论卞之琳诗歌的立体主义特征

通过对卞之琳创作成熟期的作品进行分析,探析其与立体主义绘画之间的关联,从卞氏诗歌中体现出的立体交叉的时空观、独特的相对意识、灵活的视角转换、奇妙的意象叠加和拼贴艺术几个方面进行详细的解读,得出卞之琳的诗歌创作明显受到立体主义绘画影响的观点。     

浅析泰州美术馆室内装饰设计与施工

根据泰州美术馆的功能、收藏的学术性和敏感性、收藏和策展的关系以及艺术品收藏的保护和使用等特点,考虑其室内装饰设计与施工应从整体设计定位、工程涵盖内容和具体处理方案等方面,最终诠释泰州美术馆陈列、服务和教育等亮点.     

How Haptics and Drawing Enhance the Learning of Anatomy

Students’ engagement with two-dimensional (2D) representations as opposed to three-dimensional (3D) representations of anatomy such as in dissection, is significant in terms of the depth of their comprehension. This qualitative study aimed to understand how students learned anatomy using observational and drawing activities that included touch, called haptics. Five volunteer second year medical students at the University of Cape Town participated in a six-day educational intervention in which a novel “haptico-visual observation and drawing” (HVOD) method was employed. Data were collected through individual interviews as well as a focus group discussion. The HVOD method was successfully applied by all the participants, who reported an improvement of their cognitive understanding and memorization of the 3D form of the anatomical part. All the five participants described the development of a “mental picture” of the object as being central to “deep learning.” The use of the haptic senses coupled with the simultaneous act of drawing enrolled sources of information that were reported by the participants to have enabled better memorization. We postulate that the more sources of information about an object, the greater degree of complexity could be appreciated, and therefore the more clearly it could be captured and memorized. The inclusion of haptics has implications for cadaveric dissection versus non-cadaveric forms of learning. This study was limited by its sample size as well as the bias and position of the researchers, but the sample of five produced a sufficient amount of data to generate a conceptual model and hypothesis.     

Technological Study of the Decoration on an Erard Harp from 1818

ABSTRACT

Historical pedal harps from the early nineteenth century are highly adorned objects, decorated with various techniques such as polychromy, gilding, decoupage, and gilt composition ornaments. Even though a large number of such instruments are kept in private and public collections, until now their decorative features have not been examined systematically. Moreover, little has been written about the motives behind the choice of various decorative techniques by harp makers. This article presents results from the investigation of a double-action harp made in 1818 by Erard, the leading manufacturer of harps in Regency London, focusing on the technological aspects of its decorative features. Various analytical methods, such as visual examination, microscopy, SEM-EDX, FTIR, and Py-GC-MS, were used to identify the inorganic and organic components in the coating of the harp and to analyse its stratigraphy. Inspection with ultraviolet light revealed details of the original layers and of later additions, while radiography made the internal structure as well as damaged areas and repairs visible. The outcome of this object-based examination was complemented by archival research on the Erard firm, providing new insight into Erard’s production and marketing strategies.     

广西壮族服装的分析与欣赏

广西的壮族由于地域和生活习惯的不同,服装的款式造型、色彩装饰、图案也有较大的差异。通过对壮族服装装饰元素的分析,使更多的人认识壮族服装原始的美,希望壮族服装对现代服饰的发展能起到引导和帮助的作用,并使这一传统服装有新的设计方向,成为具有时代感的民族服装。     

当阳峪绞胎艺术瓷的装饰特色

当阳峪绞胎艺术瓷是我国陶瓷史上的一枝奇葩，以“剔花”称，绞胎取胜，绞胎、绞釉、剔花的技法特点，更具地方特色。     

民初国会制宪中中央与地方关系论争述评

在民初国会正式制宪过程中，中央与地方关系一直是人们关注和争论的焦点。从这些论争可以看出，当时人们对中央与地方关系的认识已达到了相当的高度，包括中央与地方关系的焦点，模式与国情，地方地位的界定等。但由于客观政治环境的影响与局限，一些良法美意也只能化作流星。     

论高校爱国主义教育的针对性和实效性

在新形势下 ,更好地继承和发扬我国的爱国主义优良传统 ,有针对性地加强和改进大学生爱国主义教育 ,对于振奋民族精神 ,培育“四有”新人 ,实现中华民族的伟大复兴 ,具有十分重要的意义     

老子柔弱不争思想的再思考

老子的柔弱不争思想,并非消极厌世,自甘落后,而是一种大智慧,是一种独特的取胜之道和全身保家的生存处世之道,又是一种调节个人关系、个人与社会关系的重要原则。