浅谈“对话式教学”在生态式艺术教育活动中的运用

生态式艺术教育活动凸显一种生态化的环境,体现“绿色、人文”,在教育教学过程中强调师幼互动之间的平等、和谐、尊重,突出幼儿的主体地位;强调在开放的、多元的价值观下幼儿、教师、教材之间的平等对话。本文依托中国学前教育研究会“十二五”课题的研究,以《中班音乐游戏：刷牙歌》为例,阐述“对话式教学”（故事式对话、开放式对话、交流式对话、提示式对话）在生态式艺术教育活动中的运用,让幼儿在直观感受、主动学习、发现学习、有效记忆中获得经验、体验快乐浴努力在韵律活动中构建一个平等、民主、和谐的生态式艺术教育氛围。     

Connections teachers make between creativity and arts learning

Background: Creativity is often cited as one of the capacities that needs to be actively encouraged in all aspects of schooling. However, what creativity is and how it may be promoted through formal teaching and learning approaches remain contested. There are also differences between educators in terms of how they understand, discuss and conceptualise this complex concept.

Purpose: This paper focuses on the difficulties associated with talking about creativity in education. It considers the ways in which schoolteachers who are involved in the area of arts education understand, describe and discuss the concept of creativity and how it interacts with their classroom practice.

Sample: Twenty-three educators who taught Arts (either as generalist primary classroom teachers or as specialist teachers), and the leadership team from a Kindergarten to Year 9 (pupil ages 5–15) school in the suburbs of a city in the Australian state of Victoria participated in the project.

Design and methods: In this phenomenological study, data were gathered from participants through questionnaires, discussion groups, email prompts and reflective journals. The material was analysed qualitatively.

Findings: By examining the teachers’ dialogic and discursive responses about creativity, it was possible to capture some broad ways in which the participants spoke about creativity. Data were analysed thematically and grouped into categories that represented the connected ‘creative orientations’: thinking orientations, action orientations, emotion orientations and skill/outcome orientations.

Conclusion: There is a need for educators in and across a range of discipline areas to share, map and think about creativity. The approach adopted in this exploratory study offers a way that could be used to focus discussions and help facilitate educators’ talk about creativity.     

The will to (de)liberate: shaping governable citizens through cognitive behavioural programmes in school

Lately, a deliberative conception of democracy has gained influence in policy debates throughout Europe. Individuals are here seen to be fostered into responsible, mature – democratic – citizens by being involved in dialogue. In the 1990s, calls for ‘democratic education’ intensified in Sweden. This article analyses two pedagogical models influenced by programmes developed in the USA that have recently had a great impact in Swedish schools and elsewhere, Social and Emotional Training and Aggression Replacement Training, both teaching pupils the ‘art of democratic deliberation’. By analysing manuals and interviews with school staff, we find that both models are based on the idea that through constant dialogue, pupils develop a ‘democratic mentality’. Referring to Foucault, this kind of dialogue can be seen as a technology of confession, where pupils are encouraged to reflect upon themselves and their behaviour, abilities and qualities as a way to change themselves and become democratic subjects.     

Learning ‘Peace Talk’ in Northern Ireland: Peer Mediation and Some Conceptual Issues Concerning Experiential Social Education

Experiential learning is often seen as a central component of social education and pastoral programmes such as peer mediation; but the precise nature of experience as an educational, social and pedagogic/cultural process in schools is complex. This paper uses the notion of experiential learning to explore the impact of a peer mediation programme in a transforming integrated school in Northern Ireland. The programme was intended to mainstream the involvement of pupils in the process of creating a more integrated school ethos and was implemented by youth workers working as members of the school staff.

The paper begins with a review of the theoretical basis of experience as educational. This is followed by an interpretative review of the results of a survey of pupils' attitudes to peer mediation and semi-structured interviews with pupils and school and project staff about their perception of the impact of the programme on ideas of social learning. One issue is the extent to which developing pupils' capacity for interactive dialogue can be seen as an experiential process, like learning a foreign language – hence ‘peace talk’. Another is the process by which the perception of peer mediation training as ‘experiential’ constituted an enabling ‘pedagogic discourse’ which legitimized the programme for teachers and affirmed its beneficial impact on pupils.     

Expressing identity: the role of dialogue in teaching citizenship through art

Images and Identity (2008–2010, http://www.image-identity.eu/) was a Comenius funded project in which six European Union countries explored the cross-curricular links between Citizenship and Art Education with both primary and secondary age pupils. The aim of the project was to enhance and develop a sense of the pupils’ identity as European citizens using digital media as a means of expression and communication. As the project developed, it became evident that the role of talk and collaboration was a key element of supporting the pupils’ understanding of their European identity. This article explores that particular dimension in relation to the work carried out with two classes of culturally diverse 9 and 10 year olds in two inner-city primary schools in London, UK. As Zander argues, when working on an artistic production, a creative community is established whereby pupils develop a shared meaning through dialogue which in turn becomes an inherent part of the understanding of their own creative output. In this study, such a creative community was established and this supported the pupils’ emerging understanding of the EU and their own identity within it.     

‘I wonder if they are going up or down’: children's co-constructive talk across the primary years

This article reports a research project, where two pairs of children were recorded in discussion, first in Year One and then five years later in Year Six. A unique opportunity meant that the children engaged in the same task at the beginning and end of their Primary School education. The research analyses the talk on three levels, considering the language that they use, the way that they manage their talk together, and the broader themes that they bring to their discussion. The findings suggest that their language changes subtly over time, with their earlier discussions more imaginative and fluid.     

Classroom dialogue: a systematic review across four decades of research

Recognizing that empirical research into classroom dialogue has been conducted for about 40?years, a review is reported of 225 studies published between 1972 and 2011. The studies were identified through systematic search of electronic databases and scrutiny of publication reference lists. They focus on classroom dialogue in primary and secondary classrooms, covering the full age range of compulsory schooling. The methods of data collection and analysis used in the studies are described and discussed, with changes and continuities over time highlighted. Study results are then summarized and integrated to present a succinct picture of what is currently known and where future research might profitably be directed. One key message is that much more is known about how classroom dialogue is organized than about whether certain modes of organization are more beneficial than others. Moreover, epistemological and methodological change may be required if the situation is to be remedied.     

Teaching Collaboration between a University Professor and a Classroom Teacher

Significant improvement in teacher education and classroom practice can be attained by successful collaboration between university faculty and public school teachers. This paper shares an experience of collaboration between a university professor and a Fourth-grade teacher in teaching a Language Arts Methods course. The experience started with differences in teaching philosophy between the two participants. This paper articulates how the differences stimulated the two participants to change, and how they built their trust and achieved success in their collaborative teaching.     

基于对话的交互式课堂教学评价探究

过程哲学、关系哲学视野下的课堂教学评价是具有整体性、关联性、生成性的过程,是通过对话而展开的多主体交互作用的过程。建构基于对话的交互式课堂教学评价,可从实施的教学氛围、目标和标准设计、程序、反馈等方面探索其现实路径。     

从合作原则违反分析电影《失恋33天》中经典对白的幽默效果

都市爱情喜剧《失恋33天》自上映以来受到了观众的喜爱和追捧。该片人物个性鲜明,语言风趣幽默,给观众上演了生活中真实而有趣的爱情故事。影片人物在对话中巧妙地违反合作原则,使得人物形象鲜明生动,作品的幽默效果得以彰显。拟从违反格赖斯合作原则的角度出发分析其幽默对白的产生,增进观众对于幽默的欣赏与运用。