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181.
文化创意产业的发展模式一直是困扰实践界的难题,随着大数据和体验经济时代的到来,审美体验与精神愉悦已成为当下世界经济活动中的高层诉求,为了促进武术创意产业与世界经济发展接轨,必须结合体验经济的内在发展逻辑与消费者的审美直觉心理进行耦合式的探讨。研究从技术变迁、文化耦合、盈利模式的三重维度指出:武术创意产业历经了由“武技-武艺”的技术变迁过程;在体验经济视域下,武术创意产业应植根于中国传统文化内核,彰显“道、禅、爱”等武术精神与文化的创意因子;据此,通过观众心理学理论建构以新媒体网络营销、文化创意主题设置、重视体验心理反馈、以情感共鸣促进价值增生和大规模定制服务为取向的生态发展路径。  相似文献   
182.
随着我国经济的发展,文化产业也越来越受到大家的注意,而文化产业中的创意产业更是凭借其独有的创新性成为文化产业中的焦点,再加上创意文化能为城市创造显著的经济效益,我国不少城市将创意文化产业作为重要扶持的项目之一。  相似文献   
183.
有机化学实验教学改革与学生创新能力培养的研究   总被引:2,自引:0,他引:2  
现代科学技术的发展要求科研工作者具有较强的创新能力和较高的实践动手能力。有机化学实验作为化学教育的专业课程在培养高校学生的创新能力和实践能力等方面有着极其重要的作用。本文从我校有机化学实验课程开设的实际情况出发,针对目前这一课程中存在的一系列问题,从课程设置、教学方法、教学环节以及实验环节等方面进行了详细的探讨,提出了相应的教学改革模式的建议,以提高实验教学的质量和学生的综合素质,从而达到提高学生创新能力和实践动手能力的目的。  相似文献   
184.
浅谈大学物理教学中创新思维与能力的培养   总被引:1,自引:0,他引:1  
从贯彻以人为本的素质教育思想,精心创设各种物理情境,发展学生的直觉思维,进行多问、多变、转向等发散思维训练,激发起创造性思维的热情等方面,阐述了如何在大学物理教学中培养学生的创新思维与能力。  相似文献   
185.
地方特色文化创意产业发展模式研究   总被引:4,自引:1,他引:3  
地方特色文化创意产业以地方特色文化为核心资源,具有地域性、传统性、民俗性、独特性等重要特征。地方特色文化对区域经济、社会、文化发展有独特的贡献价值。从文化-创意-产业产业链的三个环节出发,研究地方特色文化创意产业发展,形成特色文化产业化、传统产业文化化和传统技艺文化产业化等不同的三种地方特色文化创意产业发展模式。只要因地制宜,抓住重点,把握好各种模式发展关键,就能依托当地的特色文化,开发出适合地方经济发展的文化创意产业来。  相似文献   
186.
This article is concerned with the many connections between creative work and workers, and education work and industries. Employment in the education sector has long been recognised as a significant element in creative workers’ portfolio careers. Much has been written, for example, about the positive contribution of ‘artists in schools’ initiatives. Australian census analyses reveal that education is the most common industry sector into which creative workers are ‘embedded’, outside of the core creative industries. However, beyond case studies and some survey research into arts instruction and instructors, we know remarkably little about in which education roles and sectors creative workers are embedded, and the types of value that they add in those roles and sectors. This article reviews the extant literature on creative work and workers in education, and presents the findings of a survey of 916 graduates from creative undergraduate degrees in Australia. The findings suggest that education work is very common among creative graduates indeed, while there are a range of motivating factors for education work among creative graduates, on average they are satisfied with their careers, and that creative graduates add significant creative-cultural and creative-generic value add through their work.  相似文献   
187.
While there is a growing body of scholarship on the creative industries and on the career trajectories of graduates from creative industries programmes, there has to date only been a limited amount of research that examines in detail, the careers of fine arts graduates. Fine art is arguably the least ‘vocational’ of creative disciplines, in that there are relatively few employers that seek to employ fine artists as fine artists. If fine arts graduates are not employed in their chosen field – that is, in the ‘Creative Trident’ terminology, in a core creative occupation – how do their careers parallel or differ from those of other creative graduates? Do they find employment as ‘embedded creatives’, using or applying their experience and practice in sectors beyond the core creative industries, or as ‘support workers’, enabling and facilitating the creative work of others? Do they experience portfolio careers? And how do their artistic training and attitudes to creativity affect their working relationships and experiences? This article draws on rich qualitative data about the experiences of a small group of graduates (including the author) who all graduated from the same course at the same institution in the UK in 1994, to provide some insights into the career paths and trajectories of a sample of fine arts graduates.  相似文献   
188.
科技翻译讲究准确、严谨、清晰、精炼。译者作为翻译这一创造性活动的主体,在尊重原文的前提下,充分而适度地发挥其主体性是高质量完成译作的保证。该文试以航空专业为例浅析译者如何在科技翻译中进行灵活处理,通过采取恰当的翻译措施和策略,加强与技术人员的沟通,大胆重写、勇于创新,实现科技翻译的“创造性忠实”。  相似文献   
189.
Although there has been increasing international emphasis on creativity in education, many creativity training programmes have focused on enhancing students' creative thinking skills with few studies on how these skills can be integrated into the teaching of subject disciplines. As a member of a Community of Practice project that ran from spring 2021 to summer 2022 at my university, I worked with ten university teachers from multiple disciplines to develop and implement instructional strategies to foster students' creative thinking skills. The paper documented the development, implementation and evaluation of creative thinking skills teaching strategies for a higher education course in visual arts. Both the development of the teaching strategies and the measurement of the impact on student learning have undergone vigorous research procedures and made reference to the existing literature. The effectiveness of the activities was assessed using multiple methods including the Torrance Test of Creative Thinking, a self-report inventory, and a focus group interview. The results indicated the new learning activities enhanced students' creative thinking skills. They also showed that creativity can be developed through teaching while revealing that playfulness, freedom and structure, group interactions, and problem-solving activities are beneficial for the development of creative thinking skills. Readers may better understand the different ways in which creative thinking skills instruction materials can be developed and incorporated into teaching of visual arts by making reference to the strategies suggested and the process of development in the paper.  相似文献   
190.
目前我国大力倡导的协同创新是一种新兴的创新合作方式,以此为平台进行创新人才的培养具有很强的探索价值。协同创新是一个复杂的过程,创新主体通过激活创新要素、共享创新资源与优化资源配置来获得创新成果效用的最大化,其本质就是损益与共的企业与学研机构之间的互利合作模式。在这种合作模式中,合作双方在追求各自利益最大化的同时共同创造了一个有利于创新人才培养的协同创新环境,并能够保持连续有效的培养效果,是一种超越传统产学研合作的更加优越的新型人才培养模式。结合复杂适应系统理论,从动因机制、目标机制等六个方面构建协同创新下创新人才的培养机制;利用Netlogo仿真平台,通过多主体建模仿真证明了该机制的正确性;最后从利益协同、人才聚集、信任分派、知识共享和建立国际化的协同创新平台五个方面提出提升协同创新下创新人才培养的对策建议。  相似文献   
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