机械制图精品课程中工程素质的培养

由于企业对本科层次的应用型工程人才需求的增加,从而需要高等工程教育更多地探索应用型工程人才的培养目标、培养模式以及相应的教学体系。在机械制图精品课程的创建中,探讨应用型工程素质人才的培养实践。     

逻辑异或在计算机中的秘密

随着信息科技的进步,带动各项产业信息化、计算机化及数字化,虽然此等便利丰富了人类生活,另一方面却存在着不为人知的隐忧。本文即以一例XOR（Exclusive or）,分别就技术面,教科书面,法律面,密码系统面等四个方向来探讨。     

试析东观主人评点《红楼梦》之“补笔”与“特写”论

在对《红楼梦》人物塑造的阐释中,东观主人较早地提出了＂补笔＂和＂特写＂两种方法。认为人物描写离不开＂补笔＂,适当的＂补笔＂有利于刻画人物性格;而且为了突出某个人物,有时需要着意描写——＂特写＂。这既丰富了《红楼梦》评点之人物论,也发展了明末清初以来关于人物塑造的理论认识。     

对高职《化工制图》教学的若干探索

为满足高职院校培养技能型、应用型人才的需要,对《化工制图》的教学内容、教学方法、考核方法等方面进行了初步的改革研究.     

Made in China: the cultural logic of OEMs and the manufacture of low‐cost technology

Abstract

This paper investigates the conditions of the manufacture of low‐cost technology in China with the examples of ‘pirated’ VCD players, ‘no‐name’ DVD players, and Shenzhen’s development as a techno‐urban city. It emphasizes the significance of the cultural logic of original equipment manufacturers (OEMs) and argues that the various transformations and deflections that are derived from ubiquitous OEM experiences have gone beyond the original model of an authorized OEM, experiences that are to some extent embodied in the transgression of brand name and patent hegemonies, which are mainly controlled by high technology companies. OEMs have been associated with China’s current imperative and uninhibited development of low‐cost technology capitalism. ‘Made in China’ signifies the production of any product, legal or illegal, for transnational high technology giants or domestic technology manufacturers. Learning to ‘become an OEM’ in China has partly resulted in excessive technological mimesis that may be part of an unauthorized, underground economy that is based on low‐cost technology. Based on the Shenzhen experience, part of this study will show industrial production‐oriented OEM cultures in which illegal operations and counterfeit trade are incorporated, even in city projects that are shared by municipal governments and Chinese technological companies, and undergo spatial restructuring in the development of the economy, consumerism, and urbanism.     

How Haptics and Drawing Enhance the Learning of Anatomy

Students’ engagement with two-dimensional (2D) representations as opposed to three-dimensional (3D) representations of anatomy such as in dissection, is significant in terms of the depth of their comprehension. This qualitative study aimed to understand how students learned anatomy using observational and drawing activities that included touch, called haptics. Five volunteer second year medical students at the University of Cape Town participated in a six-day educational intervention in which a novel “haptico-visual observation and drawing” (HVOD) method was employed. Data were collected through individual interviews as well as a focus group discussion. The HVOD method was successfully applied by all the participants, who reported an improvement of their cognitive understanding and memorization of the 3D form of the anatomical part. All the five participants described the development of a “mental picture” of the object as being central to “deep learning.” The use of the haptic senses coupled with the simultaneous act of drawing enrolled sources of information that were reported by the participants to have enabled better memorization. We postulate that the more sources of information about an object, the greater degree of complexity could be appreciated, and therefore the more clearly it could be captured and memorized. The inclusion of haptics has implications for cadaveric dissection versus non-cadaveric forms of learning. This study was limited by its sample size as well as the bias and position of the researchers, but the sample of five produced a sufficient amount of data to generate a conceptual model and hypothesis.     

唐卡颜料的配制工艺及其应用

唐卡是藏族地区集宗教传播与绘画欣赏于一体的独特形式,与其它绘画相比唐卡具有画工精细、色泽艳丽、色彩保持久远的特点,这与其独特的颜料配制及使用方法有着密切的关系。由于唐卡艺术衍生在藏区这一特定的文化与生活土壤里,尤其是融人了藏传佛教、绘画艺术等语言,使其更具有原创性、地域性而独具风采。     

制药工程制图教学的几点思考

"结合制药工程制图的教学实践,对教学过程中所遇到的问题进行分析思考,克服传统教学模式中存在的一些消极因素,探索性地运用一些创新教学方法,以激发学生对本专业的学习热情,提高制药工程制图的应用能力。     

水彩画和水墨画比较

水彩画和水墨画,一个是西方外来的绘画形式,一个是中国传统的绘画形式。由于各自所依赖的传统哲学思想不同,所以导致绘画观念、思维方式和审美情趣的不同。然而,两者在作画媒介上都用水作为中介,所以在绘画效果上又有许多相似之处。     

计算机绘图直接应用于工程制图教学

将计算机绘图直接应用于工程制图的教学实践进行总结,对实际工作有很大的启迪。如何把计算机绘图与传统制图教学有机地结合起来,是当前高等学校工程制图教学中探索的主要内容。