撰写英语学士学位论文应注意的问题

英语专业本科毕业生撰写学士学位论时，往往在论格式和字表达方面存在较大的问题。在对此进行分析的基础上，提出了改进意见，以期提高论质量，顺利通过论答辩。     

Creative Knowledge: The Centrality of Creativity in Teachers’ Conceptions of Subject English

ABSTRACT

This paper examines the notion of creativity as a core concept in English teachers’ knowledge and valuing of their subject. It draws on research from a broader investigation into teachers as writers and discusses one of the key findings of the study: that creativity is not only crucial to how teachers approach their pedagogy and subject content, but that contexts in which creativity is minimised in English teachers’ lives results in struggle or even a departure from the profession. The paper concludes with a call for teachers and bureaucrats to affirm creative knowledge as foundational to English teachers and their profession, and the ability of teacher narratives to offer a powerful contribution to debates in English teaching.     

论意象与辞章

一篇辞章,如就其内容成分而言,属于核心成分的主旨,无论表达的是「情」或「理」,都是「意」,而所用的具体材料,无论是「事」或「物(景)」,则全是「象」;如就其形成而言,乃结合「修辞」(个别意象之表现)、「意象(狭义、个别)」(个别意象之形成)、「文(语)法」(由概念组合为个别意象)、「章法」(意象之排列)与「主旨」(核心之「意」)、「风格」(由整体意象所呈显之审美风貌)而形成的一个综合体,而这个综合体,一一可用「意象」(广义、整体,含狭义、个别)加以贯穿.而由于它们深深地植基于哲学(意以象尽)与心理(异质同构)之上,将主(意)客(象)体合而为一,以此形成有机之整体,而产生美感,因此可以这么说,辞章从头到尾是离不开意象的.     

英语思维的培养与英语写作

大学英语作文是衡量学生英语综合水平和应用能力的一个重要指标，英语思维习惯的培养是英语教学的一项重要任务，只有把二者结合起来，才能写出真正符合英语习惯并体现学生英语水平的文章。     

新课程环境下的写作教学刍论

新课程环境下的写作教学,需要对写作的本质、对象、价值等重新加以审视,落实学生写作实践的主体地位,从社会进步和学生自身发展的需要出发,变革教学方式,进行多维度立体式教学,在提高学生语言表达能力和思维能力的同时,培养学生的主体性人格,促进学生可持续发展。     

审美距离与大众文化的位置 ——近年来大众文化个案分析及其一般性结论

本文从审美距离角度讨论了近年来四种大众文化热点：韩剧、帝王戏、超级女声、少年写作，并通过对这些个案的分析，同时根据姚斯的审美距离理论而自拟的审美距离函数图，得出了一般性结论：大众文化的审美距离总是较小，使接受者的感受力因不断重复而日益麻木，使需要随着时代或文明而变革的旧的观念与集体无意识更为板滞，固化；而社会或精神知识分子的文化，其审美距离总是较大，必不可免地要等待接受方面期待视野之水平的扩大与提高。因此，大众文化与知识分子文化需要有一种平衡。然而遗憾的是，今天中国，大众文化似正在出现独霸天下的局面。     

浅析杜甫诗学中的“健笔凌云”“清词丽句”主张

杜甫是唐代伟人的现实主义诗人,他的作品被后人所传诵。在诗学理论上,他提倡“健笔凌云”的诗风,主张“清词丽句”,并以此和为个人诗歌创作的艺术借鉴标准,构筑了独特的艺术风格。     

Teaching,learning, and evaluating: handwriting in Uruguayan public elementary schools in the 1830s

Abstract

This article examines the Uruguayan state approach to the teaching of writing in public elementary education during the 1830s, and is an attempt to explain why state officials advanced new pedagogical methods aimed at increasing rationalisation and standardisation. While many different handwriting styles existed in the past, the school system simplified and standardised public education under a single cursive style, the English round-hand. Notwithstanding the state’s standardising directives, Uruguayan teachers combined the pedagogical innovations of Lancaster’s monitorial system with the calligraphic traditions of the old writing masters. According to personal preference and necessity, teachers devised a hybrid system, which implemented new dictation exercises and the use of the writing slate, but preserved the writing masters’ imitation of muestras, and the use of quill, ink, and paper. The government arranged an inventive procedure to accurately measure students’ handwriting performance. The planas, or samples of students’ handwriting, were useful tools in the standardisation and evaluation of public education. Elementary schools from all over the country forwarded handwriting samples to the central state, or exhibited them in public examination ceremonies, as teachers publicised pedagogical success, and state officials confirmed the general advancement of public education. This study is also an attempt to show that the teaching of writing was part of a greater pedagogical mission and nation-building project: the intentional departure from colonial corporate identities, and the construction of a national community conceived as the sum of its individual citizens.     

先锋小说中作家写作视角的平视化

先锋小说表现出作家写作视角的平视化特征，即作家，叙述人，人物，读者之间是近于平等的关系，他既不教育，启发他人，也不需要别人来评判，而只是客观地展示故事本身。这种写作视角的平视化是通过叙述视角的局部化，叙述干预的运用及客观，冷漠的叙述来实现的。     

怎样读书与写学术论文

读书要思考,思考的标志是能提出问题,而要提出问题必须有"怀疑一切"的精神,并能疑人之所不疑.当我们的论文选题确定后,读书则要有明确的目的.我们在论文写作的过程中,要善于对观点与材料进行分析与归纳,还要注意运用比较研究的方法.