批评话语分析中的隐喻现象研究——以腾讯QQ致用户信为例

批评话语分析（critical discourse analysis）作为语言学中新兴发展的学派,其主要目的是通过分析人们设计的符号来揭示语篇中含而不露的意识形态。隐喻（metaphor）作为认知语言学中的一个重要理论,近年来受到国内外学者的广泛关注。隐喻与社会性之间的关系在某种程度上把认知理论与批评话语分析结合起来,使构建认知批评话语分析框架成为可能。本文以分析CDA中的隐喻现象为基点,旨在探讨构建认知批评话语分析框架的可行性与优势;发掘大众语篇背后隐藏的意识形态并呼吁读者以批评的眼光阅读此类语篇。     

在开放中进步的中国水彩画

首届＂上海朱家角国际水彩画双年展＂是国际上第一个水彩画专题双年展,是2010年上海世博会主要文化交流活动之一,笔者的作品《修补.状态》有幸入选来自全球19个国家和地区的258幅作品之中。中国水彩画从对西方的学习、吸收,发展到创作出符合我们民族、我们心境的佳作;中国水彩画家正以深厚的文化底蕴、哲学观念,逐步地探寻着水彩画的新方向,为世界水彩艺术添砖加瓦。     

少数民族传统体育与学校教育的研究

少数民族传统体育具有德育、智育、美育和劳动教育的价值,具备进入学校教育的前提条件。学校体育需要引进少数民族传统体育是学校体育面临的困境和当前学校体育校本课程改革的需要。另外,学校教育是传承少数民族传统体育文化的基本途径,少数民族传统体育需要进入学校才能实现其传承。     

教学临界阈研究的问题与思路

教学临界阈研究是探究和揭示教学有效性内在本质及其规律的关键,是我们对有效教学问题从外条件研究到内问题探讨的转折点。这些内问题的探讨主要包括学习者的有效学习量究竟是多少才能引起学习临界点的出现,影响教学从量变到质变的关键因素是什么,教学临界阈的产生能否促使学习者知而达智、行而致能。超额学习、掌握学习、语言输入理论、结构方程模式等成果为教学临界阈的研究奠定了基础,人类工效学、知识生态学和博弈论更是为教学临界阈研究提供了多元视角。时间、空间、群体和影响程度等质变临界阈的存在意味着教学临界阈研究有着不同的研究思路,而具体内容学习变化的曲线则是判断教学临界阈的基本依据。通过变量干预而改变教学临界状态是研究有效教学的一个新的切入点。     

基于THPZKZ-1型中央空调系统温度控制实验的研究

首先,介绍THPZKZ-1型中央空调系统的实验平台。然后,以此平台为基础,设计单回路温度控制实验,通过临界比例度法整定PID参数。最后,分析实验结果,总结控制规律。     

The Art of Straying: Benjamin on Distraction and the Informal Education of the City

In this article, Tyson E. Lewis argues for an alternative form of educational attunement beyond attentiveness. Discourses and practices of schooling emphasize being attentive as a primary educational virtue. This emphasis casts distraction as either the negation of attention or its deterioration. In either case, distraction lacks educational use and, as such, must be overcome through the cultivation of attention. Yet this approach to the question of attention versus distraction misses how distraction contains within itself a different kind of educational potentiality, a different kind of educational attunement. In an attempt to carve out space and time for distraction, Lewis turns to the writings of Walter Benjamin who offers up a more complex view of distraction than is presently found in educational philosophy. In particular, Benjamin argues that cities are not only places of negative forms of distraction (as mere diversions), but also places for cultivating productive distraction in the form of an open and alert attunement to new ways of experiencing and perceiving the relationship between world and self. Cities, for Benjamin, become educational spaces that teach lessons in a distracted form of life, the culmination of which is the creativity expressed in what he refers to as “the art of straying.”     

Calculated democracy—Explorations in gerrymandering

This paper describes a lesson centered around a metric for measuring partisan gerrymandering: the efficiency gap. We situate the efficiency gap in the current US political climate, describe the activity itself, and then provide recommendations for readers interested in adapting the lesson for their own classrooms.     

Critical Thinking and Community Engagement through Artistic Actions

In a society that strives for sustainability it is important to observe and value different forms of knowledge. Creating art is not a meaningless exercise. Instead, one might say that works of art serve as a window that interprets the world. In the article it is argued that artistic actions can offer a combination of critical and creative thinking reflecting on the types of knowledge and experience that count as valuable for sustainable communities. The article reflects on the participatory installation Colours of Rovaniemi and how ABER was used in the creation process. The methodology focused on the transformative power of community engagement when creating artistic actions that engage with sustainability. The installation provoked critical thinking and encouraged the participants to take a stand on the issues discussed. Artworks of this kind are well suited to help us understand the issues we face regarding sustainability. The work raised questions of who we are, what we prioritise in our lives. It initiated discussion of the connection between man and nature, attitudes, values and national self‐identity, challenging the participants’ perspectives.     

设计文脉中传统元素与现代元素的共生关系

在共生观念中,传统与现代是一脉相承的,传统与现代的实质就是继承与创新,继承是手段,创新是目的。设计师只有在共生观的指引下,对传统文化内涵进行深入的研究,多借鉴他人经验,利用先进的技术手段,从多方面进行艺术创造,才能不断设计出符合人的时尚追求,适应人们审美文化需求的设计作品。