版权的争取、让渡与公众信息权利保障

学术资源的开放存取,是作者在商业出版者垄断学术出版市场背景下主体意识的觉醒。通过对版权的争取、让渡而保留部分版权来促进学术交流,结果会在一定程度上保障公众的学术信息权利。参考文献7。     

推进国民经济宏观信息的公共获取

分析国民经济宏观信息的构成及指标，对国民经济宏观信息的公共获取现状、问题、对策等进行分析。     

基于B/S模式的科技文献管理系统的策略和初步实现*

通过对国内外文献管理工具的现状与发展趋势进行分析, 并结合当前文献信息的网络化特征, 进行了文献管理系统基于B/S (浏览器/服务器) 模式下的策略研究, 并讨论了相关的实现技术。本文设计了一个基于B/S 模式的文献管理系统框架, 通过对用户的权限控制, 以及对不同类型的科技文献信息的管理、批量导入和导出, 使用户可以通过Internet 对文献信息进行有效的检索、维护、使用和共享, 并进行了初步的系统(Ref Manager) 开发和实现。     

教学资源可视化方法

教学资源信息可视化是教学改革与创新的重要内容。本文讨论了教学课件设计中的知识点分割、多媒体素材的制作、资源库元素（多媒体对象）的XML/RDF描述、索引机制和可视化方法。     

RSS/ATOM:提高图书馆服务水平的新技术

如何利用新技术来提高图书馆的服务水平一直是图书馆人思索的问题。RSS／ATOM是博客流行的技术基础，它的统一信息发布标准可以用来改善图书馆的服务手段，提高图书馆的服务水平，为图书馆带来了新的发展机会。本文首先分析了RSS／ATOM的基本原理，然后探讨了该技术在图书馆服务方面的应用，如信息发布、知识交流、营造交流空间等。     

专题：科技信息的开发获取（一）[张晓林编委组织]

科技信息的开放获取已成为影响学术信息交流与科学发展的重大问题，深刻地影响到科技政策、科技支撑环境发展战略和科技信息服务模式。一大批科学家、科研机构和许多国家的科学管理与科研资助机构，都积极地推动科技信息的开放获取。他们或者制定开放获取政策、要求或鼓励科研人员提供科研成果的开放获取，或者支持开放出版期刊，或者建立机构开放存储库、支持本机构科研成果开放获取。通过这一系列的措施，科学界希望能够促进科研成果不受限制地广泛传播和自由获取、以及促进科研成果通过公共机制长期可靠保存和利用，以保障科技知识资产的国家保护和科研机构的知识资产管理。     

Enhancing Research Impact in Heritage Conservation

This paper examines how research impact is defined, measured, and generated – with a view to understanding how it can be enhanced within heritage conservation. It examines what is meant by ‘impact’ and how it can be promoted within heritage science through effective inter-disciplinary collaboration. Following a general examination of the current discourse concerning research impact, the study examined: (i) active research networks within heritage science; (ii) research planning and evaluation practices within heritage science; and (iii) the experiences of users (i.e. conservators and other heritage professionals) within research collaborations. Terminologies surrounding the notion of impact and the various phases of the research process were reviewed – from the initial identification of a knowledge gap to the eventual application of new findings in practice. Next, the reach and diversity of research collaborations (as identified through publication co-authorship) were studied to characterise the inter-disciplinary nature of heritage science and its connectedness to users. Findings showed substantial growth in international research collaborations over recent years, predominantly involving academic- and research-oriented institutions – although the engagement of heritage institutions has proportionally decreased. In addition, a worldwide survey of institutional planning and evaluation practices revealed a general reliance on processes driven by the interests of researchers – the systematic consideration of stakeholder opinion and evaluation of research outcomes being less common. Finally, a series of semi-structured interviews with senior heritage professionals explored their experience of collaborative research. The results identified key areas where strategic support is needed to promote user participation and enhance impact. These include training for research readiness, engagement, and impact for both researchers and users; better methods for needs and outcome assessment; affordable open access options and greater diversity of knowledge exchange opportunities. Finally, the need for ethical guidelines for responsible research, and greater emphasis on non-academic impact within research rating systems are discussed.     

The Ephemeral,the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings

This article presents the intervention process carried out on a work of art created by artist Yolanda Gutiérrez Acosta, using a series of ephemeral materials such as butterfly wings and agave thorns. The work, an installation from 2002, is entitled ‘Efímeras’ (‘Ephemera’) and consists of 12 flowers mounted on acetate sheets and attached to the same with vinyl acetate copolymers and acrylic acid esters (Mowilith®). These flowers are installed on the floor in a bed of dried flowers. The conservation of contemporary art can lead to some previously unimaginable problems for restorers. Current works of art are somewhat material in nature, but they also have a conceptual dimension that is essential for their artistic interpretation. The artist’s participation in the decision-making process prior to the restoration was quite useful. The passage of time, its effect on the work, and the need to understand the possibility of the demise and destruction of the work were implicit as of the onset of its creation, such that, according to the artist, we are forced to reflect upon the possibilities of its future state.