The Analysis of Scarlett’s Character

Scarlett,the heroine in Gone with the Wind,is always the disputed figure in the academic world.She gathers kinds of traits in herself,including contradiction intricacy and diversity.Then,Scarlett is a person not only selfish and rebellious,but also in the pursuit of equality and independence.What she eagerly seeks in her life is genuine love.To begin with her unique thought and conception,this thesis analyzes the characteristics of her self-assurance and self-reliance represented behind her selfishness and rebellion.It makes emphasis on the profound changes Scarlett has in terms of belief and self-value when she experiences the baptism of the Civil War.The process that she changes from a spoiled noble belle to an independent and confident businesswoman indicates the self-awareness of women has wakened up.     

独生子女高职生实习前对就业问题思考的调查报告

目的:了解高职学生中独生子女对就业问题的看法,以利于进行针对性的就业指导。方法:对某学院2011级845名大学生进行匿名问卷调查,进行χ2检验分析。结果:独生子女学生对自己薪酬期望在2 000元以上;选择经济发达城市较多;强调工作单位薪酬福利;追求成为管理者较多;希望从事专业与获得良好的就业指导及加强自身能力;认为自己是学历低、技能差;当就业与恋爱冲突时以就业为主;就业主要选择招聘会;自我创业方面的愿望低于非独生子女,希望有足够的资金、充分的人脉资源等。结论:学校要提供招聘就业信息和就业指导,加强专业素质与能力、应聘技巧培训,树立正确的就业观。     

论邵瑸的题画词

邵瑸是清初著名的词人,他的题画词虽然数量不多,但其意义重大,不仅开拓了词的题材,而且通过白描的手法、选用冷色调词语营造画境等表现出词人对田园生活的热爱以及渴望隐居的心境。     

学前教育专业毕业生入职准备调查研究——以贵阳市高校为例

在全国幼儿园教师急缺的社会背景下,学前教育专业毕业生的入职准备备受学前教育机构的关注和重视。为了解学前教育专业毕业生的入职准备情况,促进学前教育专业本科教育的发展和改进,调查研究了贵阳市高校学前教育专业本科生的入职准备现状,并据此提出对策和建议。     

漆画中技与艺的关系

漆画艺术属于视觉艺术,它是通过漆画作品向欣赏者表达自己的情感和传达自己的观念。漆画艺术中的技艺是表达漆画艺术的载体,其艺术来源于漆画技术对生活的升华,其技术变革引领着现代漆画艺术的发展。漆画中技与艺的关系启示漆画艺术家要形成个人特色的漆画艺术表现语言,这直接关系到漆画艺术创作质量的高低。     

销售假冒注册商标的商品罪停止形态研究——兼评两高一部《关于办理侵犯知识产权刑事案件适用法律若干问题的意见》第8条

销售假冒注册商标的商品情形在现实生活中屡见不鲜,但收集固定销售金额的证据较为困难。现实生活中往往是尚未销售的假冒注册商标的商品被查获,从而造成司法认定上的困惑。2011年两高一部出台的《关于办理侵犯知识产权刑事案件适用法律若干问题的意见》第8条对销售假冒注册商标罪的犯罪停止形态予以了规定,肯定了该罪存在犯罪未遂形态,确定了该罪未遂形态的定罪量刑标准。该条司法解释虽然能够有效解决司法实践中的问题,但是仍然存在定罪量刑方面的问题。     

A passion for portraits: Elizabeth Cay's pastels

Elizabeth Cay (1771–1831), the grandmother of the Scottish physicist James Clerk Maxwell (1831–1879), was a talented amateur pastellist; several of her pastel portraits survive as does her set of pastels. She studied with Archibald Skirving (1749–1819), a Scottish miniature painter who later in life turned to larger-scale portraiture in pastel and served as drawing master to the Edinburgh elite. Cay's pastels are not fabricated sticks but consist of powdered pigment housed in various glass and ceramic containers and were apparently applied by stumps, still in her workbox, or brushes. The Cay color samples were identified by spectrographic analysis, polarized light microscopy, and microchemical tests which, in addition, indicated that a number of pigment mixtures present gave specific hues in keeping with earlier treatise accounts of the preparation of a pastel gamut for practical use. Elizabeth Cay's pastel workbox may be rare surviving evidence of one way, more common that we appreciate today, in which amateurs, and perhaps professionals, practiced pastel painting.     

La Medusa by Caravaggio: characterisation of the painting technique and evaluation of the state of conservation

The oil painting “La Medusa” executed by Caravaggio at the end of the XVI century on a wooden shield, was investigated by integrated physical–chemical and analytical methodologies in order to obtain scientific data capable of elucidating the state of conservation and the painting technique. Optical (OM) and electronic (SEM-EDS) microscopy, micro-FT-IR spectroscopy, gas chromatography–mass spectrometry (GC–MS) and pyrolysis GC–MS were applied on two microfragments and some organic samples obtained by solvent extraction using the swab cleaning technique. The obtained results indicated that Caravaggio probably reused an old shield as a previous gypsum preparation layer has been detected under the original painting layers. He used white lead, natural earths, verdigris and lead–tin yellow type I mixed with drying oils to paint. The considerable amount of amorphous particles of copper chlorides found in the green pigment verdigris suggests that it could have been produced according to the ancient recipe of verde salsum described by Theophilus. Mordant gilding has been identified on the upper part of the shield that can be related to an abandoned experiment to give the painting a mirror-like reflecting effect. Three different varnishes layers have been detected above the painted surface. The original and restoration varnishes have been identified and they contain a mixture of drying oil, mastic and turpentine and some beeswax. Cleaning tests, performed with different organic solvents, suggest the use of isopropyl alcohol as cleaning agent because it is less efficient in comparison to others solvents; thus it ensures a careful and controlled removal of the varnishes.