翻译过程论--论翻译的过程与过程的翻译

本文通过对英语语言学一些重要发展阶段的追溯，证明了语言的本质即是过程的反映，并由此得出结论，语言的研究从根本上来讲其实是关于客观世界行为过程(包括静态过程)的研究，只不过由于历史的尘封而被蒙上了一层神秘的面纱。笔者只想通过对它的回顾，还其本来面目，同时也想说明，翻译的过程本身其实是对语言过程中所包含的行为过程的翻译，从而还翻译实践者一个切实可行的理论出路。     

Noise Levels in Hong Kong Primary Schools: Implications for classroom listening

Many researchers have stressed that the acoustic environment is crucial to the speech perception, academic performance, attention, and participation of students in classrooms. Classrooms in highly urbanised locations are especially vulnerable to noise, a major influence on the acoustic environment. The purpose of this investigation was to determine noise levels in one such urban environment, Hong Kong. The ambient noise level, and its relationship to the speech intensity levels of both teachers and students was surveyed in 47 primary school classrooms. Moreover, the presence of acoustical treatments for noise reduction and the use of classroom amplification systems were documented for each classroom. The survey found that the mean occupied noise level was 60.74 dB (A); the mean unamplified and amplified speech‐to‐noise ratios of teachers were 13.53 dB and 18.45 dB, respectively; while the mean unamplified speech‐to‐noise ratio for students was 4.13 dB. Most of the classrooms exhibited insufficient acoustical treatments to provide significant noise reduction. The listening environment in many Hong Kong primary schools was not favourable for optimal classroom learning. Recommendations for improving the acoustical environment in classrooms in highly urbanised locations such as Hong Kong are discussed.     

An exploration of educative praxis: Reflections on Marx’s concept praxis,informed by the Lacanian concepts act and event

This article explores an aspect of Karl Marx’s concept, praxis. Praxis is meaningful work, through which we fulfil ourselves by fulfilling others. The discussion draws on the author’s work with postgraduate student teachers, where both students and author were researching their own practice. Reflecting Marx’s conception of praxis as subjective fulfilment in the objective world, this activity was intended to trouble and complicate the categories ‘subjective’ and ‘objective’, whilst enabling students to become both more autonomous and other-oriented. The intention behind this article is to develop the theoretical vocabulary of praxis available to educational researchers and practitioners. Some ideas from Lacanian psychoanalysis are introduced, followed by extensive discussion of Slavoj ?i?ek’s concepts, ‘act’ and ‘event’. The key argument is that in a nascent educative praxis, ‘subjective’ and ‘objective’ perspectives can be understood not as fixed points of reference, but as dual orientations on a flow of signification. These ideas are developed alongside detailed examination of two university-based research sessions with student teachers. With reference to session activities, a rationale is provided for an emerging educative praxis, in which students explore creative tensions between ‘subjective’ and ‘objective’ perspectives on school-based practice.     

简论王希杰的辞格理论研究

辞格理论研究是汉语辞格研究中的薄弱环节。王希杰对辞格理论作了深入而又系统的研究,他对辞格的性质、辞格系统的整体分类、辞格形成基础、辞格的价值和功能、辞格运用的原则等理论问题的论述就具有独特的视角和建设性,对解决当前辞格研究中的诸多问题具有重要的指导意义。     

古代格言的修辞特点探析

古代格言数量之众、蕴含哲理之深、修辞艺术之美、深入民间之久,在中国语言文化中独树一帜。它积极地利用各种修辞手段,从句子,声音,辞格等方面调整其修辞功能,使其社会功用与语言很好地结合。     

使役性言语行为醒示语分析

本文将醒示语分为称呼语和提醒语两类,认为醒示语具有拉近或推远交际双方之间的社会关系及情感距离、提高或降低尊崇的等级、调节醒示与恳请的强度等语用调节作用.醒示语的选用受使役的内容、使役的场合及交际双方之间的关系等因素的影响.醒示语的正式程度往往与使役要求的正式与严肃程度、场合的正式与紧迫程度、发受话双方之间的权势和距离差成正比.     

话语冲突与“心理空间”——《死者》中主人公康罗伊顿悟之心理动因探究

"顿悟"是爱尔兰作家詹姆斯·乔伊斯的名篇《死者》中的重要创作手法之一。运用法康尼尔(Fauconnier,G)认知语言学心理空间理论能有效挖掘人物顿悟之前的心理,从而进一步深化故事主题。在《死者》中,主人公康罗伊与三位女性之间的话语冲突使主要人物的心理空间发生了多次交错,促使康罗伊摈弃殖民地特权者身份,回归爱尔兰传统。康罗伊的精神复苏在深层次上象征着整个民族的新生。     

言语行为语际语用研究综述

通过文献研读可以看出,国外学者对言语行为语际语用策略对比研究比比皆是．然而这些研究散落在不同时期的文章中,缺乏统一的梳理与整体画面。本文拟通过对国外言语行为语际语用研究方法和言语行为语用策略研究的综述,以期达到对言语行为语际语用策略研究有个较全面的了解。     

《诗经》中“无、勿、毋、弗”的词性兼类及其规律

掌握辨析《诗经》中的表示否定意义的“无”与其有着交叉关系的“勿、毋、弗”的词义、词性的规律，应从它们在句子中的结构关系方面去着手。掌握了辨析它们的规律，既可以为我们正确理解这几个词在《诗经》中的正确含义，而且也能帮助我们正确理解先秦诸子百家著作及文学作品。     

Editorial statement

Grounded in the interdisciplinary educational work of Cultural Studies, this paper examines the pedagogical potentials of narrative and performance for the teaching of writing as a mode of public discourse. Guided to address a wide readership, students engage in critical communication aimed at linking self inquiry and narrative discourse to the contextual analysis of the social. Drawing on research findings derived from the undergraduate teaching of cultural criticism as a genre of public writing at Lingnan University, Hong Kong, we look at how educational drama mediates the work of narrative and performative acts involving the young learner-writers and contributes to the shaping of a dialogic mode of address and communication, thus articulating the process and impact of writing to the public-oriented discourse in Cultural Studies education. In light of such acts in critical discourse and imagination targeted at the potential reader, we show how the young writers' own engagement with critical thinking and communication are opened up by drama-in-education adopted in the class, and argue how, in this sense, both writing and its learning process become effective stages in the making of the kind of cultural criticism we want to help students to learn.