelis, these cheap pocketbooks were enormously popular with Israeli teenagers, many of whom were children of Holocaust survivors. We posit the Stalags (a) as a fictional counterpart of the trial, complementing the legal procedure with feats of the imagination, and (b) as a text upon which the Israeli young generation negotiated issues of power and identity. 相似文献
10.
Guillermo Avila-Saavedra 《Communication quarterly》2013,61(2):133-147
This essay examines representations of U.S.–Latino identity on the ABC television program Ugly Betty. The analysis argues that the show articulates a tension between ethnic “otherness” and cultural assimilation that symbolizes current negotiations of individual and collective identities among young, English-speaking Latinos in the United States. Furthermore, the essay argues that Ugly Betty symbolically endorses a new conceptualization of Latino identity in the United States. The conceptual framework of the analysis is the relationship between media representation and identity. 相似文献