关于女生学习艺术设计的性别特性及对策

男女生在艺术设计专业学习中的性别差异，主要是由于生理、智力、非智力和学科等因素造成的。教师应认识其客观性，在教学过程中针对男女生的不同特点，因势利导，采用适宜的教学方法，促进男女生的理论修养和动手能力同步发展，进而提高他们的艺术设计水平。     

析性别语篇系统的差异——从跨性别交际失误谈起

男性和女性属于不同的语篇系统,因此,在跨性别交际中男女之间常出现交际失误。两性语篇的差异表现在交际风格、意义的解释框架等方面。明了这些差异及其原因有助于跨性别交际的顺利进行。     

出生性别比研究——以福建省为例

利用全国人口普查福建省数据和福建省公开发布的有关资料数据,分析福建省出生性别比失衡现象的现状,在此基础上,从社会性别视角分析得出出生性别比失衡的根源为性别不平等。应从转变传统观念、充分发挥社会化主体的作用以及借鉴韩国有效的经验三个方面采取有效措施,才能更好地解决出生性别比问题。     

论化妆仪式:阿尔莫多瓦电影中的身份和性别表演

聚焦于阿尔莫多瓦电影的基本构成元素——化妆,通过对其中身份性别表演的分析,发掘出具有"异托邦"性质的反抗与生存的空间,从而在充满矛盾的化妆仪式中,实现身份和性别的颠覆与解构。     

民族身份与性别表述的建构与交融——以满族女作家叶广芩为例

在多元文化语境下,少数民族女性在民族文化历史背景下进行着不懈的精神探索,不断思考并建构着属于自己的民族身份。她们关注女性自身,致力于对民族文化的继承和弘扬,将对民族、家族与性别的关注与个人生命体验胶合在一起,并自觉地将民族叙事与女性叙事相结合,实现了民族身份与性别表述的建构与交融。满族女作家叶广芩的小说创作生动地体现了这一点。     

女性文学研究与大学语文教育

把女性文学研究的经验和成果运用到大学语文教育中,使大学语文在课程目标、教材编写、教学内容、教学方法等方面都增加一个女性主义视角。把培养大学生先进的社会性别意识作为课程目标之一,用女性主义视角审视教材编写,改变无性别色彩的教学内容。尝试运用女性主义教学法进行颠覆性文本阅读,通过增加性别视角实现多元化、多维度文本解读。     

翻译与性别：论鲁迅文学译作中的女性观

鲁迅的译作在中国历史上产生了深刻的影响。女性问题一直也是他所关注的一大焦点,贯穿于他的创作和翻译生涯,尤其是他翻译文本里所塑造的女性形象及女性标准与当时的社会道德规范大相径庭。在特定时期,鲁迅文学译作中的女性的生存困境,为女性争取话语权带来了契机和希望。     

Investigating Identity: Gender,Overseas Experience,and Japanese Youth

Identity is prominent in academia, despite it being difficult to define and measure due to its dynamic and multifaceted nature. In Japan, awareness of the make-up of Japanese youth is increasingly crucial as Japan becomes a more internationalized and ageing society. This paper examines, by identity mapping and discriminant analysis, the cultural identities of 94 Japanese youth. While strong Global identities separated the respondents with from without overseas experience, ties to National identities and Relationships were found respectively for males and females. This paper suggests that regarding the study of cultural identities, gender does matter – at least in Japan.     

Sex differences in elbow and wrist joint loading during the cartwheel and round off with different hand positions performed by young gymnasts

The aim of the study was to determine if sex differences exist in the key elbow and wrist joint injury risk factors during different cartwheel (CW) and round-off (RO) techniques performed by young male and female artistic gymnasts. Sixteen active young gymnasts (8 males and 8 females) performed 30 successful trials of CW and RO with three different hand positions (parallel (10), T-shape (10) and reverse (10)). Synchronised kinematic and kinetic data were collected for each trial. Two-way repeated measures ANOVA (3 × 2, technique × sex) and effect-sizes (ES) were used for statistical analysis. In conclusion, female gymnasts exhibited greater normalised peak vertical ground reaction forces (VGRF), elbow and wrist compression forces and elbow internal adduction moments during CW and RO skills compared with male gymnasts. In both sexes, the parallel and reverse techniques increased peak VGRF, elbow and wrist compression forces and the elbow internal adduction moment. Increased elbow flexion resulted in decreased peak VGRF, elbow compression forces and elbow internal adduction moment. Injury risk factors including elbow extension and internal adduction moment with axial compression force suggest that a CW and RO in reverse and parallel techniques can be hazardous especially for young female gymnasts.