伽达默尔的审美意识批判及其启示

伽达默尔对海德格尔的艺术真理学说进行解释学的重构，通过审美意识批判提出理解的真理，并以之作为艺术理论的立足点。伽达默尔指出：康德的审美趣味、席勒的审美王国、哈曼的审美感知、尧斯的审美经验将纯粹的审美意识作为艺术理论的立足点，否弃艺术的作为理解的认识的真理功能，显示了美学对于艺术理论的局限性。伽达默尔的这一批判对我国当代学理论建设和发展极具启迪意义。     

The materiality of biographical knowledge – ethnography on aesthetic practices

ABSTRACT

The article aims to develop a theory of biographical knowledge and practices of aesthetic articulation. Thus, it examines the aesthetic practices of young people beyond their verbal utterances. Using seven video case studies, it demonstrates the extent to which biographical knowledge is articulated in aesthetic practices – drawing, dancing, making music, etc. Aesthetic practices of articulation are theoretically defined as modes of relation between people and objects and between people and spaces. The article introduces a new ethnographic approach in biographical research that takes into account the lack of research into the significance of aesthetic practices in non-formally institutionalized areas and is thus also an epistemological guide that goes beyond highly cultural patterns and contexts. This has also proved particularly relevant for investigating subjectivation processes of vulnerable groups or, more specifically, the emergence of unequal subject positioning.     

女大学生体育运动态度的调查研究

从态度的三个层面：认知层面、情感层面、行为层面对师专女大学生体育运动的态度进行研究分析．结果表明，就整体而言师专女大学生对体育运动的认识处于较低水平．她们特别重视自身参加锻炼的情感体验，对体育运动的行为倾向处于一般水平，     

赋体文学及其语言审美特征

一、赋体文学的源起、形成、发展和演变 :发源于先秦 ,形成发展繁荣于两汉 ,变化丰富于魏晋南北朝 ,延续于唐宋元明清。二、赋体文学的语言审美特征 :体制的规范美(体物写志的模式 ,铺排辞藻的手法、主客问答的形式 ) ;语体的创造美 (丰富多采的辞藻、骈散结合的句式、回环和谐的声律、贴切得体的典故 ) ;风格的追求美 (阳刚与阴柔的风格美 ,繁缛、精约、壮丽、轻靡、婉丽、超妙的风格美 )。     

论音乐教学中的审美心理因素

音乐是听觉的艺术,它通过特殊的音乐语言-旋律,振撼人们的心灵,使人产生愉悦,激发想象,产生情感,获得美的享受.教师要懂得审美心理因素在教学中的作用,并将它贯穿、融汇在音乐教学中,方能提高学生的审美情趣和音乐素养.     

继承和发展吕荧的美学思想

吕荧的美学思想具有非常重大的意义 ,进一步发展吕荧的美学思想 ,应从以下方面着手考虑 :一、从客观对象与人的现实联系上确定审美价值 ,使美所反映的内容落在实处 ;二、从实践与人本质的联系上确定审美实践 ,使审美价值问题获得科学具体理解 ;三、以审美价值为基础 ,从审美体验与审美评价的辩证统一关系上认识人类的审美欣赏 ;四、以审美价值作为逻辑起点 ,建构中国当代美学理论体系。     

试论人文素质视域下高职校园音乐文化建设——以南宁职业技术学院为例

校园音乐文化建设作为提升学生音乐素养和人文素质的重要途径,有效地促进学生健全人格的形成,提升学生的审美能力和就业核心竞争力,因而日益受到高职院校的重视。然而,由于中国高职院校的校园音乐文化建设总体起步较晚,存在着发展不平衡、重专业教育轻素质培养、音乐教育与音乐活动"两张皮"等问题。因此,还需从顶层设计、音乐教育、音乐活动和音乐文化品牌打造入手,积极探索加强高职校园音乐文化建设的途径。     

未竟的现代性--兼论20世纪中国文学的审美现代性

现代性是来自欧洲启蒙运动并迅速全球化的哲学理想,现代化是其社会图景。20世纪的中国,经历了初期的启蒙救亡、中期的政治遽变、“文革”后的经济建设,至今仍在现代化过程中努力前进。然而中西之间不同的文化传统和社会形态,决定了现代性进入中国后的曲折与变形。20世纪的中国文学被捆绑在现代化之路上,其审美特质与自主精神都必然受到特定时期历史社会的影响。     

在美术欣赏中培养学生的审美能力

美术欣赏教学不仅有助于提高学生的艺术修养和审美能力,而且有助于发展学生的想象力和艺术创造力,有助于培养学生形成健康的审美观和高尚的情操．是实施素质教育不可缺少的重要组成部分。     

Unpacking the paradox of Chinese science learners: insights from research into Asian Chinese school students’ attitudes towards learning science,science learning strategies,and scientific epistemological views

Chinese students’ excellent science performance in large-scale international comparisons contradicts the stereotype of the Chinese non-productive classroom learning environment and learners. Most of the existing explanations of this paradox are provided from the perspective of teaching and learning in a general sense, but little work can be found which systematically summarises the findings from the research on Chinese science learners and their science learning so as to explain the paradox. In this paper, a total of 25 empirical quantitative studies, whose sample sizes range from 132 to 8815, published between 1987 and 2014, are reviewed. Three aspects are explored: students’ science learning strategies, attitudes towards learning science and their scientific epistemological views. In addition to summarising the results reported in these studies, efforts are made to link them with the paradox of the Chinese learners, and to generate some hypotheses to resolve it. Finally, directions for further research are suggested.