范德瓦耳斯气体的临界指数β=1/3

从范德瓦耳斯气体的对比态方程出发,推导出临界指数的数值为1/3,与实验值相近。     

Disciplinary containment: whiteness and the academic scarcity narrative

ABSTRACT

Amid rising controversy around the alleged distinctions between merit and excellence lies a familiar refrain, scarcity. The narrative of academic scarcity, proclaiming the insufficient numbers of scholars and academics of color, permeates conversations in higher education. We suggest that the academic scarcity narrative, a remnant of stagnant logics of diversity, circulates as a contemporary mechanism of what we name disciplinary containment. Extending disciplinary conversations around rhetorical containment, we argue that disciplinary containment perpetuates whiteness.     

A Critical Metaphor Analysis of Political News Discourse-A Case Study of News Report about Iraq

Critical Metaphor Analysis is a new method of critical discourse analysis. It aims at revealing attitudes, believes, emo?tions and ideologies of a specific group by comprehensively adopting the knowled...     

On the elephant in the room: toward a generative politics of place on race in academic discourse

Abstract

In our conceptual essay, we draw on an exchange between a White scholar and a group of panelists on Critical Race Theory at an international conference. Taking up this exchange as our point of departure, we work in dialectical and multidimensional ways between the essentialized politics of place on race and critical anti-essentializing foundations in recent Critical Race Feminism and Critical White Studies’ literatures. Working the dialectics and multidimensionality of the place that race makes in academic discourse, we recognize and ethically work through the essentialized politics of place in advancing anti-essentializing understandings of race. In articulating these anti-essentializing understandings, our conceptual essay drives at the notion of a generative politics of place on race in academic discourse. A generative politics of place holds essentialized realities and anti-essentializing foundations of race in dialectical and multidimensional tension for teaching, learning, and discussing race in local, national, and international contexts.     

一个微分系统的奇点的Hamilton量比较方法

应用微分方程定性理论及分支理论分析Z6 等变系统的奇点及其Hamilton,并给出怎样比较Hamilton量大小的一种方法     

Critically reflexive dialogue and praxis: Academic/practitioner reflections throughout a formative evaluation of Circles® USA

Reflections about the use of critically reflexive praxis by academic/practitioners are offered based on a case study of a formative evaluation of Circles^® USA, a nonprofit organization coordinating initiatives across the U.S. working to move families out of poverty. Critically reflexive praxis is theorized as featuring several themes including acknowledging different levels of context, critical dialogue with collaborators, engaging cultural difference and intersectionalities, problematizing power relations and relationships among researchers and collaborators, and occurring throughout the research project. Examples of critical dialogic reflexivity and navigating common tensions that emerge throughout such community engagement projects are detailed during three phases: planning and design; fieldwork and interviews; and outcomes, applications, and implications.     

大学教学与批判性思维培养

批判性思维是一个大学生最为典型的认知性功能之一，是其应该具备的思维元素和社会生存之道，同时也是今天民主社会必需的一项政治素质。要让学生在一个文化多元的社会环境中形成并保持文化自觉的习惯，并对其它文化有批判扬弃的信心和能力，就应该在大学教学中强调对学生批判性思维的培养，使大学教学充满批判性的理性色彩，充满思想的张力和思维的冲击，让大学成为一个讲究学术自由、独立思考的精神家园。     

论法兰克福学派经济批判理论的思想特色

法兰克福学派经济批判理论是对马克思主义历史唯物主义经济批判理论的“修正”,它以某些现代西方思 潮为工具,以“人”作为经济批判的根本视角,以革命意识的形成作为经济批判的主要目标,对发达工业文明的某 些经济现象提出了自己独特的批判。     

#OscarsSoWhite: how Stuart Hall explains why nothing changes in Hollywood and everything is changing

ABSTRACT

Stuart Hall’s work on culture, representation, ideology and hegemony positions Hollywood as a cultural institution informed by and informative of US social values and norms. Thus contemporary debates over Hollywood's diversity are indicative of broader social conflicts. Empirically the article examines 2014–2015 news coverage of Hollywood to question the Hollywood paradox—the lack of diversity in film/TV production yet TV’s increasing shift towards on-screen diversity. It maps three discursive frames: Hollywood exceptionalism, economic imperatives, and institutionalized racism and sexism. The article concludes by using Hulu’s East Los High to reflect on TV’s digital turn and innovative models in production and representation.     

The legend of Texas Western: journalism and the epic sports spectacle that wasn’t

This essay interrogates journalistic accounts of Texas Western College’s 1966 college basketball championship, a game in which an all-Black team defeated an all-White team. The analysis traces the evolving portrayals of the game over 45 years. In 1966 American journalists did not emphasize the racial aspects of the game and it was largely forgotten. Twenty-five years later, however, journalists reconstructed the game as a racialized legend, and this account evolved into an epic American narrative. The author argues that the epic portrayals, although aesthetically appealing, reflect problems with accuracy, appropriation, and commercial exploitation. The latter factor led to the legend’s motion picture adaptation as part of a troublesome “White Savior” cinema genre.