旅游景观形象设计审美性原则探讨

旅游景现形象设计必须遵守三项审美性原则：一为形象性原则，即使形象具有具体性、生动性和可感性，从而具有丰富深刻的化价值和审美价值。二为悦情性原则，即按照美的规律使形象具有“美”这种本质属性，能激起人们的高尚情感愉悦。三为可持续发展原则，即使美的景现形象达到既要满足当代人需求又不危及后代人满足其需求的发展。     

Multisim软件电路设计与仿真分析

本介绍了一个优秀的电路设计与仿真分析软件Multisim2001,以及Multisim的组成，基本功能，特点和仿真分析原理－结合电子电路实例叙述设计，仿真与分析的具体运用。     

科技期刊封面设计:基本规范·主要类型·图片获取——以《岩石学报》为例

中国期刊国际化进程日趋加快,期刊封面设计个性化,在一定程度上对于增强刊物对读者的吸引力、推进期刊品牌效应、扩大发行等方面起到重要的作用.通过对期刊封面设计的基本规范、主要类型的阐述,结合实例剖析封面图片应如何获取,分析与说明期刊封面设计所遵循的基本原则、设计理念和构创思路,以期引起相关人员的关注,并为实践和研究提供参考.     

The Artist Initiative at San Francisco Museum of Modern Art

The Artist Initiative at the San Francisco Museum of Modern Art (SFMOMA) is piloting models for increased collaboration between conservators and curators through joint work with artists. We seek a more integrated, holistic approach to the care and research of our collection. The project, funded by the Andrew W. Mellon Foundation, comprises five robust research engagements that serve the curatorial collecting departments of the museum (Photography, Painting and Sculpture, Media Art, and Architecture and Design). Three of the projects are monographic studies, examining the work of Ellsworth Kelly, Vija Celmins, and Julia Scher in depth, while two more are thematic, exploring modes of displaying digitally-driven design objects, and developing strategies for addressing the problem of color shift common to photographic prints made with experimental materials during the 1970s and 1980s. The Artist Initiative is also charged with developing hybrid working spaces to advance collaborative approaches to collections research at the museum's new downtown campus and at SFMOMA's new Collections Center in South San Francisco. These spaces include the Collections Workroom, a 56?sq?m (600?sq?ft) space that functions as a studio for visiting artists, a conservation laboratory, an interview suite, and a classroom at SFMOMA's downtown campus. At the Collections Center, a 121?sq?m (1300?sq?ft) Mock-Up Gallery has been built as a working model of one of the museum's new galleries. A functional exhibition space, the Mock-Up Gallery is also a venue for interviewing artists, prototyping exhibition formats, and meeting with students, scholars, museum staff, and community members. With the goal of contributing to critical discourses in contemporary art history, art conservation, and public engagement, each of the Artist Initiative projects includes a colloquium that will bring experts from multiple fields together with the featured artists. Thereafter we aim to share our findings widely through public programs and a range of publications, both digitally and in print.     

The industrial connections in Donald Judd's art

This paper examines the context and impact of the industrial materials and processes of the mid-twentieth century on Donald Judd's works, focusing on galvanized steel, cellulose nitrate paints, anodizing, and the RAL color matching system. Exploration of the industrial materials and methods Judd utilized provides a greater understanding of his processes, choices, and ultimately his art, its care, and legacy.     

李政道科学艺术观给教育的启示

李政道的科学与艺术观给数育的启示是：求实创新是教育的出路；未来教育科学与艺术并重；理论和实践相结合有利于人才的培养；科学与艺术的结合是时代发展的必然。     

智慧城市应急决策情报体系构建研究

情报在城市突发事件应急决策中发挥着重要作用,建立情报灵、判断准、反应快的城市突发事件情报支持体系,是城市智能化建设的重要模块,也是智慧城市公共安全与应急管理的必然要求。本研究从顶层设计入手,以应急情报流与业务流为线索,以情报体系有效运行为目标,探究智慧城市应急决策情报体系的构建问题。从人员要素、机构要素、技术要素、资源要素、制度要素与行为要素六个方面,厘清了智慧城市应急决策情报体系的框架内容。从组织体系、保障体系与运行机制三个层面系统探讨了智慧城市快速响应情报体系的协同运作模式。大数据时代,智慧应急的情报工程化与情报平行化是未来发展的方向。图6。参考文献40。     

输水渠道横断面设计水深测试及计算(综合性)实验

输水渠道横断面设计水深测试及计算实验结合“灌溉排水工程学”及“水力学”等学科的知识,在实验过程中,通过对实验数据的测试、分析及计算和渠道模型实物的观摩,加深了对渠道设计原理的理解,与课堂上的理论教学起到了良好的互动作用。     

关于文学艺术本质与特征问题的再探讨——与董学文、马建辉、李志宏等同志商榷

针对董学文等同志认为“把文学简单界定为一种意识形态,并不是马克思主义创始人的原意”;“说文学的本质是一种社会意识形式……可能更贴切些”;“用‘呈现在语言中的审美意识形态’来界定文学是欠妥当的”等观点,论证了把文学精确地界定为意识形态,就是马克思主义创始人的原意;把文学界定为“社会意识形式,”就会掩盖文学本质属性中的主导方面;“审美意识形态”比较全面准确地概括了文学的本质与特征,是对马克思主义文艺理论的继承和发展。     

试论艺术教育新理念

传统的艺术教育理念认为,艺术教育主要是培养人的综合艺术能力。随着时代的发展,这一传统理念已不适应艺术发展的需求。新理念认为:在培养人的综合艺术能力的同时,还应培养人们的整合创新、开拓贯通和跨域转换的多种能力,以促进人的全面发展。