图书馆采购系统设计及主要功能需求分析

针对图书馆采购信息化离不开图书馆采购系统支持的状况，指出现有图书馆系统的功能各有所长，但也存在不尽人意之处。从图书采访工作的实际需求出发，提出采购系统的设计思想，分析采购系统主要功能的客观工作需求，以期推动软件开发商高水平开发图书馆采购系统或对其现有的系统进一步优化。     

基于数学学科的信息素养指导方案

阐述了不同层次的信息素养能力与一种新的信息素养教育模式——课程整合图书馆教育，从教学目标、课程内容和教学方法等方面对数学学科课题研究所涉及的学术信息资源、检索技巧以及信息评估方法作了介绍和讲解。     

人机工程学与书库设施及环境

针对图书馆书库设施及照明环境设计中存在的某些弊端，应用人机工程学理论，引入人性化设计理念，优化书库照明环境，改进书架等系列产品的设计。文章详细介绍了这些家具产品人性化设计的科技和人文的含量及其主要功能。     

灵活运用管理艺术努力提高工作效率

从培养凝聚力、放手用人、挤掉惰性、用目标造动力、运用帕累托定律、善待下属、一碗水端平等七个方面论述柔性管理艺术的灵活运用。     

当代图书馆建筑设计中应理性处理的各种关系和矛盾

文章分析了当代图书馆建筑设计中应理性处的13种关系和矛盾，并提出了一些解决的思路和措施。     

现代图书馆建筑要求刍议

从建筑设计、建筑文化、建筑空间、建筑环境及设计理念论述了现代图书馆建筑的要求。     

现代图书馆建筑特色探讨

在信息大量膨胀的时代，不管是传统的图书馆还是以收藏电子出版物为主的图书馆都没有足够的空间来存储不断出现的信息资料。人们会不断需要新的图书馆建筑，图书馆建筑设计师们面临的挑战是如何在不断变化的环境中，建造适应各种需求的多功能建筑。     

浅谈图书馆的网络系统建设

结合计算机、网络通讯技术的发展和实际工作经验，分析了图书馆网络系统建设从规划到施工应该注意的几个问题及需要考虑的若干网络技术，并介绍了我校图书馆据此进行的网络系统建设。     

Museums and the shaping of contemporary artworks

In the museum context, curators and conservators often play a role in shaping the nature of contemporary artworks. Before, during and after the acquisition of an art object, curators and conservators engage in dialogue with the artist about how the object should be exhibited and conserved. As a part of this dialogue, the artist may express specifications for the display and conservation of the object, thereby fixing characteristics of the artwork that were previously left open. This process can make a significant difference to the visual appearance of the work, the nature of the audience's experience, and how the work should be interpreted. I present several case studies in which the nature of the artwork has been shaped by such dialogues, and discuss principles for resolving cases in which there is a conflict between instructions specified by the artist and those adopted by the museum.     

The Concept of Record in Interactive, Experiential and Dynamic Environments: the View of InterPARES*

This article presents the concept of electronic record as articulated by the first phase of the InterPARES (International research on Permanent Authentic Records in Electronic Systems) Project (1999–2001) and discusses it in light of the findings of the second phase of the Project (2002–2006). While InterPARES 1 focused on records produced and/or maintained in databases and document management systems, InterPARES 2 examined records produced and/or maintained in interactive, experiential and dynamic environments. The authors describe the characteristics of these environments and of the entities found in them in the course of case studies conducted on systems used for carrying out artistic, scientific and e-government activities, and propose the new concept of record that InterPARES 2 is eleborating, which expands on that formulated by InterPARES 1.The authors would like to thank InterPARES 2 research assistant Randy Preston for his careful editing and constructive criticisms. Some of his suggestions have been incorporated in the text of this article.