体育教学与学生创新能力的培养

从创新能力形成与发展的理论，阐述体育教学中创新能力的培养基本方法与途径。     

改革基础化学实验教学培养学生实践能力

实验教学改革是高等职业技术教育教学改革的重要环节，改革的目的是培养学生实践能力和创新精神，以适应时代的发展。针对传统实验教学体系存在的主要问题，提出基础化学实验教学改革的方向和具体措施。     

体育新闻专业研究生创新能力培养研究

从建立“创新型国家”和现代知识经济社会对人才综合素质的需求出发,提出在研究生教育中为了构建他们的科研创新能力,应当以“研究”为主线,在教学中应当实行五个“结合”:课堂专业教学与大量文献资料信息的收集、整理和应用结合;应用研究与分析、解决社会重大问题结合;科研方法研究与重要课题研究结合;传统教材的学习、继承、应用与拓展、批判、创新结合;新闻业务实践与硕士论文研究结合。     

让学生生惑、解惑的数学教学设计

数学教学不仅要重结论,更要重过程。"惑"作为教学的出发点,不直接展示结论,而是通过恰当地设置问题情境,提出带有启发性和挑战性的问题——让学生生惑,为学生提供动手、动脑的机会,引导学生运用观察、分析、综合、归纳、抽象概括、类比、猜想等方法去研究、去探索、去解惑,充分地让学生学会"数学地思考"。     

浅谈多媒体教学与学生创新思维的培养

本文通过对多媒体教学及创新思维的简析，并在结合多年的教学实践经验的基础上，探讨了在多媒体教学手段广泛应用的现代教学环境下，如何培养大学生创新思维的几点思考。     

Creative Potential within Policy: An Analysis of the 2013 English Literature Curriculum

This article takes as its focus Lefebvre's trialectic of conceived, perceived and lived spaces as a lens through which to scrutinise the 2013 English Literature Curriculum, and to explore the extent to which creative spaces might exist within that curriculum. The article analyses how the curriculum is envisaged by policymakers and how it might be expected to be translated into practice, utilising the wording of the policy document to facilitate an exploration of what its underlying intentions might be. The author's experience of teaching a poem from the new curriculum is used in order to provide illustrative examples of the ways in which teachers’ and learners’ experiences of the curriculum might, in practice, diverge from the direction envisaged by policymakers as teachers negotiate creative spaces within their classrooms.     

Developing a Theoretical Framework for Response: Creative Writing as Response in the Year 6 Primary Classroom

Focusing on the creative writing of Year 6 boys as they make the transition to Year 7, this article establishes a theoretical model for creative writing as response. In line with Bakhtin's notion of utterances as ‘interpersonal’ (1986), the model demonstrates the complexity of creative writing – the text is influencing of and influenced by an author's participation in ‘figured worlds’ (Holland, Lachicotte, Skinner and Cain 1998), but also influencing of and influenced by future respondents. This article suggests that ‘weaker framing’ (Bernstein 2000) in creative writing pedagogy has the potential to alter boys' identities and refigure their worlds.     

非个人化与作者之死--论西方文论中的主体性问题

本文论述了西方文论中的创作主体性问题.欧洲诗学传统精神是对创作主体加以消解.到了19世纪浪漫主义文论高扬作家主体,作家的地位至高无上.济慈以"消极感受力"、艾略特以"非个人化"理论对浪漫主义进行反驳,成为新批评的先声.苏珊·朗格以形式主义符号学来调和个人感情和社会公共感情之间的矛盾.结构主义和后结构主义认为作者已"死".     

《诗经》无长篇史诗原因探究

由《诗经》中有无史诗引出为何无长篇史诗的关键问题,《诗经》没有长篇史诗的原因较复杂,影响它的因素很多,特别是周人单一神教、人神分离的宗教思想,具有明确政治目的的采诗制度以及q-国诗歌重抒情、言简意赅的特点影响了长篇史诗的形成。     

高校实施创新教育探索

文章从培养大学生创新能力角度出发,提出了高校应从改变传统教学模式、营造开放课堂气氛、改变传统的对教师及学生的评价观、优化课程设计及设立科研学分等几方面出发,培养顺应时代发展要求的具有创新能力的人才.