宋词主题之“悲秋”研究

在宋代时期,很多词人创作了大量以悲秋为主题的词作品。本文,对以悲秋为主题的宋词的情感模式进行解读,阐述了这些"悲秋词"的形成进行探源。     

艺术设计的诗意走向何方

艺术设计的诞生是工业社会下生产的产品、人的生活用品的诗化过程。     

青虚中的缪斯舞姿--论我国当代网络诗歌的创作艺术

我国当代网络诗歌蔚为壮观,创作上除继承了网络出现之前的中外传统诗歌的经验,在题材选择、遣词造句、谋篇布局、风格色彩等等艺术构思方面又显示出自己的独特之处,既更具有强烈的个性化色彩,更注重下意识的挖掘,更强调表现复杂的内心世界。     

从《木兰诗》看木兰形象的文化内涵

《木兰诗》是南北朝时期的代表作,它将木兰这个女子形象置于战争的环境中,置于个人、家庭和国家利益的矛盾交织中来展现其性格以及这种性格所包含的文化内涵。北魏的战争环境所导致的经济破坏、人口男女比例失调是《木兰诗》产生的社会背景;北方诸民族的尚武粗犷的民风民俗是《木兰诗》产生的文化环境;"木兰无长兄的实际情况导致了木兰具体的出征行为。然而,当时的人们并没有认识到木兰形象所可能包含的新的人生价值观,最终将其纳入了中国传统文化的行为规范之中。     

文学翻译与语言文化

文学翻译是一门艺术，作为一名翻译工作者，既要熟练掌握驾驭母语和译作语言的技巧，又要具备一定的民族文化紊养。用文学语言翻译文学语言，用形象翻译形象，使译文读者和原作读者同样感受到文学作品的艺术感染力和丰富的想象力，同样获得审美上的愉悦和欣赏的共鸣。     

莫迪利亚尼的独特艺术风格

莫迪利亚尼是一个有独特风格的画家、雕塑家。他以一种个性化的方式表现世界。其独特性在于他画作中永恒的忧伤 ,在于线条勾勒的无穷魅力 ,在于追求神似 ,表现人物的内心世界。莫迪利亚尼沟通了各门艺术之界限 ,以一种平和中的激情联系了传统与现代 ,表达了一个有诗人气质的画家对艺术的独特理解     

我国艺术立法原则和研究要点思考

艺术法不是一部单行法规，而是相关法规的总称。由于艺术的外延很大，其所涉及的社会关系也是多种多样，而不仅仅是有关版权的问题，因此，有必要从宏观上把握艺术发生过程中所涉及的一些重要关系。     

论歌曲审美的途径与方法

歌曲是最引人注目、通俗易懂的一种音乐体裁。了解歌曲的本质特征 ,感受词、曲的韵律和演唱的声情 ,从主体和分层中把握歌曲的美感特性 ,是歌曲审美的有效途径和方法     

The Artist Initiative at San Francisco Museum of Modern Art

The Artist Initiative at the San Francisco Museum of Modern Art (SFMOMA) is piloting models for increased collaboration between conservators and curators through joint work with artists. We seek a more integrated, holistic approach to the care and research of our collection. The project, funded by the Andrew W. Mellon Foundation, comprises five robust research engagements that serve the curatorial collecting departments of the museum (Photography, Painting and Sculpture, Media Art, and Architecture and Design). Three of the projects are monographic studies, examining the work of Ellsworth Kelly, Vija Celmins, and Julia Scher in depth, while two more are thematic, exploring modes of displaying digitally-driven design objects, and developing strategies for addressing the problem of color shift common to photographic prints made with experimental materials during the 1970s and 1980s. The Artist Initiative is also charged with developing hybrid working spaces to advance collaborative approaches to collections research at the museum's new downtown campus and at SFMOMA's new Collections Center in South San Francisco. These spaces include the Collections Workroom, a 56?sq?m (600?sq?ft) space that functions as a studio for visiting artists, a conservation laboratory, an interview suite, and a classroom at SFMOMA's downtown campus. At the Collections Center, a 121?sq?m (1300?sq?ft) Mock-Up Gallery has been built as a working model of one of the museum's new galleries. A functional exhibition space, the Mock-Up Gallery is also a venue for interviewing artists, prototyping exhibition formats, and meeting with students, scholars, museum staff, and community members. With the goal of contributing to critical discourses in contemporary art history, art conservation, and public engagement, each of the Artist Initiative projects includes a colloquium that will bring experts from multiple fields together with the featured artists. Thereafter we aim to share our findings widely through public programs and a range of publications, both digitally and in print.     

The industrial connections in Donald Judd's art

This paper examines the context and impact of the industrial materials and processes of the mid-twentieth century on Donald Judd's works, focusing on galvanized steel, cellulose nitrate paints, anodizing, and the RAL color matching system. Exploration of the industrial materials and methods Judd utilized provides a greater understanding of his processes, choices, and ultimately his art, its care, and legacy.