《海国图志》的作者及版本研究

魏源(1794一1857年)是近代初期的思想家、史学家、经学家.其编著的<海国图志>是极负盛名的介绍世界历史、地理的巨著,对近代中国社会的近代化产生过很大的影响.     

古代苏州藏书家以抄书保存流传典籍功绩评述

论文从苏州藏书家刻苦自抄、精校精抄等方面评述了藏书家保存流传中华文化典籍的功绩。     

近代图书馆活动中心的形成和转移之分析

对近代图书馆活动中心的形成和转移进行了分析研究,其形成与转移过程为意大利———英国———法国———德国———美国,并对形成与转移的原因作了阐述。     

谈声乐教学中声音技巧与情感表达的关系

声乐技巧与情感表达是声乐教学中不可缺少的两个因素,二者要有机结合起来,这也是唱好一首歌的关键所在.因此,学习声乐的目的是用正确的发声技巧和有情感的内涵来表达声乐作品.     

Excluding archival silences: Oral history and historical absence

Despite our society's increasing reliance on electronic documentation, to-date archives remain, largely, material repositories of cultural memory. It is an accepted historical problematic, however, that culture is often resistant to material preservation. There exists an undeniable and profound tension between scholarly efforts to reconstruct history and interpret cultural traditions and the fragmentary, and often limited, material record. That is to say, scholarship is shaped by a sinuous negotiation around the historical silences that encompass all of material culture. Historical silences, however, can at times be marginalized (or at best excluded) by a sensitive configuration of material evidence with oral history.Excluding Archival Silences: Oral History and Historical Absence uses a historically and geographically specific example of oral history to engage in a more generalist discussion of how oral reflection, especially when shaped by material evidences, can be an especially effective tool for preserving the dynamics of culture that often remain undocumented.     

重庆五校土木类专业艺术教育现状调查研究

土木类专业实施艺术教育具有非常重要的意义。为了对土木类专业的艺术教育现状进行深入的分析和研究,进一步推进艺术教育的发展,采用问卷调查、访谈等方法,选取重庆市5所设有土木类专业的院校进行调查研究。结果显示,重庆市高校土木类专业的艺术教育在课程设置、艺术活动的开展、师资力量等方面都存在问题,限制了艺术教育的健康发展,最后提出了加强土木类专业艺术教育的对策与建议。     

美国高校教育专业图书馆的发展研究

美国教育专业图书馆专门为教师培养提供与课程、教学、政策、技术相关的参考资料和场地,其发展历史是与美国教育史和教育思想发展史紧密地联系在一起的。文章考察了美国教育专业图书馆与美国教育史和教育思想史的互动发展历程,深入分析了教育专业图书馆的阶段性发展特点,为我国深化教育专业图书馆领域的教育配套改革,助力师资队伍建设,提供了有益借鉴。     

于细微处见真章——学者口述史采访中的细节问题

口述史学与以文字书写的传统史学在技术路线上固然有所不同,然而有一点却是相同的,这就是历史细节的发掘与描写。历史事件都是由细节构成的,没有细节,就没有可信的历史。文章认为,学者是人类文明的创造者、记录者、传承者,对学者进行口述史采访,尤其应当注重细节发掘。《史记》之所以成为中国历史上一部具有划时代意义的史学巨著,与司马迁特别注重历史细节的记录与描写有关。通过学者口述史采访,我们一方面可以记录历史事件的具体发展过程,还原历史真相,补充第一手珍贵的历史资料;另一方面,还能感受到他们的道德情怀与人文精神,有助于传承与弘扬中华优秀传统文化。文章还结合中国记忆项目实践,介绍了对冯其庸、顾方舟、黄能馥、黄明信等学者进行口述史采访的具体细节。     

Manufacture and Date of a Goryeo dynasty Sutra Box with Mother-of-pearl Inlaid Decoration at the Rijksmuseum,Amsterdam

Currently, about ten Goryeo dynasty (918–1392 CE) sutra boxes are preserved in museums in Korea, Japan, the United States, the Netherlands, and the United Kingdom. This article is the result of an examination of a sutra box in the collection of the Rijksmuseum, Amsterdam (hereafter ‘Rijksmuseum sutra box’), which was first introduced to a European audience in the Transactions and Proceedings of the Japanese Society, in 1913–1914. The Rijksmuseum sutra box differs from other Goryeo sutra boxes. With its altered structure and modified motifs, this box bears significant value, not only for the research of thirteenth-century Goryeo mother-of-pearl art, but also for the study of cross-cultural adaptations in East Asian lacquer art. This article investigates the date of manufacture of the sutra box by analysing the manufacturing techniques and its various original and modified parts. For this, an X-ray radiograph was carried out for the first time. As a result, discoveries have been made regarding the structure and decoration of the lower part, which has been modified and is different from Goryeo mother-of-pearl sutra boxes. Finally, this paper reconsiders conservation and repair of Goryeo sutra boxes, as illuminated by an understanding of the original and repaired parts of this box.     

The Ephemeral,the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings

This article presents the intervention process carried out on a work of art created by artist Yolanda Gutiérrez Acosta, using a series of ephemeral materials such as butterfly wings and agave thorns. The work, an installation from 2002, is entitled ‘Efímeras’ (‘Ephemera’) and consists of 12 flowers mounted on acetate sheets and attached to the same with vinyl acetate copolymers and acrylic acid esters (Mowilith®). These flowers are installed on the floor in a bed of dried flowers. The conservation of contemporary art can lead to some previously unimaginable problems for restorers. Current works of art are somewhat material in nature, but they also have a conceptual dimension that is essential for their artistic interpretation. The artist’s participation in the decision-making process prior to the restoration was quite useful. The passage of time, its effect on the work, and the need to understand the possibility of the demise and destruction of the work were implicit as of the onset of its creation, such that, according to the artist, we are forced to reflect upon the possibilities of its future state.