Gender Games

This textual analysis focuses on the portrayal of female journalists in House of Cards. The uneven depictions of six female journalists could have a socializing effect on the audience. The researchers argue that the character Zoe Barnes is depicted as childlike, unprofessional, and unethical, while the character Ayla Sayyad is portrayed as a dedicated watchdog journalist. The researchers then explore the ethical implications of these portrayals through the lens of social responsibility theory.     

科技期刊编辑从事科研活动对提升期刊质量及编辑成长的作用 ——以《中国实用内科杂志》编辑科研实践为例

阐明科技期刊编辑从事科研活动的重要性、从事科研活动的优势、编辑开展科研活动的途径.认为科技期刊编辑从事科研活动,有利于编辑更好地进行选题策划等日常编辑工作,也有利于科技期刊的整体发展及编辑自身的成长.     

The Validity of Global Press Ratings

This study examines year-by-year correlations between Freedom House and Reporters Sans Frontières' (RSF) press freedom scores for countries over a 13-year period (2002–2014). The goal of the study is to test the hypothesis that, further into the age of digital disclosure, as press abuses and harassment of journalists are more widely reported, press freedom ranking systems are gradually becoming more precise and, therefore, correlations between the two indices will strengthen over time. To further assess concurrent validity of the indices, correlations between both indices and scores on the United Nations Human Development Index are also provided. The study also examines changes in the indices' rankings of countries over time within six world regions: the Middle East and North Africa, the Americas, Western Europe, Eastern Europe/Central Asia, Sub-Saharan Africa, and Asia. In so doing, this study adds a degree of understanding to the validity of two press freedom indices that are routinely cited in journalistic reportage and trade journals, as well as many scholarly publications. Results suggest that the two organizations' scoring of press freedom has become significantly more correlated in the years 2002–2014, and the primary cause of the increased agreement is that RSF's ratings became substantially more aligned with Freedom House's scores during this period. Both indices' ratings are significantly correlated with countries' United Nations Human Development Index scores.     

提高乌骨鸡育雏率的技术措施

笔者严格卫生防疫，控制温湿度、光照和通风，适时供水，尽早开食和减少应激因素等技术措施，有效地提高育雏成活率．     

贝娄短篇小说的叙事伦理——以《离别黄屋》、《如烟往事》、《莫斯比的回忆》为例

贝娄的《离别黄屋》、《如烟往事》、《莫斯比的回忆》这三部短篇小说，通过主要人物一生的种种经历，探讨了人生的价值和生活的意义。作者让叙述者进入主人公的心灵世界，以轻松风趣的笔调叙述其如何心平气和地面对过去：对历历往事的难以释怀、对亲情友情的魂牵梦萦、对是非成败的慨然评断。主人公深情的回忆以及叙述者从容的叙述使主人公人生的价值与生活的意义得以构建与阐释，同时，作者的价值取向与情感态度也得以逐渐呈现。通过对叙事对象的选择、提炼与把握，作者积极的、乐观的人文主义叙事伦理得到了完美的宣示。     

论教科版小学《语文》教材的诗歌教学

诗歌蕴含着中华民族的精神和品质,对小学生进行诗化教育,不仅可以激发他们的创造潜能,全面提高综合素质,还可以使孩子们增加体验,培养语感和诗化的心灵,奠定其一生诗意的人性基础。教科版小学《语文》教材将诗的激情注入教学,巧用诗歌,激发兴趣,体验诗歌,展开想象,培养语感,运用语言,拓展表达能力,时时用诗歌的和煦春风熏染小学生,把语言艺术的珍贵雨露浸润到孩子们心灵的最深处,激发他们的激情,引起对诗歌美好的共鸣,营造处处诗化的氛围,其教学效果是非常显著的,对于他们丰富词汇、陶冶情操、增长见识、开发智力、实施素质教育有着不可忽视的重要意义。     

从互文性探索《荒凉山庄》的“进步”话语

通过以互文性为理论依据,采用托马斯.卡莱尔对工业化进程中社会价值观变迁的回应论—"现金联结",对《荒凉山庄》中众多人物间的人际关系重新进行审视,揭示狄更斯既有力地批判了中产阶级和贵族阶级以钱财为主导的价值观,又塑造了伊斯特和乔治这样的正面人物,作为对卡莱尔所批评的"现金哲学"的有力呼应。以此证明《荒凉山庄》是狄更斯回应"进步"话语的又一部巨著。     

朱昆田诗歌简论

朱昆田的诗歌多取材于个人的生活经历,抒写一介寒士的落拓之怀,以及思乡之情、诗友之谊,题画咏物也都工于藻绘,笔触灵动,而对于广阔的社会生活虽反映较少,却也不是毫不系怀。尤其值得注意的是,朱昆田诗歌那落花坠蕊般的语辞极富表现性,具有强烈的视觉性效果,是中国古典诗歌发展到烂熟阶段的产物。朱昆田诗歌中比喻语词的陌生化、反常性和疏离感,代表着清代诗歌在语言方面的新进展。     

艺术家的自我造就——再读伍尔夫的小说《到灯塔去》

分析弗吉尼亚·伍尔夫的长篇力作《到灯塔去》中两个情境的象征意蕴,认为伍尔夫通过成功地塑造拉姆齐夫人和莉丽这两个艺术家人物,完成了其艺术家自我的造就。     

玄武起源

玄武是武当山道教供奉的主神,史称北方之神,武当山亦称北山。武当山地处中国的中心地带,为什么称北方之神、北山,玄武起源于何时代．为什么改太和山叫武当山等问题,众说纷纭,成为历史疑案。数年留意查找许多有关史料,终于查清其大概：6300年前,帝高阳颛顼在江汉流域统领古三苗氏族,“以龟蛇缠绕的玄武为图腾”,供奉玄武的圣山叫太和山,太和山地处古苗的北方,故称北山。尊“颛项为北方神”或“北方玄帝颛顼”等,死后葬于汉水上游鱼山。发展到尧舜禹时代“古三苗国三苗九黎文化空前繁荣”被消灭。禹为统治“善留恶去”的遗存苗民,改太和山叫武当山,夏王朝允许玄帝以“披发跣足“龟蛇缠绕”的原始雏形供奉,是遗存的古苗民变成汉民族,继承并发展了玄帝和玄武神文明,并使时代不缺环延续至今。