美国信息素质教育进展述略

本文从以下方面介绍分析了近几年美国信息素质教育的进展情况：涌现了大量信息素质教育标准和准则、深入研究信息素质教育理论、强调信息利用的法律及社会道德问题、技术发展对信息素质教育的影响以及教学规划和教学措施的发展演变。     

"积极老龄化"与公共图书馆

针对席卷全球的人口老龄化浪潮，就公共图书馆如何开展老年读者服务工作。以配合联合国第二届世界老龄大会提出的“积极老龄化”战略的实施，提出对策。     

用powerpoint制作文检课多媒体教学课件的尝试与体会

多媒体教学现在越来越成为一种趋势，它代表了现代教育技术的特征，不仅是教学手段现代化的一种体现，而且是教学改革的重要环节与突破口。本文介绍了作者用powerpoint开发制作文检课多媒体教学课件实践中的一些体会，并总结了课件对传统教学的几点改进。     

中国图书馆职业资格认证制度的建立与实施

本文针对当前我国图书馆界的现状，从人力资源开发与管理的角度，论述了图书馆职业资格认证制度首先要“以人为本”，同时要进一步开展对馆员的继续教育工作，并呼吁应尽快建立一套法律体系，使图书馆界的职业资格证书制度早日走向法制化、规范化。     

层次分析法在网络信息资源导航系统评价中的应用

网络信息资源导航系统是指引用户有效利用网络信息资源的重要工具,文章利用层次分析法为该类网站建立一个评价指标体系,并将其应用在对两个化学信息资源导航系统的评价之中。     

Program Evaluation and Archives: An Essay on a Research Agenda

The author begins with comments on the importance and position of program evaluation (PE), mostly in the context of European archives. These observations, based on personal experience and on a preliminary literature review, show a definitive need for PE, despite its weak position in the managerial activities of archives. Next, the author highlights some special aspects of the evaluation of archival programs. Finally, the author draws conclusions from his general remarks and from his reading of the articles included in this thematic issue ofArchival Science. He outlines some tendencies and shifts in the definition and purposes of evaluation and a short research agenda, containing the most important issues for further development of PE in archives.     

从FRBR看编目条例及机读目录格式的变革路向

在实体信息资源和网络信息资源并存的今天,编目对象应从文献单元和表达形式层次提高到表现方式和著作的层次,编目条例和机读目录格式也应作相应的变革。制订以表现方式以及著作实体为编目对象的编目条例是机读目录格式的变革路向。表1。图4。参考文献10。     

"一站式服务"与图书馆信息咨询服务的优化

在数字图书馆和参考咨询迅速发展的今天，“一站式服务”作为图书馆参考咨询服务的新理念和追求目标，对馆员的要求是贯彻首问责任制，对资源的要求是要有效整合图书馆的献资源，对服务模式的要求是引进合作数字参考服务，建立多层次的信息咨询服务模式。     

Manufacture and Date of a Goryeo dynasty Sutra Box with Mother-of-pearl Inlaid Decoration at the Rijksmuseum,Amsterdam

Currently, about ten Goryeo dynasty (918–1392 CE) sutra boxes are preserved in museums in Korea, Japan, the United States, the Netherlands, and the United Kingdom. This article is the result of an examination of a sutra box in the collection of the Rijksmuseum, Amsterdam (hereafter ‘Rijksmuseum sutra box’), which was first introduced to a European audience in the Transactions and Proceedings of the Japanese Society, in 1913–1914. The Rijksmuseum sutra box differs from other Goryeo sutra boxes. With its altered structure and modified motifs, this box bears significant value, not only for the research of thirteenth-century Goryeo mother-of-pearl art, but also for the study of cross-cultural adaptations in East Asian lacquer art. This article investigates the date of manufacture of the sutra box by analysing the manufacturing techniques and its various original and modified parts. For this, an X-ray radiograph was carried out for the first time. As a result, discoveries have been made regarding the structure and decoration of the lower part, which has been modified and is different from Goryeo mother-of-pearl sutra boxes. Finally, this paper reconsiders conservation and repair of Goryeo sutra boxes, as illuminated by an understanding of the original and repaired parts of this box.     

Lighting the Shroud of Turin for Exhibition in 2015

ABSTRACT

Lighting a cultural heritage artifact requires balancing visual perception with preventive conservation, by providing the best lighting (in terms of spectral distribution and quantity) to enable the viewer to appreciate details and color, while limiting photo-induced degradation. The paper outlines the methodology applied by a multi-disciplinary team while lighting the Shroud of Turin at its last public exhibition in 2015. The methodology considered the special requirements of the Shroud, including exposure to ultraviolet light, while providing appropriate display conditions that would meet audience expectations. The desired appearance (readability of the body image and color) was defined with the help of Shroud researchers and confirmed by subjective tests, while appropriate light levels for preservation were set in agreement with standard requirements and using knowledge of the degradation of linen in visible and UV light. The installation provided a controlled environment and a managed visitor route to the Shroud, assuring excellent perception of both details and color, with the lowest illuminance level about 15?lx.