浅谈华兹华斯诗歌中的女性美

本文从华兹华斯的《她住在人迹罕至的路边》、《孤独的刈麦女》和《毁了的村舍》三首诗入手,着力分析华氏诗中体现的女性美。通过与古典主义诗歌中女性形象的比较,对华氏诗中女性的特点进行了分析,充分肯定了其诗歌的净化作用及深刻的现实意义。     

高校体育应重视女生基本姿态美的训练

随着市场经济的发展，就业竞争的激烈，女大学生应加强姿态美的训练，以适应竞争的需要。     

Identifying core competencies to advance female professors’ careers: an exploratory study in United States academia

This exploratory study aims to identify the core competencies necessary to successfully advance the careers of female associate professors in higher education. To ascertain these core career competencies, a critical incident interview technique was employed. One-to-one semi-structured interviews with six female full professors at a major research university in the Midwestern region of the United States were conducted. Based on participants’ career advancement experiences, the following competencies were identified: (1) making important connections, (2) fulfilling responsibilities in academia, (3) being politically savvy, (4) managing personal and professional obligations, (5) developing a sense of self-agency for one’s career, and (6) believing in one’s self in the work environment. The action-oriented findings of this research, rather than skill-based, can be easily adapted by faculty and institutions, both domestically and internationally, to improve current practices. These findings offer a unique contribution for improving the research and practice of career development among female faculty in higher education.     

解读《老人与海》的悲剧美与崇高美

海明威在《老人与海》中塑造的主人公圣地亚哥，是一个英勇奋战的失败者。他在大海上与厄运顽强搏斗，最后的战利品却是一副残剩的鱼骨，这种以失败而告终的结局将悲剧色彩推向高潮。悲剧艺术，实际上就是拿被毁灭的美给人看，美的规律就此产生，因而其感染力是强烈的、长久的。然而，圣地亚哥的自信、勇气、力量和尊严震撼人心、催人奋进，崇高美由此产生。悲剧通过丑对美的暂时的压倒，强烈地展示了美的最终的必然的胜利。《老人与海》特殊审美魅力就在于由悲剧美超越到了崇高美。     

死亡、女性与叙事--评《达罗卫夫人》的女性视角

短篇小说<达罗卫夫人>是弗吉丽亚·伍尔夫的代表作品,目前对它的评论多局限在意识流技巧的探讨上,而没有从技巧与思想内涵的内在联系方面加以深入.本文拟从"死亡意识"入手,探讨女性作家如何采用"意识流"的技法,表现丰富多彩的女性意识空间.     

论玉溪诗与梦窗词的悲情心理和情思内涵

李商隐和吴文英独特的悲剧性情感体验使他们因情感世,形成了悲情性审美心理结构。他们作品的情思以“伤春”为主题,刻意抒写阻隔、孤寂等内在情绪型感慨,表现出细微、曲折的艺术特征,创造出感伤、深挚的情思美。     

略论中西绘画艺术的和谐观差异

和谐美是中西方美术创作中共同追求的艺术境界。但是,中西方对和谐的理解和追求存在种种差异。在中国,艺术家强调内涵神韵的和谐,西方艺术家则更偏重形式的和谐,尤其是符合几何定理的形式和谐。中国人侧重于内心、意识层面上的美的追求;西方更注重客观的数理之美,如比例的匀称、色彩的搭配。     

武定彝族刺绣《四方八虎图》的文化内涵和美学意义

崇虎,敬虎又惧虎,虎成为某种象征而不是一般意义的动物,嫁家送《四方八虎图》至少可以表明这样几点意义：一是告诉子孙别忘了我们是虎的子孙,虎是我们彝族的“族徽”标识;二是祈求虎——祖先驱邪避祸,保佑子孙成长壮大,这又是一种祖先崇拜的的曲折反映。《四方八虎图》是彝族远古先民图腾崇拜,古老朴素阴阳观的反映,它多层次地反映了彝族独特的审美观和民族文化心态。     

浅探东方戏剧的"意境美"

“意境”作为东方美学独特的范畴,具有情景交融、虚实结合,由有限到无限,由自然到人生的美学特色。     

Doodling Effects on Junior High School Students’ Learning

The main purpose of this study was to assess the effects of doodling on the learning performance of high school female students in Tehran. The design of this research was a pre‐test–post‐test with a control group. A group of 169 junior high school 12–13 year‐old students was chosen for this study. After being taught a section of the Natural Science course, the students were asked to answer questions related to the lessons. After that, their grades were used as the pre‐test scores. The post‐test was carried out after the devised treatment. During ten sessions of the same course and teacher, the students were each given a blank sheet of paper and were asked for doodling if they felt like doing it. After each session, a couple of relevant written questions were asked to evaluate how well students had learned the lessons. The experiment and control group both consisted of 27 randomly selected students; participants in the experiment group were doodlers and those in the control group did not doodle. To evaluate the doodling effect a t‐test analysis was performed. Comparison of the grades showed that the experiment group outperformed the control group significantly.