The Uncertain Future for Digital Visual Collections in the University

Digital documents in the networked information environment fundamentally change the ways that visual materials can be used in education and scholarly discourse. These new uses raise questions about research library strategies with regard to digitized visual materials as a part of their collections, challenge assumptions underlying intellectual property rights for images and their scope, and offer ways in which visual literacy can become a more integral part of the common educational experience.     

文学欣赏的境界

文学欣赏是一种特殊的精神活动,达到的是一种精神升华的境界。在欣赏过程中,欣赏者注视着的是具体的艺术形象,文学欣赏是对形象艺术的感悟过程,在这个感悟过程中,欣赏者应始终是对文学作品的整体艺术的感受,而不是局部的寻章摘句,如仅仅盯住某个细节、某个动作,就不能感受到整部作品的特征。从某种意义上讲艺术作品创造欣赏者,因此,在进行文学欣赏时,一定要选择最为优秀的作品,——“取法乎上”。     

论神话与神魔小说之关系

明清神魔小说因其题材形态上与神话的同一,经常而自觉地借用神话形象、观念、情节等母题,注定了与神话的不解之缘。本文从神话思维、神话形象、神话情节、神话主题等若干方面论述神话与神魔小说的关系。     

周大新小说中抗争女性形象的审美意蕴

周大新在他的盆地小说中塑造了一批生动、鲜活、性格复杂、充满抗争精神的女性形象,她们抗争的对象不一、方式不同,但作家对她们身上所表现出的生命力和人性的追求给予了充分的肯定与赞颂,表现了鲜明的女性立场和现代意识。     

城门失火殃及池鱼──谈《红楼梦》中晴雯与赵姨娘形象塑造的潜在互动关系

《红楼梦》中晴雯的遭遇令人同情,她被赶出贾府后悲愤而死．造成这个悲剧的原因是既复杂又隐微的;如果直接归之于某一件事或某一个人,都失之简单化．说到底,晴雯之死应是王夫人由赵姨娘“从宝珠变成鱼眼珠”的过程中得出的“经验”所致．     

The engagement agenda,multimedia learning and the use of images in higher education lecturing: or,how to end death by PowerPoint

This article is concerned with student engagement and understanding in large group teaching in Higher Education (HE). Specifically, it is concerned with the application of Multimedia Learning (MML) methods in Politics, History, International Relations, Sociology, Social Work, and Business and Economics teaching that privilege the use of images to complement text in lecture presentations. This ‘visual’ method, it is claimed in the literature, generates engagement and understanding better than text alone. This article develops, applies and empirically tests with students, MML methods across a range of Higher Education disciplines over three years. The research deploys Participatory Action Research (PAR) methods engaging students as active agents of investigation and change. It finds evidence to support the hypothesis that apposite images combined with reduced text increases students’ engagement and understanding with academic content, but that much formal research needs to expand on the range of demographics tested.     

万物皆传情——《藻海无边》中的象征意象解读

出生于牙买加的英国女作家简.里斯运用丰富的想象力和高超的创作技巧刻画了《简爱》中的疯女人＂伯莎＂鲜为人知的一面。各种自然景物和色彩在里斯的笔下都被赋予了独特的象征意义,所谓＂万物皆传情＂。解读《藻海无边》中丰富的象征意象可以揭示疯女人前身———安托瓦内特一生孤苦凄惨的命运以及她作为西印度群岛的女性代表所受的殖民主义和男权社会的双重压迫。     

Analysis of the Tragic Female Images in Eugene O'Neill's Plays

Ruth and Mary are two heroines in Eugene O’Neill’s plays Beyond the Horizon, and Long Day’s Journey into Night. They have some similarities: when they are young, they are beautiful, native and full of hope towards the future life, but both make wrong choices; in the following years, both suffer a lot from these wrong choices, and feel regretful. This paper tries to explore these two tragic female images.     

乔治·桑妇女小说形象解析

乔治·桑早期妇女小说是作者自身体验的写照,表达了对父权制社会中女性不幸命运的同情以及对作为压迫者的卑劣男性的谴责,并把获得美好爱情的希望寄托于理想男性。乔治·桑没有提出解决妇女问题的有效办法,却传递出了对理想生活的追求,反映了女性意识的觉醒。     

文学翻译中文化意象走失及原因探究

文学翻译中文化意象的传递对文学翻译者来说是个很重要的问题，而其中文化意象的走失是意象传递中值得深入研究的问题。本文通过对文化意象走失的分析阐述发生这一现象的根本原因。