重金属废水的治理和回收综述

综述重金属废水的治理方法及回收技术的一般原理，介绍化学法、物理化学法，尤其是生物化学法的研究现状及应用前景，最后指出生物化学法处理重金属废水是一种长期、高效、经济、可靠的方法。     

"模拟电子技术"整合教学及网络课程的建设原则

提出了一种新型的“模拟电子技术”教学模式－整合教学,重点阐述了该模式如何将教学目标、方法与现代信息技术进行整合的基本内容,介绍了该模式网络课程建设的整合性与一般性等八个基本原则。     

马克思主义生产力理论的科学性及其在当代中国的创造性发展

以唯物史观和唯物主义辩证法两大锐利思想武器作为马克思主义生产力理论方法论基础的确立,是马克思主义生产力理论成为科学的理论以及与西方经济学理论相区别的最本质的特征;马克思主义生产力理论方法论基础、所揭示的基本原理(生产力发展规律)与其科学的分析框架之间的内在逻辑一致性,是马克思主义生产力理论科学性的本质体现;邓小平关于“科学技术是第一生产力”的思想,是马克思主义生产力理论在当代中国的创造性发展。     

中国和日本技术教育观差异之成因探讨

本对中国日本技术教育观的差异,形成及特征,加以论述和比较,从中总结出,我们国家在进入信息时代后,应走“高精尖”并加强工农业基础技术教育的兼顾这路。这样可为我们国家的现代化道路铺就坚实的基石。     

未来八年我国体育科技、教育发展的战略构想与政策建议

当代体育科技、教育体系是科技教育体系的重要组成部分，有相当的体育科学技术学科是科学技术母体学科在体育领域的应用、渗透而形成的，由此构成了体育科学技术体系的重要内容。21世纪现代奥林匹克的进一步发展，将更加需要高新技术的发展和渗透，而在我国举办奥运这一新历史环境下，国家创新体系将延伸成为体育创新体系的重要部分，使体育科学体系出现个体学科突增发展、学科群落拓展优化的趋向；体育教育传播体系将更加开放、普及和优化，使各类高等教育体系出现超前创建体育新专业契合社会化、健康服务需求的态势。     

Professional mobilities in the creative industries: The role of “place” for young people aspiring for a creative career

Within creative industries policy, two themes have been situated as central to the needs of the creative economy: the economic importance of place and the role of education in delivering a better-equipped workforce. However, these themes have rarely overlapped in either policy thinking or academic research, and so this article focuses on the relationship between place, education and professional aspirations for young people. Using the findings from qualitative interviews with media studies students within higher education (HE), this article analyses how the perceived attributes of some locations may provide industry credibility and the promise of enhanced professional mobility. It examines the tangible and symbolic value of place within young people's career development in the creative industries. The findings highlight how the links between place and education can influence the professional process, and how place shapes young people's perceptions of and opportunities for work in the creative industries. Finally, this research emphasises how current theories on creative industries policy and HE provision need to be extended to take greater account of the ways in which the attributes of localities can be used as a catalyst for individual professionalism amongst young people, and the ways in which certain places (mainly rural) may be disadvantaged in the current policy trajectory.     

企业异质性与贸易中介理论研究新进展

新新贸易理论诞生近十年来,贸易理论家围绕企业异质性假定进行了细致而富有成效的拓展研究。其中引人注目的是融入贸易中介的分析,打破了已有研究关于直接出口的局限,并分别基于异质性和企业内生边界视角,解释了中介技术和不完全合约对企业直接出口和中介出口等不同出口决策及福利分配的影响。本文梳理了国外最新文献中企业异质性与贸易中介理论的研究进展,解析了将贸易中介引入新新贸易理论的微观机理,并展望了其未来的发展方向。     

重庆市制造业的绿色经济增长核算:2001—2010

基于生产前沿理论的绿色经济增长核算模型,不仅将技术无效率和环境代价纳入了分析框架,而且还与"物质平衡思路"一致;该模型将绿色经济增长的源泉分解为环境约束下的技术进步、技术效率变化和资本深化3大部分。对重庆市27个制造行业的经验分析结论表明:经济增长中普遍存在着技术无效率现象,但50%以上行业的技术效率都得到了改善或维持不变;资本深化是经济增长的主要源泉,而技术进步主导的全要素生产率变动在其中的贡献相对较小;技术进步是引致全要素生产率增长的主要原因。为充分发挥重庆市制造业可持续发展潜力,后续发展中必须转变经济发展方式,在环境约束下走技术进步和技术效率改善的绿色全要素生产率增长之路。     

基于消费者低碳偏好的供应链碳减排策略

针对一个占主导地位的零售商和两个制造商(名牌产品和普通产品制造商)组成的二级供应链,考虑制造商之间的定价顺序和低碳偏好消费者对普通产品的接受度,分别构建普通产品制造商采用或不采用减排技术情景下的收益模型,得出各情景下最优零售价格和收益。研究发现:零售商选择销售哪种产品与顾客对普通产品的接受度有关;普通产品制造商的减排策略主要取决于减排成本。在相同减排策略下,若顾客对普通产品接受度较大,制造商同时定价时产品的最优零售价小于等于不同时定价时产品的最优零售价,而同时定价时制造商的最优收益大于等于不同时定价时的最优收益,因此两个制造商应同时定价以获得更大的收益。     

Culturalisation and devices: what is culture in cultural economy?

Theorisation of culture is often absent from research on production in the creative and cultural sector. Further, cultural production has been largely untouched by the insights of the cultural economy approach. Culturalisation is a means of addressing the question of what constitutes culture and thus a cultural (economy) approach. It is the process by which culture and cultural production combine in the ‘operationalisation of the real.’ Culturalisation underpins much scholarship in this journal by posing the (economic) real as a problem of definition in order to illustrate the operations involved in its temporary resolution. The implications of this position need further addressing. There is a feedback between culture as a problem of definition and a cultural approach. Devices can interrogate the relationship between processes of cultural definition and the conceptual parameters of a cultural economy approach. Workshopping, projects and events are put forward as cultural devices emerging from a 10-month ethnography of literary performance in Bristol, England. This illustration shows firstly, how culturalisation occurs in a designated cultural sector to contingently realise culture; and secondly, the implicit logic of cultural economy as culturalisation, typified by the device as method, so as to open a debate concerning its implications.