儿童假扮游戏中的认知技能发展

假扮游戏的出现、发展到成熟伴随儿童的认知发展．儿童需要具备必要的认知技能才能参与假扮游戏,与假扮游戏有关的认知技能主要包括:社会参照、解读意图、分离、符号化假扮、角色扮演等．假扮游戏与儿童认知发展是一个交互作用的过程,作用的起点是假扮行为的出现．     

与钱歌川教授商榷--关于《西厢记》中"西风紧"一句,意译或直译,孰宜?

钱歌川教授在其所著<翻译的基本知识>第七章〈直译和意译举例〉中,以熊式一先生所译<西厢记>中一名句"碧云天,黄叶地,西风紧,塞雁南飞,晓来谁染霜林醉?尽是离人泪."认为把"西风紧"译为"Bitteris the west wind",似乎有点犯了直译的毛病,而且前面的形容词bitter在英国人的观念中发生矛盾.并以英国的桂冠诗人John Masefield的<西风歌>出面说明.钱老提出"最好还是意译."笔者不敢苟同,遂从地学因素观点出发,分析阐明<西风歌>与<西厢记>中同为the west wind,缘何两者情景迥异的因果原由.若为符合英国人的观念,采取"入乡随俗"方式意译西风,似嫌欠妥.笔者赞同以"直译加注"方式以译西风,较为恰切、适宜.     

祖先崇拜与中华文明的连续传承

中华文明连续不断的传承在世界文明史上是一个奇迹,它一直吸引着各领域研究者的目光,中外专家都对这个问题进行过很有见解的分析,大体主要有三种观点:地理环境、人口规模、文明程度,这三种观点对中华文明的连续传承作了卓有成效的论述。但我认为都未触及到本质,中华文明连续传承是根植于黄土地上的信仰———祖先崇拜。下面我就中华文明的连续传承与祖先崇拜的关系作一些论述。     

Exploring inclusive pedagogical practices in Hong Kong primary EFL classrooms

Social diversity is now commonplace in many communities in today’s globalised world. This diversity can be seen in any classroom of learners, and international studies have shown the complex ways in which disabilities, race, ethnicity, gender and social class can determine a child’s opportunity to succeed or fail in the education system. In Hong Kong, like in many educational contexts around the world, teachers are grappling with increasing diversity amongst their students, including teaching students with special educational needs (SEN) and non-Chinese speaking students (NCS) living in Hong Kong. This paper examines how three primary TEFL (Teaching English as a Foreign Language) teachers are constructing identities as inclusive practitioners as they grapple with enacting the inclusive education policy recently introduced into Hong Kong schools. The data are drawn from a small-scale collaborative reflective inquiry for teacher professional development. Drawing upon a sociocultural and critical framing of identity theory, we trace the three teachers’ identity construction as EFL teachers and inclusive education practitioners. We view the role of discourse, self-positioning and social context as key processes in teacher identity formation. Implications for furthering the development of inclusive education in EFL classrooms are offered.     

从人的差异探析共同富裕的内涵及实现——兼论差异与公平的关系

共同富裕是一个具有广泛含义的深刻范畴,是马克思主义理论的重要组成部分,也是党和国家所为之奋斗的目标。本文从差异和人的本质多样性角度剖析共同富裕的特定内涵及实现,从而深入、准确理解有中国特色的社会主义理论,为构建社会主义和谐社会这一复杂的系统工程作出理论基奠和实践探寻。     

完形默读法：汉语第二语阅读理解监控试验教学研究

文章以＂为意义而阅读＂为基本的阅读理念,把测量阅读理解和教材难易度的阅读填空（Cloze）测量法应用在第二语课堂阅读教学中,设计成＂完形默读法＂（Cloze Silent Reading Method）,作为阅读过程中的自我监控工具,让学习者能集中注意、调动先备知识与经验,主动与语篇交际。研究结果初步发现,初中二年级的受试在经过第一阶段完形默读历程后,其字面性理解力提升,推论理解力也有所提升;从教学意义来看,完形默读法能发挥理解监控的正面作用,促进学习者的阅读力,意味着第二语阅读过程之教学的一种突破。     

异地办学的英语教学模式探讨

本文所探讨的主题是大学在异地办学中英语教学的定位和教学平台的建设,作者结合清华大学深圳研究生院的英语教学实践,指出了在国际交流日益增强的全球化时代,培养国际性复合式人才对于英语教学的新要求,异地办学英语教学实践所应遵循的从实际出发、服务于当地人才培养需求的原则,以及在教学实施中的相应策略和方法。     

关于如何加强和改进高校学生思想政治工作的思考

加强和改进高校学生思想政治工作的重要途径有三:一是以人为本,只有以培养德、智、体、美全面发展的大学生为出发点和归宿,坚持大学生自我全面发展的主体性地位,才能达到预期的目的;二是因人施教,只有针对不同的思想状况具体地、深入细致地做工作,才能避免形式主义的倾向,将思想政治工作落到实处;三是寓教于乐,只有运用大学生乐于接受的形式开展大学生的思想政治工作,才能收到良好的效果。     

A dialogue between partnership and feminism: deconstructing power and exclusion in higher education

Students as partners (SaP) has seen an increase in focus as an area of active student engagement in higher education. Many complexities and challenges have been shared in this evolving field regarding inclusivity and power. We discuss, in this dialogue, insights that can be uncovered by exploring SaP through a feminist lens – illuminating the fact that both fields seem to be seated in similar radical processes of challenging, questioning, destabilising, deconstructing, and empowering. We unravel issues of power and exclusion by exploring: what feminist theories might add to SaP; embedded binaries and what they reveal about power relations within the language of SaP; and ways of writing about SaP that are inclusive. We aim to step away from dominant understandings, incite acts of self-reflection, and open possibilities for future research and practice by questioning the boundaries and binaries that currently shape the institutions of higher education.     

古典诗歌创作“以无为有”的三种审美范型

从宏观的视角来考察,古典诗歌创作"以无为有"的审美内涵并不局限于言、意关系上的"无辞有意",其审美范型主要表现在三个方面:"无言而妙"、"无迹而神"和"无理愈佳"。