民生电影的平民视角与人文叙事

经历了一百多年的中国电影,在各种传统类型中都有所发展和突破,而对于主流电影的样式和规范的问题却一直困扰着我们．尤其是在类型方面的拓展成了我们亟需面对和解决的问题。在近几年中国电影的创作中,一种反映最底层人们生活状态、塑造最底层人物群像的电影类型——民生电影逐渐成型,它以平民视角进行人文叙事,这种方式本身所具有的强大的生命力昭示着这种已然长期存在的电影类型必将成为主流电影发展的方向,并且引领中国电影走向世界。     

It Follows: precarity,thanatopolitics, and the ambient horror film

In the 2014 horror film It Follows, a teenage woman is terrorized by a fatal curse that passes from victim-to-victim via sexual intercourse. The subject of the curse is relentlessly pursued by vacant-minded assassins that take the form of friends, loved ones, and strangers. The film is set near the infamous dividing-line of Detroit’s 8 Mile Road, between what remains of the suburban working-class and the sacrifice zone of post-industrial urban triage. I argue that It Follows confronts audiences with the spectral manifestation of precarity: the deliberate and unequal redistribution of human fragility to populations who are the most socially and economically vulnerable. First, the generic shift from a specific monster to an anonymous and relentless force redeploys horror convention to draw attention to the conditions that induce horror within the prevailing socioeconomic order. Second, the film renders such precarity visible by contrasting the mise-en-scene of the suburban enclave with zones of postindustrial ruin; the relative comfort of the former predicated on the vulnerability of the latter. The film maps a landscape of postindustrial ruin, enacting a visual and narrative critique of thanatopolitics, the biopolitical organization of death under late capitalism.     

中国电影百年的断想与反思

断想:欲求中国电影以人为本,全面、协调、可持续发展,必须从哲学层面上彻底摒 弃非此即彼,是此非彼的二元对立的单向思维方式,代之以全面辩证发展的多向思维方式。在电 影与政治、政策的关系上,电影不能简单地从属于临时的具体的直接的政治,以政治方式取代审 美方式把握世界,但也不能又走向从属于经济,附属于市场的另一极端;在处理电影的认识、教 育、娱乐、审美等社会功能的关系上,过去有片面重教育、轻娱乐的教训,但现在也不能又走向以 娱乐为电影创作“本体”的轻教育、重娱乐的另一极端;在主旋律和多样化的关系上,我们是题材 重点论和有差别论者,在弘扬主旋律的同时,提倡创作主题题材风格样式的多样化,而关键在于 创作主体,对题材有无独到的思想发现和审美发现。 反思:电影批评方法应坚持美学评析与历史评析的辩证统一,而将观赏性与思想性艺术性并 列的提法并不科学。 辨析:电影应尊重满足和服务群众,但目的是提高群众而不是媚俗,“观众是上帝”论应慎用; 电影应关注市场,赢得“票房价值”,但不应“票房至上”;电影应讲究宣传,无须炒作,“炒作”可赢 得利润,却提高不了审美价值。     

英语影视教学中影视作品的选择与加工

“看电影，学英语”，作为一种教学辅助手段，以其特有的优势和良好的教学效果，已越来越被人们认可并积极采用。在教学过程中，“看什么”是英语影视教学成功与否的关键之一，因此，应对影视作品有所选择，并进行相应的加工。     

Exploring the Concept of ‘Habitus’ with Preservice Teachers Through the Use of Popular School Films

The thesis of this paper is that it is a productive venture to introduce preservice students to social theories that are typically not a part of teacher preparation programs. Examples of these theories are those associated with terms such as habitus, the carnivalesque, power / knowledge, seduction, detournement, the spectacle,la perruque, (the wig), and the art of making do,as well as others. In this paper, I describe a project that involved exploring the theory of habitus to problematize the tendency of preservice students to not think in terms of relations between what goes on in the classroom and what goes on in society. I introduced habitus by having preservice students read selected print materials and by having them view, analyze, and respond in writing to popular school films. Students also analyzed their experiences in classrooms in terms of habitus, making a connection between theory and practice.     

丹参地膜覆盖栽培技术实验

为解决丹参春栽出苗慢,出苗不齐,缺苗多,影响产量的问题,采用分根法春栽、地膜覆盖,对土壤温度、土壤养分、出苗时间与出苗率等因素进行对比试验,结果地膜覆盖后的丹参生态效应十分明显,产量也明显高于露地对照组.     

等厚干涉牛顿半环

本文给出了等厚干涉牛顿半环，分析了薄膜台阶产生的反射牛顿半环，并给出了利用牛顿半环测薄膜厚度的方法。     

风景这边独好--试论冯小刚电影现象

冯小刚电影现象构成了中国电影界十分奇特的冷热现象：一方面是观众的好评和高票房收入,一方面却是某些圈内人士和学术批评的严厉遣责。本试人中国的商业电影和是中国电影现状入手来对这一现象进行诠释,并尝试着从市场,电影的社会功能,情节的组建与构架,冲突与悬念和独特的喜剧等方面探讨冯小刚商业电影的成功所在,希望能为中国商业电影的繁荣起到抛砖引玉的作用。     

英美影视作品在英语教学中的应用

获奥斯卡金像奖的英美影视作品给学习者营造了一个以英语为母语的学习环境,通过欣赏影视作品可以学单词、学语法、练朗读,以及了解作品背后的文化背景,所以看电影是一条最佳、最经济的英语学习途径.     

La0.67Ca0.33MO3/YBa2Cu3O7-δ三明治结构薄膜的表面与界面微结构

用磁控溅射方法生长三明治结构的YBa2Cu3O7-δ/La0.67Ca0.33MnO3/YBa2Cu3O7-δ(YBCO/LCMO/YBCO)薄膜。该薄膜为完全(001)取向。掠入射X射线反射结果表明,YBCO/LCMO的界面有互扩散,其扩散长度为几个纳米。表层与界面的方均粗糙度(rms)随着YBCO层的厚度而变化,这与原子力显微镜的测量结果一致;进一步研究表明方均粗糙度与薄膜的失配应变弛豫相关。