《谷梁传》叙事比论(转载)简

通过《谷梁传》十五则叙事文字与《左传》《公羊传》同题故事逐一比较可以发现,有谷梁氏优于左氏、公羊氏者,有三家各有千秋者,有谷梁氏不如二氏者.谷梁氏多数故事不如左氏,少数互有短长.谷梁氏叙事与公羊氏相差无几.出现上述差异的原因在于,谷梁氏、公羊氏是经学家,重在解释《春秋》经义,故事只是为释义的补充而已,因而忽视叙事的完整性和生动性.左氏是史学家兼史传文学家,长于叙事,重视细节的真实性和情节的完整性,解释《春秋》经义只是偶尔为之.     

元明民间叙事文本中关羽的另类形象

元明民间叙事文本叙写了一些特殊的关羽故事,在忠、义、勇、智之外,塑造了关羽形象的另一面头脑简单、无情无义、自私、无礼、残忍、势利、心胸狭窄。这一另类关羽形象的塑造,致使民间叙事中关羽的整体形象出现分裂和矛盾,凸显了民间叙事和文人叙事在关羽形象塑造上的差异。其差异的出现与创作主体、接受对象及关戏演出的文化功能相联系。     

Negotiating the teaching of history in times of curriculum reform: the narrative accounts of four Australian primary teachers

This research investigates the understandings of four teachers who teach history in primary and early childhood settings. Data were gathered from participants through semi-structured interviews. The participants were experienced teachers who were in the process of curriculum change – from teachers of studies of society and environment to teachers of history, under the auspices of the Australian Curriculum: History. The focus of the study was on their understandings of content knowledge and the pedagogies involved in classroom teaching, using a pedagogical framework, which sought to identify and categorise the nature of their knowledge base in the implementation phase of the Australian Curriculum: History. The study used narrative inquiry to show how temporality, sociality, and place play out in the lives of these teachers of history. The findings from this study indicate the challenges and opportunities for teachers’ professional knowledge landscapes in times of curriculum reform. Whilst there are a small number of participants in this study, their stories provide insight into how teachers responded to the challenges and opportunities of teaching history and how these teachers have shaped the implementation of the history curriculum.     

Narrative inquiry and the problem of representation: ‘giving voice’, making meaning

In this article, the author argues that the exploration of alternative forms of research representation can result in new possibilities for making meaning in educational research. Narrative inquiry as a methodology has become established as an approach in education but remains contested in many ways. How we come to an understanding of such research findings and in particular how the issues of voice and representation are resolved are subject to much debate. Here, the author proposes that using fictive methods of representation of research, particularly poetry, can have implications for the ways in which meaning is made and therefore the possible meanings that can be made. Further, this article argues that the poetic form allows for the inclusion of many voices and stories in a non-hierarchical manner, making the author's influence explicit without it being dominant. Researchers have argued for poetic representations of research data as a means to evoke the participants' experience whilst making the author's influence explicit; here, it is argued that poetry can be utilized to provide a fuller representation of the research, placing the voice of the participants, the researcher and the literature on an equal level within the whole story of the research project. This article first details narrative inquiry as a methodological approach and its particular application to educational research before discussing the issues surrounding voice and representation. Subsequently, fictive forms of representation are explored as a means of addressing these issues.     

Feminising and masculinising primary teaching: a critical examination of the interpretive frameworks of male primary school principals in Hong Kong

Over the past two decades, the feminisation of primary school teaching has been identified by the media and government officials in Western countries as an important contributing factor to boys' academic problems. This panic, which has been criticised by feminists as a backlash and a form of recuperative politics, has promoted the development of research into gender and education, particularly studies related to the gendered culture of primary schools and on the masculinities of male teachers. However, male primary principals remain relatively under-researched in the literature, despite the importance of their structural position and increasing concern over the masculinisation of school leadership. This paper aims to contribute to the discussion by critically analysing the interpretive frameworks of 12 male primary school principals. The findings reveal not only the complex, contradictory and at times culturally specific gendered discourses that some male principals employ, but also their feminising and masculinising effects on the school workplace and leadership.     

中西叙事理论视域中的《左传》叙事研究回顾

《左传》叙事研究的特征是：传统的文章技法与现代阅读体验的结合,中国古代叙事观念与西方叙事学理论的结合,史学视角与文学思维的结合,叙事学内部多重视点的结合。这种研究特征在日后也将成为《左传》叙事研究的发展方向,丰富并发展着中国叙事学理论,建构中国早期叙事学研究理论。     

论张天翼儿童文学“新奇的”叙事姿态——以长篇童话《大林和小林》为例

张天翼的《大林和小林》,是中国长篇童话的开山之作。他的＂新奇的＂叙事姿态,奠定了其作为中国儿童文学拓荒者的卓越地位。这种＂新奇的＂叙事姿态主要表现,一是儿童文学＂有益、有趣＂的创作标准,二是幻想里折射出的斑斓人生,三是幻想中闪现出的独创光彩,其间的思想与智慧带给小读者独特的艺术审美享受。     

《国王的演讲》与《窈窕淑女》的互文性解读

第83届奥斯卡获奖影片《国王的演讲》是一部以英国王室生活为题材的励志作品,其在主题内容、叙事结构、人物形象、故事情节上与第37届奥斯卡获奖影片《窈窕淑女》有着明显的互文性对照。通过互文性解读,这两部影片所表现的通过积极奋进来获得自信、实现人生价值的励志主题更加凸显,同时也为欣赏奥斯卡经典影片提供了另外一个视角。     

女性视角下的美与忧伤——试分析《额尔古纳河右岸》的叙事艺术

迟子建是当今颇具实力的女作家中别具风格的一位。创作题材的新鲜质朴、主题表现的深刻独特,不时激活着现代人麻木疲惫的心灵,而在叙事上的着意经营,更使她的小说耐读而富有独特意味。从叙事艺术入手,通过叙事方式、叙述视角、叙事内容以及话语风格方面分析她获茅盾文学奖的新作《额尔古纳河右岸》的叙事特征,从而进一步把握迟子建一贯风格在本部作品中的延续。     

聚焦《紫色》

<紫色>是美国当代黑人女作家艾丽丝·沃克的代表作之一,也是艾丽丝·沃克运用书信体叙述策略构建的小说.基于书信体的叙述策略,用第一人称内聚焦以及双重聚焦分析<紫色>,让读者在阅读信件的同时体会人物的思绪,透视女主人公茜丽从麻木、觉醒到独立的心路历程.