‘When words don't come easily’: personal narratives from adolescents experiencing shyness as an emotional and behavioural problem in the school context

The purpose of this article is to present narratives from 15 adolescents experiencing shy behaviour as an emotional and behavioural problem in the school context in light of narrative understanding. The investigation is intended to generate knowledge about this largely under‐researched phenomenon based on the personal accounts of those who are actually experiencing it. Their narratives are the foundation for a discussion regarding implications for future practice in the context of school in relation to this group.     

‘They think that if you're a teacher here … you're not clever enough to be a proper teacher’: the courtesy stigma experienced by teachers employed at schools for pupils with behavioural,emotional and social difficulties (BESD)

A wealth of literature has identified that children with behavioural, emotional and social difficulties (BESD) and their families are frequently stigmatised due to the perceived controllable and ‘invisible’ nature of this special educational need (SEN). Yet little research has considered the impact of this stigma on another group of individuals, educational practitioners employed in BESD schools. This is despite these professionals working in close contact with pupils with BESD, a heavily stigmatised group, on a regular basis. This paper therefore, details a study which explored perceptions of stigma specifically with educational professionals employed in schools for pupils with BESD. Semi‐structured interviews with nine practitioners (including head teachers and class teachers with additional responsibilities) were conducted, all of whom had worked within the BESD sector for at least 10 years, with data being analysed via Interpretative Phenomenological Analysis (IPA). Findings revealed how educational practitioners employed in BESD schools experienced courtesy stigma, with many not being perceived as ‘proper’ teachers due to a discourse of care surrounding BESD. Other professionals reported much confusion from their mainstream colleagues and other individuals about how they could want to work with such ‘challenging’ pupils. This courtesy stigma was linked to the wider stigma surrounding BESD schools, which were often ignorantly perceived to be full of ‘bad boys’ or ‘absolute horrors’. This paper concludes by considering the implications of these findings for policy and practice, and provides recommendations for addressing the identified stigma towards practitioners employed in BESD schools.     

宋词主题之“悲秋”研究

在宋代时期,很多词人创作了大量以悲秋为主题的词作品。本文,对以悲秋为主题的宋词的情感模式进行解读,阐述了这些"悲秋词"的形成进行探源。     

普通话教学中朗读环节易见的口语语感问题及解决方法

在普通话教学中,朗读是学生最容易出现口语语感问题的环节,最常见的口语语感问题是停连不当、重音不准确、节奏把握不当。学生无法做到完全的情景再现,对内在语把握不准,情感运动不到位和过于关注细节是造成上述问题的主要原因。可以通过体验式感受、情景式教学、表演式表达以及暗示教学法帮助学生解决朗读中的口语语感问题。     

The self experience of the gifted person: Theory and definitions

Recent articles on the gifted self are characterized by theoretical confusion and lack of definitional clarity. This article, anchored in current self psychology theory, defines the self experience as the person's subjective experience of organization and meaning, the maintenance of which is crucial to normal functioning. Interactions with others are a formative part of the self experience. Traits of giftedness, and the reactions of others to these, contribute to the gifted self experience. Social and emotional problems of giftedness, such as those that arise with asynchronous development and perfectionism, are based on a compromised sense of cohesion and unity of the self experience.     

论色彩的心理效应

色彩的心理效应主要表现在色彩表情、色彩联想、色彩象征等方面，不同色彩会导致不同的心理效应。     

家园难觅情归何处——论20世纪80、90年代女性散文的不同特点

20世纪90年代的女性散文文本在女性意识的表达,对两性关系的探索及艺术表达方式方面与80年代散文都有很大的不同,这种不同背后又有着复杂的社会文化原因.     

浅谈艺术教学中的情感教育

艺术教学中,情感教育起着根本性的作用,在教学的全过程中,情感教育贯穿于教学的各个环节,因此,在艺术教学中教师应重视情感教育。     

情绪表达性性别差异研究进展

本研究探讨了成年男性和女性在情绪表达性（乐于表达情绪和抑制情绪）上的差异，共计102名成人参加了此次研究，填写了情绪表达性量表。研究结果表明：（1）成年女性和男性的情绪表达不存在显著差异，但女性在情绪表达的自我观念方面和男性存在显著差异；（2）成人在情绪表达上的年龄差异不显著；（3）教师和其他行业的人员（除艺术类）情绪表达不存在差异。     

文化产业中的表达：自由与界限

文化产业是表达的产业,表达是文化产业的核心要素。自由的表达可以推动文化产业的发展,但过度的表达又会使文化产业的社会效益受损。文化产业的有序发展需要合理、恰当的表达,需要为表达自由划定一个界限,这个界限就是表达义务。表达义务对文化产品的生产者和传播者提出应当不侵犯他人权益、不损害社会公共利益和不侵害前代人和后代人权益的行为要求。表达义务既是表达自由的限制和界限,也是文化产业的社会效益在法律上的体现。