莫迪利亚尼的独特艺术风格

莫迪利亚尼是一个有独特风格的画家、雕塑家。他以一种个性化的方式表现世界。其独特性在于他画作中永恒的忧伤 ,在于线条勾勒的无穷魅力 ,在于追求神似 ,表现人物的内心世界。莫迪利亚尼沟通了各门艺术之界限 ,以一种平和中的激情联系了传统与现代 ,表达了一个有诗人气质的画家对艺术的独特理解     

Early years teachers and the influence of Piaget: evidence from oral history

In studying the historical development of early years provision, a clear factor in raising its profile was the growth in scientific study of children, especially the reception and interpretation of Piaget's research. For an understanding of how the mediation of new thinking and new discoveries influenced students and teachers, textbooks provide an important documentary source, but evidence is also available through oral history in the living memories of practitioners themselves. This paper draws on the testimony of early years teachers who began their careers between 1927 and 1955 and continued teaching into the 1960s and 1970s. The account below begins with reflections on psychology and education in the early decades of the twentieth century drawn from a 1936 conference organised by the Nursery School Association of Great Britain, and from a widely used textbook that represents the gradual trend towards ‘fragmentation’ of educational theory into a multiplicity of disciplines. Reference is then made to two popular textbooks by prominent Froebelians, Brearley and Hitchfield, and by Ruth Beard illustrating the growing influence of Piaget as a post facto rationale for a pedagogy that was proceeding by instinct. Walkerdine, Lister and Hall are researchers who have investigated from various angles the impact of Piagetian psychology on primary practice, but the process whereby this translation from the laboratory to the classroom takes place is one that demands further investigation. Vital evidence lies in the living memories of early years teachers whose careers spanned the 1930s to the 1970s and a rich quality and personal texture of the data is apparent as retired early years teachers recounted their professional careers. It offers a more complex account than the grand narratives that historians have traditionally compiled from purely documentary evidence centring on great thinkers, key texts and policy initiatives. The role of in‐service education was clearly important in the experiences recalled in this paper. Above all we find evidence of a distinctive shift in teacher–child relationships over that historical period and of the contribution made to this by psychological theory, epitomised in the figure of Piaget and in his focus on the individual learner.     

浅谈历史教学与中职素质教育

中职教育是培养具有综合职业能力,在生产、服务、技术和管理第一线工作的高素质劳动者和中初级专门人才。中职教育质量状况决定了未来劳动者的素质。文章拟从提升文化素养、健全人格、培养创新意识三个方面,阐述历史文化课与中职素质教育内在关联关系。     

我国艺术立法原则和研究要点思考

艺术法不是一部单行法规，而是相关法规的总称。由于艺术的外延很大，其所涉及的社会关系也是多种多样，而不仅仅是有关版权的问题，因此，有必要从宏观上把握艺术发生过程中所涉及的一些重要关系。     

英语学习趣味性初探

英语教学无论是“教”的难度还是“学”的困惑,都是毋庸置疑的。通过让学生了解所学语言的历史、语文化和其他与语言相关的诸多知识,提高语言学习的兴趣,从而实现学生快乐学习英语。     

小说是历史的一面镜子──凯瑟琳·安·波特的小说创作

凯瑟琳·安·波特一生，经历了十九世纪末期和二十世纪大部分的风风雨雨。其创作反映了这段历史时期的的政治、哲学和社会的变迁，从中，我们看到的是一个冲突甚于协调的世纪和作家。     

康德历史哲学中的先验主义因素

康德历史哲学与其先验哲学具有内在的关联性，它既想继续解决康德哲学中自由与必然的冲突，又想打通政治哲学和道德哲学的分立，在这些尝试中，康德哲学流露出新的走向并对后世哲学有着重大影响。然而，康德历史哲学又难以摆脱其哲学固有的矛盾特征，它不可避免地会陷入二律背反的困境。     

《桃花扇》与孔尚任民族思想探究

中国古典戏剧的优秀剧作<桃花扇>以其强烈的兴亡之感,为汉民族政权的失落唱出了一曲沉重的挽歌.本文从<桃花扇>的作者孔尚任的生平遭际及<桃花扇>文本入手,探究孔尚任的思想状况,考察它是否具有民族意识,讨论作者思想价值观念的冲突.     

关于社科学报规范化建设的几点思考

社科学报编辑编排的规范化是全面提高刊物质量，促进社科献在网络化、数字化环境下快速交流与传播的必要要求。关于“作工作单位和作简介、关键词与主题词的关系、注释与参考献的标注“三个问题的规范是目前学报规范化建设中困难而争议较多的问题，当引起学报界同仁的关注。     

我国改革历史视角的几点思考

从历史的角度冷静的考察我国20世纪80年代的变革，可以发现这一变革决不是偶然的，而是特定逻辑起点的必然结果；20世纪80年代我国城镇的增量改革不但为未来的经济体制改革，也为未来的政治体制改革规定了路径，目前甚至将来的改革很大程度上是20世纪80年代增量改革演进的必然逻辑；我国之所以能在大变革的同时保持相对稳定。在于我国特有的初始制度环境。