如何建设华夏新国学

＂华夏新国学＂就是要以马克思主义为指导,在国学的基础上,融会中西古今,建设当代的新国学。其中,现代性与马克思主义是建设当代华夏新国学的两个关键性问题。华夏新国学只有综合创新,与时俱进,实现创造性转化,解决马克思主义和其他外来文化的中国化问题和中国传统文化（国学）的现代性问题,才能融入中华文化的血脉,走进中国人民的心中,成为我们生活和实践中须臾不可分离的思想和灵魂。     

颓废：一种现代审美范畴

日常想像中的颓废更多地指涉一种道德或心理范畴,但颓废概念实则还波及到伦理、政治、宗教和文艺等诸多方面,其意义极为含混复杂。除却堕落、衰败等贬损内涵之外,其还包含叛逆、转型和更生等积极性意义层面,尤其从美学视角来看,颓废可视为一种美学风格,代表着对艺术、生活和自我本身的一种审美理解。颓废文艺带有反自然性、非道德性、唯关性和否定性等美学品格．蕴含着独特而重要的审美价值。将“颓废”作为现代关学意义上的一种新型审美范畴探讨其背后深层次的审美意蕴．具有不容忽视的美学意义。     

朱熹的散文思想

自朱子理学成为官学以后,朱子的言论一言九鼎,朱子的散文思想也成为权威,但是目前的朱子散文思想研究却是空白。本文认为朱子建立了理学家的新文统,使理学家古文成为古文正统,使明清古文缺乏文学性,使柳苏蒙冤,使古文难逃成为政教工具的命运。     

裕固族教育研究的学术精品——评《学校教育·地方知识·现代性:一项家乡人类学研究》

从研究视角的全面性、研究主题的重要性、研究方法的规范性、研究范式的继承性这4个方面评论了《学校教育·地方知识·现代性:一项家乡人类学研究》一书的学术贡献,认为它是裕固族教育研究领域的学术精品,同时在人口较少民族教育研究、教育人类学研究方面也具有重要意义。     

真理、偶然性与现代性

如果将真理的绝对主义与相对主义之吊诡称作"真理的二律背反",那么近数十年来,许多哲学问题都是为了解决这个二律背反.希拉里·普特南、卡尔-奥托·阿佩尔、尤尔根·哈贝马斯似乎试图表明真理的绝对主义不必导致形而上学,而理查德·罗蒂则试图表明对真理的绝对主义的批判不必导致相对主义.通过对上述两方围绕真理问题论争之理论基础的分析,可以看到真理、偶然性与现代性之间的内在关联.     

浅析唐诗《春望》中的复义:五种英译比较

杜甫名诗《春望》五种英译文的比较研究主要以新批评派的细读法和燕卜荪的复义理论为参照,在细读和分析了诗中的词汇和语法复义的基础上进行,研究结果表明五种英译文均部分地再现了原诗作中的复义。     

城镇化过程中农民的文化意识及其转化——基于现代性的反思

城镇化是我国未来社会发展的主要样态,农民是城镇化的主体与主要受益者。城镇化过程可视为农村居民向城镇居民转变的过程,因此农民的传统文化意识直接影响着城镇化的推进。本文以现代性思想为基础,通过对农民文化意识的思考,提出城镇化过程中农民文化意识的转化方向和基于传统文化的农民文化意识转化策略,即传统文化中未来意识的发掘,传统文化中生态意识的传承,传统文化中群体意识的存续,传统经济伦理与道德意识的承接。     

Mandarin lessons: modernity,colonialism and Chinese cultural nationalism in the Dutch East Indies,c.1900s

The Chinese Association in the Dutch East Indies, known locally as the Tiong Hoa Hwe Koan (THHK) was first established in Batavia in 1900. A key objective of the THHK’s foundation was the creation of modern schools instructing in Mandarin for local Chinese students. At the turn of the 20th century, this odd choice of instructional language led to highly charged debates about languages, pedagogical efficacy, practicality, modernity-tradition and cultural authenticity. Using underutilized source materials in the local Malay-Hokkien vernacular, this article revisits these debates amongst the Chinese in the Dutch colony. This article interrogates the transparency of common ethnicity in analyses of Chinese nationalisms that developed outside of continental China. Drawing on the concept of “literary governance” as well as comparative work by scholars on Indian and continental Chinese nationalisms, it demonstrates the significance of the colonial context which provoked the THHK to adopt the vocabulary of modernity in reworking progressive ideas circulating in displaced Chinese nationalistic circles. Notwithstanding the THHK’s promotion of Mandarin, such reworking was accomplished through vigorous acts of transliteration and translation in the hybridized Malay-Hokkien vernacular. The THHK was hardly on the receiving end of nationalistic influences emanating from the proverbial China core but was an active agent in what has been described as a “global moment of Chinese nationalism.” The case of the THHK demonstrates the need for a finer understanding of multivalent histories of Chinese nationalisms as well as how these histories intersected with those of European colonialism in Southeast Asia.     

武术的意境美及其美学价值

蕴含东方和谐哲学思想的武术,把中国传统哲学的普遍和谐价值观念落实到行之有效的操作层面,不仅对于构建和谐社会有益,也是人类和谐相处的和平之桥。从神美、阴阳和谐美、静虚之美方面谈及武术的意境美及其美学价值。     

Negotiating women’s social space: public debates on gender in early modern Kerala,India*

Abstract

The paper argues that the formation of modern gender identities in early‐twentieth‐century Kerala was deeply implicated in the project of shaping governable subjects who were, at one and the same time ‘free’ and already inserted into modern institutions. Because gender appeared both natural and social, both individualising and general, it seemed to be a superior form of social ordering compared to the pre‐existing order of caste. The actualisation of a superior society ordered by gender was seen to be dependent upon the shaping of the fully‐fledged individuals with strong internalities and well‐developed gendered capacities that would place them in distinct social domains of the public and domestic, as ‘free’ individuals, who, however, were bound together in a complementary relationship. While this model still remains dominant in Kerala, by the 1930s, the public/domestic divide came to be blurred with the rapid spread of disciplinary institutions. Womanhood came to be associated not with a certain domain but with a certain form of power. This legitimated the entry of Malayalee women into public life, undergirded the much‐discussed ‘Kerala Model’ of development, and still holds up the highly ambiguous sort of ‘liberation’ elite Malayalee women have experienced. It has also strongly influenced the specific shape the resistance to patriarchy has taken in Kerala in the twentieth century.