数码影像多媒体在体操课保护与帮助教学中的作用

为了解决体操课保护与帮助教学中,没有会做动作的学生协助,教师难以独自进行示范教学的问题,借助数码影像技术,有针对性地整合教学材料,对体操保护与帮助教学过程进行改革。与以往的教学相比较发现:新方法不但解决了没有学生会做动作时教师难以示范教学的困难,而且,还能促进学生掌握保护与帮助的技能和方法。     

小议瓦格纳歌剧的美学思想

瓦格纳不但是作曲家、指挥家,而且还是剧作家、哲学家、评论家和社会活动家.瓦格纳的创作思想十分矛盾,既有勇敢创新、批评社会的一面,又有悲观厌世,皈依宗教的一面.虽然在欧洲音乐史上,瓦格纳是一个争议的人物,但不管怎么说,他总不愧为19世纪欧洲音乐文化史上的一位杰出的革新者.     

亚洲国家面临的数字化“鸿沟”与数字化“机遇”

本文分析指出了在亚洲国家中存在着的数字化鸿沟 ,讨论了亚洲国家互联网发展的不平衡状况 ,以及由于经济不发达导致社会信息化程度低的原因 ;作者希望通过勾勒出亚洲互联网发展现状及存在的问题 ,使得亚洲国家重视用互联网营造新的社会形态。     

我国体育数字化期刊的发展现状研究

采用文献研究、调查访问、综合分析等方法从4个方面对我国上网的体育数字化期刊的现状进行分析。结果表明：我国体育数字化期刊的上网数量偏少，在我国数字化期刊群中缺乏相应的分类管理，部分体育数字化期刊在实现网络基本功能，为读者提供服务方面均有等进一步的提高，网络的强大功能未能在体育数字化期刊中得到充分体现等。     

An integrative framework for studying,designing and conceptualising interactivity in children's digital books

In the past five years, there have been significant changes concerning the material and design properties of digital books, with an impact on children's enjoyment and learning from reading on screen. Despite the rapid advances in technology, research on children's digital books is disjointed. This is because of no consistent approach to the study of interactivity, an under‐theorised relationship between print and digital books, and a binary design focused on either learning or playful engagement with digital books. Drawing on the discourse reminiscent of digital game designers, some developers, scholars and professionals celebrate interactivity in digital books as a possibility to motivate and engage children in reading, while a body of experimental research documents the negative impact of interactivity on children's story comprehension and vocabulary learning. This paper presents an integrative framework based on a comprehensive literature review and a content review of the hundred most popular children's digital interactive books. The framework offers: (1) methodological guidance and a definition of interactivity based on five key categories; (2) theoretical guidance based on the third‐space theory; and (3) innovative design and evaluation models based on a ‘method assemblage’. As such, the integrative framework provides new tools and perspectives to advance the field of children's digital books.     

Positionings in an immature triad in teacher education

This article presents and discusses experiences from an intervention project in Norwegian teacher education focusing on a triadic collaboration between student teachers, mentors and lecturers. The aim of the project was to establish a written, digital meeting place supporting the student teachers’ professional development. The question explored in this article is why some of the members in the triad virtually disappeared, and thus why the established digital meeting place collapsed. The findings are discussed through the lenses of positioning theory. Although the members positioned themselves differently, we identified three common traits in their stories: enhanced competition, preference of theory-informed writing, role confusion.     

Towards a pedagogical model for science education: bridging educational contexts through a blended learning approach

This paper proposes a design framework to support science education through blended learning, based on a participatory and interactive approach supported by ICT-based tools, called Science Learning Activities Model (SLAM). The development of this design framework started as a response to complex changes in society and education (e.g. high turnover rate of knowledge, changing labour market), which require a more creative response of learners to the world problems that surround them. Many of these challenges are related to science and it would be expected that students are attracted to science, however the contrary is the case. One of the origins of this disinterest can be found in the way science is taught. Therefore, after reviewing the relevant literature we propose the SLAM framework as a tool to aid the design of science courses with high motivational impact on students. The framework is concerned with the assumption that science learning activities should be applicable and relevant to contemporary life and transferable to ‘real-world’ situations. The design framework proposes three design dimensions: context, technology and pedagogy, and aims at integrating learning in formal and informal contexts through blended learning scenarios by using today’s flexible, interactive and immersive technologies (e.g. mobile, augmented reality, virtual reality).     

Inclusion and Art Education: ‘Welcome to the Big Room,Everything's Alright’

This article offers an exploration of the art room as part of a broader project to consider the ways in which normative practices in art and design education can include and exclude students. The art classroom is explored here as a ‘disrupted space’ and one that can promote movement between the structures and boundaries that affect our ways of being in, and experiencing, the world. The art room offers a space for colonising otherness, as well as an ‘alternative’ or risky physical space, a refuge, or one with the potential to disrupt the dominant educational landscape.     

The UK National Arts Education Archive: Ideas and Imaginings

The National Arts Education Archive (NAEA) is housed and maintained by the Yorkshire Sculpture Park (YSP), and managed by YSP coordinators and educators with a well‐established volunteer programme. This year, 2017, as part of the celebrations of the YSP's 40th anniversary, the Archive will hold its own exhibition entitled Treasures Revealed: a collection of items selected by people who have been involved in the Archive, whether as donors, volunteers, researchers, artists, trustees or steering group members. In parallel with the exhibition, this article aims to give voice to a selection of individuals and groups associated with the Archive, discussing their interests and experiences of it, and their thoughts on its value and importance as a repository of arts education materials, ideals and practices. Our primary motivations were to consider these different voices in relation to the purpose, direction and relevance of the NAEA today. These exchanges raise fundamental questions and debates about what art education is and what it might become, and how these historical collections, and creative engagements with it, might help to shape our contemporary thinking.     

The Perfect Marriage? – Language and Art Criticism in the Hong Kong Public Examination Context

Art education in Hong Kong has undergone various changes in response to educational reform. In art assessment, a major change in the Hong Kong New Senior Secondary (NSS) Curriculum is the inclusion of art criticism as a compulsory component of the new public examination. Assessing students’ abilities to interpret art in an art criticism public examination context is a critical issue in Hong Kong because the new senior secondary curriculum and assessment has brought attention to the role of written language in the art examination paper. This means the examination assesses not only students’ abilities to interpret art, but also their language abilities required to respond to art in written form. Since this new mode of assessment of art criticism has been published a number of issues have appeared. Recent studies show that teachers and students perceive this development negatively and they believe that the written format will assess students’ written language abilities rather than their critical abilities. These findings challenge the justification of the new art assessment policy and raise questions about the role of written language in responding to art. This article aims to raise the issue of the marriage between language and art criticism in the Hong Kong public examination context. It argues and examines the relationship of language to art interpretation, reasoning in the assessment, and issues in the public art criticism examination context. The issues addressed in this article provide opportunities for researchers and policy makers to reconsider and refine the new form of examination.