World War Z,The Zombie Apocalypse,and the Israeli state’s monstering of Palestinian “others”

ABSTRACT

The authors deploy a critical cultural critique that extends the work of monstrosity scholars and other researchers who are interested in the application of zombie apocalypse analyses to critiques of contemporary nationalistic and social controversies. World War Z sets in motion a series of cinematic dynamics that invite audiences to consider how Israeli securitization of Jerusalem might serve as the world's best hope for containing the zombie apocalypse. By decoding the “monstering” features World War Z, the authors note the heuristic value of understanding how the rhetoric of autoimmunity influences mediated perceptions of Israeli and Palestinian conflicts.     

左翼电影的思想性及其反世俗性——二读《体育皇后》(1934年)

决定一部影片是否左翼电影的不是题材,而是主题思想及其价值取向。孙瑜编导、联华影业公司1934年出品的《体育皇后》是一部典型的左翼电影,因为它具备左翼电影的主要特征,即阶级性、暴力性、宣传性。左翼电影胜在理念,因此其宣传性在具备批判性的同时,又以思想性和反世俗的先锋性见长。实际上影片对体育精神的理解和表彰,无论是当时还在当下,都是一种具备普世价值的行为意识和可以重新开掘使用的思想资源。     

影视输入条件下艺术院校学生词汇附带习得的实证研究

本文以艺术院校大二两个班的学生作为实验对象,分析两个班学生在有影视输入条件下同无影视输入条件下的词汇量变化,来探讨影视输入是否有利于词汇量少于5000的学生的词汇附带习得。研究发现,影视输入对学生的词汇附带习得有明显效果,附带习得多发生在托福、雅思程度类词汇。     

目的论下的中文电影名翻译技巧

电影名翻译是翻译活动中的特殊的领域,当今越来越多国产影片走向世界,影片名在一部电影的传播过程中起着至关重要的作用,该文就一些常见电影名的翻译,列举了在目的论指导下的电影名翻译的几种技巧。     

A Community Designs Its School

Teaching with film is a powerful and meaningful instructional strategy. This article discusses five classroom-tested methods for teaching with film: (1) film as a visual textbook, (2) film as a depicter of atmosphere, (3) film as an analogy, (4) film as a historiography, and (5) film as a springboard. Each of the methods discussed includes examples of a variety of films that could be used, along with suggested focus questions and conversation topics. Furthermore, this article discusses relevant legal issues surrounding the use of film in the classroom.     

Ti/nano-TiO2膜电极制备的影响因素分析

采用溶胶凝胶法(sol-gel)法,以钛酸丁酯为起始原料制备纳米二氧化钛溶胶;研究了水分含量、分散剂种类和煅烧温度等因素对溶胶-凝胶(sol-gel)制备钛基二氧化钛电极催化活性的影响,运用扫描电镜(SEM)、循环伏安曲线(CV)表征了所制得纳米TiO2电极的形貌及电催化活性。     

'It's Just Really Hard to Come to Terms With': Young people's views on homosexuality

This article explores young people's views and beliefs about homosexuality. It is based on data from the Respect study, a multi-method project which involved over 1700 young people aged 11-16 in schools in various UK locations (including Northern Ireland), and from some marginal groups including a gay and lesbian group. Gendered patterns in attitudes to homosexuality and expressions of homophobia are described and examined, the latter generally expressed through the homosocial groups that most inhabit in the early and mid-teens. Some of the ways in which their views are constructed are suggested. Homosexuality for these young people appears to be more a label than 'real', allowing homophobic discourse to keep it distanced and denigrated. But despite strong expressions of homophobia amongst young people, emerging counter-currents were in evidence, often ill-informed and contradictory, but ones that are in urgent need of clarification and broadening out through information and discussion. The views and experiences of young people in the study who had struggled with the process of coming out as gay or lesbian demonstrate the impact of the cultural context of homophobia. These findings have several implications for sex education practice.     

整合教学在“应用地球物理学”课程教学中的应用

在“应用地球物理学”教学中,通过引入整合教学方法,不仅较好地实现了不同勘探方法以及不同专业课程内容、概念等的融合,而且极大地促进了学生对“应用地球物理学”课程教学内容的全面理解和正确把握。通过“薄层”与“厚层”概念教学范例成功地诠释了整合教学法在专业课教学中的重要性。联想使知识得以扩展,对比使问题得以明晰。严谨细致的教学研究工作是实现整合教学的基础和关键。     

文化贴现与电影传播——兼谈近年我国电影市场的“黑马”现象

文化贴现是相对于文化消费而言的,它是指文化产品在跨国交流和跨文化传播中,受众为了理解该产品的文化价值所付出的文化代价.文化贴现直接影响甚至决定文化产品跨境传播的价值和跨文化接受的实际效果.文化贴现并不直接反映在文化贸易的具体行为中,而是体现在文化产品的消费和接受环节,正是这种来自消费和接受的潜在压力影响了文化产品的贸易状况和市场前景.文化贴现是文化消费和接受过程中的普遍现象——文化贴现并非仅仅发生在跨境贸易和跨文化传播之间,即使在同一国家、同一地区内部也存在着文化贴现问题.虽然文化贴现是文化消费和接受过程中的普遍现象,但造成文化产品在跨境贸易和同一国家或同一地区的文化贴现之原因是各不相同的,因此文化贴现又存在着质性的差异和变化.近年国产电影市场频现的“黑马”现象证明受众对文化产品保持着较高的认可度和接受度,因此,国内电影若冲出困境走上良性发展之路必须充分了解社会、尊重市场,减少文化贴现.     

当代电影艺术的三重独立叙事结构

现代意义的电影是一门文学、图像、音乐相互交融的复合型艺术。由于其形式的直观性与生动性而易于为人所接受;又因为其内容仍持有一定文学性而不失趣味。电影艺术已成为当代艺术主流形式之一,而必须明晰的是,一部优秀的电影作品中文学、图像和音乐三要素彼此之间内容与形式的关系,它们是在彼此独立的基础上才能够做到真正意义上的相互交融。当下值得被探讨的正是各要素的本质核心,与要素本身、要素之间的构建方法。