美国高校体育传播教育的历史沿革

通过对美国高校体育传播教育的产生、发展及其背景和原因的阐述,有利于我们能更加地全面了解美国高校的体育传播教育.     

试论文化传播与梁启超导读书目的发展

着眼近现代文化传播背景，论述梁启超导读书目在继承以往传播特色基础上的如下发展：一、有强烈的文化传播意图；二、读书方法的较大发展；三、书目体例的创新。     

秸秆发酵饲料的研究与应用

微生物发酵秸秆饲料是利用高活性微生物菌剂,将秸秆饲料的某些成分进一步合成为营养价值较高或适口性较好的物质,使秸秆变成质地松软、湿润蓬松、酸香适口的粗饲料,是解决人畜争粮矛盾的有效途径之一。     

对当前传播现象的观察与思考

进入知识经济时代,以电子传媒为首的大众传播媒介大规模侵入公众生活,成为公众生活的直接背景和现实,面对大众传播的传媒角色呈现出新的特点和现象,我们应该如何看待这些问题?     

论中国传媒在世界传播格局中的崛起

20世纪 80年代以来 ,中国传媒在世界传播格局中的日渐崛起在于 :经济的高速发展使中国成为对全球投资者最具吸引力的国家 ;中国与世界的融合 ,为中国传媒业提供了前所未有的发展空间 ;传播科技的发展为中国媒体的全球化拓展提供了技术支撑 ;传媒产业的振兴 ,使中国媒体有可能面对更具挑战性的国际传播大环境 ,并跻身其间 ;华侨华人精英层的形成 ,使世界对华人刮目相看 ,也使他们透过华人加深了对中华民族和中华文化的了解 ;汉语成为全球最新的强势语言。     

Orthodox Communities in Eastern Anatolia in the Thirteenth to Fourteenth Centuries. Part 2: The Time of Troubles

Eastern Asia Minor underwent profound changes in the thirteenth to fourteenth centuries. The period in question is marked by the decline of the Greek Orthodox Church in Anatolia. Why did the Greek population, prosperous in the thirteenth century, dwindle in the next century? The answer may lie in the general development of Eastern Anatolia at that time: the wealthy provinces of the Sultanate of Rūm and the state of Ayyubids became an arena of constant struggle between powerful warlords, which led to depopulation of many cities. Neither Islamisation nor the process of Turkisation seem to have been a decisive factor of the decline of the Greek settlements in Eastern Asia Minor.     

我国青少年武术散打运动员赛前多维焦虑的研究

采用马腾斯的运动竞赛状态焦虑量表的中国修订本,对参加全国青少年武术散打锦标赛的运动员进行了不同场次的问卷调查。研究结果表明,认知状态焦虑,躯体状态焦虑随比赛的深入进行焦虑水平下降,状态自信心的水平不断升高。躯体状态焦虑处于中等焦虑水平时,成绩较好。状态自信心越高,比赛成绩越好。     

中长跑、马拉松运动员训练过程实时监控指导系统的开发与研究

针对中长跑、马拉松训练中教练员难以实时地掌握运动员自身的信息和背景情况,双方之间无法进行及时信息交流等突出问题。利用卫星定位系统等现代高新信息技术,结合中长跑运动特点,研制开发了能够在中长跑、马拉松等项目训练中实时进行监督和及时指导训练的辅助信息系统。经过实验表明,此辅助信息系统应用在中长跑、马拉松训练中对运动成绩提高有明显帮助,使训练的实时指导得以实现,为科学化训练提供了有效手段。     

重构历史的方法——《我把十八年前的那场鹅毛大雪想出来了》的语言世界

吕新的中篇小说《我把十八年前的那场鹅毛大雪想出来了》以语言的方式重构“文革”历史。在那个时代,政治性词语虽然统治天下,但遭到了民间词语的纠缠;语言与权力勾结制造着荒唐;现实中痛苦的呻吟不时响起;时间感的缺失;作为民间语言的病态的流言到处传播。     

The social stratification of theatre,dance and cinema attendance

In current sociological literature the relationship between social inequality and patterns of cultural taste and consumption is the subject of a large and complex debate. In this paper the primary aim is to examine, in the light of empirical results from a research project in which the authors are presently engaged, three main, and rival, positions that have been taken up in this debate, here labelled as the ‘homology’, the ‘individualization’ and the ‘omnivore–univore’ arguments. Elsewhere, we have concentrated on musical consumption in England, and find evidence that is broadly supportive of the omnivore–univore argument. Here we ask whether such findings are confirmed in the case of theatre, dance and cinema attendance. A secondary aim of the paper is to bring to the attention of practitioners in the field of cultural policy and administration the need to address the issues that arise through the use of more powerful methods of data analysis than those often applied in the past. We explain how indicators of theatre, dance and cinema attendance derived from the Arts in England survey of 2001 can be subject to analysis so as to reveal two distinctive patterns of attendance and, in turn, two distinctive types of consumer—who can, it turns out, be regarded as omnivores and univores, even if with some qualification. The former have relatively high rates of attendance at all kinds of the events covered, including musicals and pantomimes as well as plays and ballet, while the latter tend to be cinema-goers only, that is, non-consumers of theatre and dance. A range of measures of social inequality are then introduced into the authors' analyses, including separate measures of social class and social status and also of educational level and income, and it is further shown that, again in conformity with the omnivore–univore argument, these two types of consumer are socially stratified. Omnivores are of generally higher social status than univores and also have usually higher levels of education and higher income than do univores (the latter finding marking the main difference with musical consumption, which was unaffected by income once other stratification variables were controlled). In sum, our results for theatre, dance and cinema attendance lend, overall, further support to the omnivore–univore argument as against its rivals, but also indicate that different aspects of social inequality impact on different forms of cultural consumption in varying degrees and probably through largely separate processes.